Rouli Esther Pasaribu
Biographic Data
| ID | 9012419 |
|---|---|
| NAME | Rouli Esther Pasaribu |
| GIVEN NAMES | Rouli Esther |
| FAMILY NAME | Pasaribu |
| SIGNATURE | PASARIBU R E |
| AFFILIATIONS | University of Indonesia |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Animals as a medium for criticism and reflection
This research analyzes the short story “Sesat Pikir Para Binatang” by Triyanto Triwikromo using a zoo-semiotic approach from Thomas Albert Sebeok, who studies the role of animals as signs in human symbolic communication. The animals in this short story not only function as characters in the story, but also as a reflection of human identity to convey criticism of anthropocentrism and a reflection of human morality. By using zoo-semiotic theory, th…
"R.A. Kartini" (1982) and "Kartini" (2017); Anguish and silent struggles in the narratives of Indonesian women’s empowerment role model
This study compares the portrayal of R.A. Kartini, an Indonesian female national heroine, in the biopics Sjumandjaya’s R.A. Kartini (1982) and Bramantyo’s Kartini (2017). The films were produced in the New Order and post-Reformation eras respectively, with social and cultural values translating into context-shaped standpoints in interpreting the figure of Kartini’s. Kartini is a role model associated with empowered Indonesian women and equality i…
Revenge Through Haunting
Tookaidoo Yotsuya Kaidan (1959) and Sundel Bolong (1981) are horror movies from Japan and Indonesia, respectively, about women who are oppressed by men and subsequently take revenge on them after their deaths. The key similarity between these two movies is that they have central female characters who turn into ghosts in order to express their anger towards their male oppressors. This study aimed to see how women's anger is depicted in Tookaidoo Y…
No prominent works on this page.
Revenge Through Haunting
Tookaidoo Yotsuya Kaidan (1959) and Sundel Bolong (1981) are horror movies from Japan and Indonesia, respectively, about women who are oppressed by men and subsequently take revenge on them after their deaths. The key similarity between these two movies is that they have central female characters who turn into ghosts in order to express their anger towards their male oppressors. This study aimed to see how women's anger is depicted in Tookaidoo Y…
"R.A. Kartini" (1982) and "Kartini" (2017); Anguish and silent struggles in the narratives of Indonesian women’s empowerment role model
This study compares the portrayal of R.A. Kartini, an Indonesian female national heroine, in the biopics Sjumandjaya’s R.A. Kartini (1982) and Bramantyo’s Kartini (2017). The films were produced in the New Order and post-Reformation eras respectively, with social and cultural values translating into context-shaped standpoints in interpreting the figure of Kartini’s. Kartini is a role model associated with empowered Indonesian women and equality i…
Animals as a medium for criticism and reflection
This research analyzes the short story “Sesat Pikir Para Binatang” by Triyanto Triwikromo using a zoo-semiotic approach from Thomas Albert Sebeok, who studies the role of animals as signs in human symbolic communication. The animals in this short story not only function as characters in the story, but also as a reflection of human identity to convey criticism of anthropocentrism and a reflection of human morality. By using zoo-semiotic theory, th…
Art (2 works) · Gender Studies (2 works) · Indonesian (2 works) · Law (2 works) · Literature (2 works) · Psychology (2 works) · Sociology (2 works) · Aesthetics (1 work) · Anger (1 work) · Asian Studies and History (1 work)