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Fabio Colonnese

Biographic Data

ID9015381
NAMEFabio Colonnese
GIVEN NAMESFabio
FAMILY NAMEColonnese
SIGNATURECOLONNESE F
AFFILIATIONSSapienza University of Rome
ORCID0000-0001-7606-8149
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS0
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2026
H-INDEX0
  • The Afterlife of the Mausoleum of Halicarnassus

    Open Access•Anke Naujokat, Poul Pedersen et al.•BOOK•The Afterlife of the Mausoleum of…•2026

    Few buildings have been as important to Western culture as the Mausoleum of Halicarnassus. One of the Seven Wonders of antiquity, it was destroyed during the Middle Ages, leading countless architects, antiquarians, painters and printmakers in Early Modern Europe to speculate upon its appearance. This book – the first on its subject – examines their works, from erudite publications to simple pen sketches, from elegant watercolours to complete buil…

  • The Colossus of Mussolini

    Open Access•Fabio Colonnese, Marco Giunta•ARTICLE•Histories•2024

    In 1933, Renato Ricci, President of the Opera Nazionale Balilla, proposed to move the place of Benito Mussolini’s gatherings from Piazza Venezia to the slopes of Monte Mario, into the Foro Mussolini, a complex mainly dedicated to sport activities. Ricci entrusted Luigi Moretti with the design of the vast esplanade of the Arengo delle Nazioni and a huge bronze statue of the Genius of Fascism upon the hill of Monte Mario, which was to incarnate the…

  • The Architectural Photomontages of Piero Bottoni

    Open Access•Fabio Colonnese•ARTICLE•Cahiers de la recherche…•2023

    Italian architects began to adopt photomontage and collage techniques only at the end of the 1920s. In the decade before the Second World War, these techniques provided architects with a visual key to distinguish themselves from the academies’ canonical representation; to seek an affiliation with the European avant-gardes; and to be recognisable in architecture competitions. They also constituted a critical tool for investigating and designing. T…

  • Perspective Studies on Perugino’s and Raffaello’s Painted Architecture

    Open Access•Fabio Colonnese•ARTICLE•Arts•2022

    The architecture that the Renaissance artists depicted in their works constitutes a vast reservoir of formal solutions that influenced (and were reciprocally influenced by) built architecture. Generally painted according to a rigorous perspective structure, most painted architecture can be restituted and modelled to become part of the Virtual Heritage that develops and extends its knowledge to a wider range of people and scholars. These procedure…

  • Designing in Real Scale

    Claudia Conforti, Fabio Colonnese et al.•ARTICLE•Architecture and Culture•2021

    Full-size models are powerful and expansive tools required in critical constructive situations and contexts. Part of both sculptural and architectural creative processes, they have been privileged by Renaissance artists such as Michelangelo and Bernini, who were architects and sculptors at the same time. Several documented cases of their real-size models reproducing portions of buildings on-site and modified ad libitum (at one’s pleasure) are dis…

  • Handbook of Research on Emerging Technologies for Digital Preservation and Information Modeling

    Fabio Colonnese, Vincenzo Sansone et al.•BOOK•Handbook of Research on Emerging…•2016

    "This book provides the latest research on the application of current innovations in the fields of architecture and archaeology to promote the conservation of cultural heritage by highlighting a range of real-world applications and digital tools"

  • Conveying Cappadocia. A new representation model for rock-cave architecture by contour lines and chromatic codes

    Open Access•Fabio Colonnese, Marco Carpiceci et al.•ARTICLE•Virtual Archaeology Review•2016

    Architectural heritage preservation is based on an in-depth, multi-layered and interdisciplinary knowledge of the cultural heritage sites, especially when they are a combination between natural and artificial, such as rupestrian (cave) architecture often is. Survey and representation of rock-cut architecture is one of the most problematic issues for a number of problems concerning the geometrical complexity of the interior and exterior enveloping…

No prominent works on this page.

  • Handbook of Research on Emerging Technologies for Digital Preservation and Information Modeling

    Fabio Colonnese, Vincenzo Sansone et al.•BOOK•Handbook of Research on Emerging…•2016

    "This book provides the latest research on the application of current innovations in the fields of architecture and archaeology to promote the conservation of cultural heritage by highlighting a range of real-world applications and digital tools"

  • Conveying Cappadocia. A new representation model for rock-cave architecture by contour lines and chromatic codes

    Open Access•Fabio Colonnese, Marco Carpiceci et al.•ARTICLE•Virtual Archaeology Review•2016

    Architectural heritage preservation is based on an in-depth, multi-layered and interdisciplinary knowledge of the cultural heritage sites, especially when they are a combination between natural and artificial, such as rupestrian (cave) architecture often is. Survey and representation of rock-cut architecture is one of the most problematic issues for a number of problems concerning the geometrical complexity of the interior and exterior enveloping…

  • Designing in Real Scale

    Claudia Conforti, Fabio Colonnese et al.•ARTICLE•Architecture and Culture•2021

    Full-size models are powerful and expansive tools required in critical constructive situations and contexts. Part of both sculptural and architectural creative processes, they have been privileged by Renaissance artists such as Michelangelo and Bernini, who were architects and sculptors at the same time. Several documented cases of their real-size models reproducing portions of buildings on-site and modified ad libitum (at one’s pleasure) are dis…

  • Perspective Studies on Perugino’s and Raffaello’s Painted Architecture

    Open Access•Fabio Colonnese•ARTICLE•Arts•2022

    The architecture that the Renaissance artists depicted in their works constitutes a vast reservoir of formal solutions that influenced (and were reciprocally influenced by) built architecture. Generally painted according to a rigorous perspective structure, most painted architecture can be restituted and modelled to become part of the Virtual Heritage that develops and extends its knowledge to a wider range of people and scholars. These procedure…

  • The Architectural Photomontages of Piero Bottoni

    Open Access•Fabio Colonnese•ARTICLE•Cahiers de la recherche…•2023

    Italian architects began to adopt photomontage and collage techniques only at the end of the 1920s. In the decade before the Second World War, these techniques provided architects with a visual key to distinguish themselves from the academies’ canonical representation; to seek an affiliation with the European avant-gardes; and to be recognisable in architecture competitions. They also constituted a critical tool for investigating and designing. T…

  • The Colossus of Mussolini

    Open Access•Fabio Colonnese, Marco Giunta•ARTICLE•Histories•2024

    In 1933, Renato Ricci, President of the Opera Nazionale Balilla, proposed to move the place of Benito Mussolini’s gatherings from Piazza Venezia to the slopes of Monte Mario, into the Foro Mussolini, a complex mainly dedicated to sport activities. Ricci entrusted Luigi Moretti with the design of the vast esplanade of the Arengo delle Nazioni and a huge bronze statue of the Genius of Fascism upon the hill of Monte Mario, which was to incarnate the…

  • The Afterlife of the Mausoleum of Halicarnassus

    Open Access•Anke Naujokat, Poul Pedersen et al.•BOOK•The Afterlife of the Mausoleum of…•2026

    Few buildings have been as important to Western culture as the Mausoleum of Halicarnassus. One of the Seven Wonders of antiquity, it was destroyed during the Middle Ages, leading countless architects, antiquarians, painters and printmakers in Early Modern Europe to speculate upon its appearance. This book – the first on its subject – examines their works, from erudite publications to simple pen sketches, from elegant watercolours to complete buil…

Computer Science (5 works) · 3D Surveying and Cultural Heritage (4 works) · Architecture (4 works) · Art (4 works) · Politics (4 works) · Visual arts (4 works) · Architecture and Art History Studies (3 works) · Art history (3 works) · Law (3 works) · Political science (3 works)

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