Irina Zykova
Biographic Data
| ID | 9016670 |
|---|---|
| NAME | Irina Zykova |
| GIVEN NAMES | Irina |
| FAMILY NAME | Zykova |
| SIGNATURE | ZYKOVA I |
| AFFILIATIONS | Institute of Linguistics |
| ORCID | 0000-0002-0430-7769 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Formulaicity and pragmatics of contact-terminating means in cinematic vs. artistic discourse
In measuring “pragmatic authenticity” of cinematic discourse, researchers traditionally compare films of different genres with real-life talks. However, a recently growing tendency towards the colloquialization of the written language of literature (when it is becoming more speech-like) makes it relevant to compare cinematic discourse with other types of artistic discourse from a pragmatic point of view. Among various pragmatically relevant lingu…
The Specifics of Text Transformation in the Process of Intersemiotic Translation
Linguistic creativity and multimodal tropes in cinematic discourse
The present article explores the creative potential of language that is realized in cinematic discourse and is based on the case study of eight popular Soviet comedy films of the 1960s with the overall running time of 670 minutes. The choice of this period is determined by the sociohistorical relevance of the sixties in the development of Russian culture and cinematic art. The goals of this paper are to identify and categorize the verbal means th…
Nociception and Its Linguocreative Potential in Artistic-Aesthetic Representation
One of the perspectives in the development of linguistics is investigating the role that the sensory-perceptual system plays in the linguocreative activity of an individual. The present paper analyzes specificity of verbal conceptualization of nociception, or pain, in the artistic experimental discourse. The novel "Extremely Loud & Incredibly Close" (2005) by the contemporary American writer J.S. Foer has been selected as the research material. T…
Interdiscursive Parameters of Linguistic Creativity (The Case Study of Cinematic Discourse)
The research aims at elaborating the theory of linguistic creativity and a common methodology of studying linguocreative phenomena in different discourses. For further development of a multi-level system of parameters of linguistic creativity described in our previous works, the present paper studies in detail the parameters of an interdiscursive level, in particular, how they are activated in the cinematic discourse. The applied analytical algor…
Linguistic Creativity in Cinematic Discourse and Discourse of Children’s Literature
The research aims to develop the method of contrastive analysis of linguistic creativity in discourse. The present study attracting two typologically different discourses, the cinematic discourse and the discourse of children's literature, demonstrates the 5-stage algorithm of contrastive frequency and contingency analysis of linguistic creativity parameters in all language levels, phonological, morphological, word building, lexical, syntactic an…
“The New Ways of the Word”
The present paper aims to study the avant-grade manifesto as the manifesto of a new type and to analyze factors that establish the specificity of its poetics. The research shows that the specific character of the avant-garde manifesto’s poetics is provided by the phenomenon of avant-garde, peculiar ways of historical evolution of the manifesto as a literary genre, and pragmatic goals of the avant-garde manifesto that influence the choice of appro…
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“The New Ways of the Word”
The present paper aims to study the avant-grade manifesto as the manifesto of a new type and to analyze factors that establish the specificity of its poetics. The research shows that the specific character of the avant-garde manifesto’s poetics is provided by the phenomenon of avant-garde, peculiar ways of historical evolution of the manifesto as a literary genre, and pragmatic goals of the avant-garde manifesto that influence the choice of appro…
Interdiscursive Parameters of Linguistic Creativity (The Case Study of Cinematic Discourse)
The research aims at elaborating the theory of linguistic creativity and a common methodology of studying linguocreative phenomena in different discourses. For further development of a multi-level system of parameters of linguistic creativity described in our previous works, the present paper studies in detail the parameters of an interdiscursive level, in particular, how they are activated in the cinematic discourse. The applied analytical algor…
Linguistic Creativity in Cinematic Discourse and Discourse of Children’s Literature
The research aims to develop the method of contrastive analysis of linguistic creativity in discourse. The present study attracting two typologically different discourses, the cinematic discourse and the discourse of children's literature, demonstrates the 5-stage algorithm of contrastive frequency and contingency analysis of linguistic creativity parameters in all language levels, phonological, morphological, word building, lexical, syntactic an…
The Specifics of Text Transformation in the Process of Intersemiotic Translation
Linguistic creativity and multimodal tropes in cinematic discourse
The present article explores the creative potential of language that is realized in cinematic discourse and is based on the case study of eight popular Soviet comedy films of the 1960s with the overall running time of 670 minutes. The choice of this period is determined by the sociohistorical relevance of the sixties in the development of Russian culture and cinematic art. The goals of this paper are to identify and categorize the verbal means th…
Nociception and Its Linguocreative Potential in Artistic-Aesthetic Representation
One of the perspectives in the development of linguistics is investigating the role that the sensory-perceptual system plays in the linguocreative activity of an individual. The present paper analyzes specificity of verbal conceptualization of nociception, or pain, in the artistic experimental discourse. The novel "Extremely Loud & Incredibly Close" (2005) by the contemporary American writer J.S. Foer has been selected as the research material. T…
Formulaicity and pragmatics of contact-terminating means in cinematic vs. artistic discourse
In measuring “pragmatic authenticity” of cinematic discourse, researchers traditionally compare films of different genres with real-life talks. However, a recently growing tendency towards the colloquialization of the written language of literature (when it is becoming more speech-like) makes it relevant to compare cinematic discourse with other types of artistic discourse from a pragmatic point of view. Among various pragmatically relevant lingu…
Discourse Analysis and Cultural Communication (6 works) · Language, Communication, and Linguistic Studies (6 works) · Linguistics (6 works) · Philosophy (5 works) · Computer Science (4 works) · Creativity (4 works) · Psychology (4 works) · Sociology (4 works) · Art (3 works) · Language, Metaphor, and Cognition (3 works)