Leandro Ernesto Prado Soriano
Biographic Data
| ID | 9026583 |
|---|---|
| NAME | Leandro Ernesto Prado Soriano |
| GIVEN NAMES | Leandro Ernesto Prado |
| FAMILY NAME | Soriano |
| SIGNATURE | SORIANO L E P |
| AFFILIATIONS | School of Visual Arts |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Reflections on Artistic Scenic and Audiovisual Production
Aim. Performing and audiovisual artistic production requires an interdisciplinary approach that contributes to substantiating the creative role of the artistic producer, a fundamental aspect of film, television, radio, and the performing arts. The artistic producer is a creator who contributes to enriching the script, contextualising it within the production reality, and readjusting it according to market trends and the needs of the audiences who…
General Theoretical Notions About the Semiotics of Culture and the Arts
Aim. This article offers an approach to general theoretical issues in the semiotics of culture and the arts, with an emphasis on key concepts from these areas of knowledge. The evolution of the object of study, theoretical discussions associated with different theoretical and methodological traditions, and the basic categorical system are among the topics covered. Methods. To prepare the article, general or theoretical methods were used, such as …
Appreciation, Analysis and Creation in the Teaching-learning of the Plastic Arts
Aim. The Didactics of the Plastic Education is necessarily nourished by the general didactics and the arts, as well as by their particular methodologies, in aspects related to the teaching-learning of the textual analysis, and specifically, the study of the visual code (iconic and visual signs, tropes or rhetorical figures, etc.), which dialogues with theory, semiotics, cultural anthropology, among other sciences. Methods. In academic research, m…
The Analysis of the Visual Image
Aim. In the article, a historical approach to the analysis of the visual image is made in the way in which the didactic studies applied to the plastic arts in Latin America have treated it, with emphasis on Cuba, Spain, Brazil and Argentina. Methods. The methods used are historical-logical and document analysis. Results. As a result, a historical-trend study of the analysis of the visual image is offered during the last three centuries, a period …
No prominent works on this page.
Appreciation, Analysis and Creation in the Teaching-learning of the Plastic Arts
Aim. The Didactics of the Plastic Education is necessarily nourished by the general didactics and the arts, as well as by their particular methodologies, in aspects related to the teaching-learning of the textual analysis, and specifically, the study of the visual code (iconic and visual signs, tropes or rhetorical figures, etc.), which dialogues with theory, semiotics, cultural anthropology, among other sciences. Methods. In academic research, m…
The Analysis of the Visual Image
Aim. In the article, a historical approach to the analysis of the visual image is made in the way in which the didactic studies applied to the plastic arts in Latin America have treated it, with emphasis on Cuba, Spain, Brazil and Argentina. Methods. The methods used are historical-logical and document analysis. Results. As a result, a historical-trend study of the analysis of the visual image is offered during the last three centuries, a period …
General Theoretical Notions About the Semiotics of Culture and the Arts
Aim. This article offers an approach to general theoretical issues in the semiotics of culture and the arts, with an emphasis on key concepts from these areas of knowledge. The evolution of the object of study, theoretical discussions associated with different theoretical and methodological traditions, and the basic categorical system are among the topics covered. Methods. To prepare the article, general or theoretical methods were used, such as …
Reflections on Artistic Scenic and Audiovisual Production
Aim. Performing and audiovisual artistic production requires an interdisciplinary approach that contributes to substantiating the creative role of the artistic producer, a fundamental aspect of film, television, radio, and the performing arts. The artistic producer is a creator who contributes to enriching the script, contextualising it within the production reality, and readjusting it according to market trends and the needs of the audiences who…
The arts (4 works) · Art (2 works) · Artistic and Creative Research (2 works) · Criticism (2 works) · Plastic arts (2 works) · Psychology (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Architecture, Art, Education (1 work) · Cognition (1 work)