Bogdan Burliga
Biographic Data
| ID | 9027489 |
|---|---|
| NAME | Bogdan Burliga |
| GIVEN NAMES | Bogdan |
| FAMILY NAME | Burliga |
| SIGNATURE | BURLIGA B |
| AFFILIATIONS | University of Gdańsk |
| ORCID | 0000-0001-8001-7483 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Ἔρις and ‘Hesiodic Society’ of the Iron Age
In this article I turn attention to the role of Eris (‘Strife’/’Discord’) in Hesiod’s Opera et dies. Namely, I attempt to consider the question of extent to which the role of the personified deity of ‘Strife’, so evidently exposed in the poem, as well as the related story (μῦθος) of the Iron Age, can be interpreted as a Hesiodic ‘commentary’ on the socio-political reality of his time
An Instructive Story About How a Byzantine Princess Bravely Looked Deep into the Abyss of Oblivion
An Instructive Story About How a Byzantine Princess Bravely Looked Deep into the Abyss of Oblivion Anna Comnena’s beginning of the Prologue to her Alexiad is a fine literary and rhetorical piece. It is about the problem how destructive the passing of time is, and for which the only obstacle can be to consolidate the achievements of the past in a literary work. Such a line of thought was usually interpreted in the terms of the author’s rhetorical …
Tertullian on the paradox of the Roman amphitheatre games
Tematem artykułu jest ciekawy paradoks, o jakim mówi Tertulian w rozdziale 22. swego traktatu O widowiskach. Jest rzeczą wiadomą, że stanowisko tego żarliwego obrońcy wiary chrześcijańskiej było jak najbardziej nieprzychylne dawnej rzymskiej instytucji walk na arenie, wyścigów konnych i przedstawień scenicznych – Tertulian widział w nich niebezpieczeństwo i zagrożenie dla moralności chrześcijan. Przy okazji zwrócił on również uwagę na samo pode…
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Tertullian on the paradox of the Roman amphitheatre games
Tematem artykułu jest ciekawy paradoks, o jakim mówi Tertulian w rozdziale 22. swego traktatu O widowiskach. Jest rzeczą wiadomą, że stanowisko tego żarliwego obrońcy wiary chrześcijańskiej było jak najbardziej nieprzychylne dawnej rzymskiej instytucji walk na arenie, wyścigów konnych i przedstawień scenicznych – Tertulian widział w nich niebezpieczeństwo i zagrożenie dla moralności chrześcijan. Przy okazji zwrócił on również uwagę na samo pode…
An Instructive Story About How a Byzantine Princess Bravely Looked Deep into the Abyss of Oblivion
An Instructive Story About How a Byzantine Princess Bravely Looked Deep into the Abyss of Oblivion Anna Comnena’s beginning of the Prologue to her Alexiad is a fine literary and rhetorical piece. It is about the problem how destructive the passing of time is, and for which the only obstacle can be to consolidate the achievements of the past in a literary work. Such a line of thought was usually interpreted in the terms of the author’s rhetorical …
Ἔρις and ‘Hesiodic Society’ of the Iron Age
In this article I turn attention to the role of Eris (‘Strife’/’Discord’) in Hesiod’s Opera et dies. Namely, I attempt to consider the question of extent to which the role of the personified deity of ‘Strife’, so evidently exposed in the poem, as well as the related story (μῦθος) of the Iron Age, can be interpreted as a Hesiodic ‘commentary’ on the socio-political reality of his time
Philosophy (5 works) · Art (4 works) · Classical Antiquity Studies (4 works) · Byzantine Studies and History (3 works) · Classics (3 works) · Historical, Religious, and Philosophical Studies (3 works) · Aesthetics (2 works) · Biblical Studies and Interpretation (2 works) · History (2 works) · Literature (2 works)