Christopher Meir
Biographic Data
| ID | 902933 |
|---|---|
| NAME | Christopher Meir |
| GIVEN NAMES | Christopher |
| FAMILY NAME | Meir |
| SIGNATURE | MEIR C |
| AFFILIATIONS | Universidad Carlos III de Madrid |
| ORCID | 0000-0003-2742-7656 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Productores y cambios en la industria
Publicamos la traducción de este artículo del profesor Christopher Meir, que formó parte del libro European Cinema in the Streaming Era, editado por Springer Nature (Cristopher Meir y Roderik Smits [eds.]) y que forma parte de la serie de Palgrave European Film and Media Studies. En el capítulo 10 de dicha publicación, dedicada al impacto de las plataformas de streaming en el cine europeo, se incluye este estudio que analiza los modelos actuales …
The Peculiarities of Place
The development of the Madrid Content City cluster, inaugurated in 2019 in the outskirts of the Spanish capital, illuminates the way in which Netflix is expanding worldwide, while also revealing a turn in public-private collaborations in the context of the neo-liberal globalization. After providing a chronology of the development of this production hub, the article focuses on the influence of space and infrastructure on Netflix’s production pract…
European Cinema in the Streaming Era
Netflix’ Spain
Review of: Netflix’ Spain: Critical Perspectives , Jorge González Del Pozo and Xosé Pereira Boán (eds) (2024) London: Routledge, 258 pp., ISBN 978-1-03255-777-9, h/bk, £135 ISBN 978-1-03255-737-3, p/bk, £35.99 ISBN 978-1-00343-218-0, e-book, £26.99
Streaming Video
An international team of experts explores how streaming services are disrupting traditional storytelling. The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the gl…
Global and local rhetorics at a public-facing private company
This article utilizes Canal+’s film production and distribution subsidiary Studiocanal as a way to understand both companies’ impacts on French cinema since the formation of the subsidiary in the early 1990s. As such, the article is structured as a chronology and an analysis of the major films made in French and financed by Studiocanal in terms of their critical and popular reception. The article also examines the talent relationships underpinnin…
Introduction
Mass Producing European Cinema
Transnational Production, International Policy, and South African Cinema
It has by now become customary within national cinema studies to appreciate that all national cinemas are influenced to varying degrees by transnational movements of talent, capital and ideas. This article seeks to examine some of the ways that South African cinema and the South African film industry have been shaped by various forms of transnational production, including official coproductions, coproductions made outside the auspices of official…
The Producer as Salesman
Transnational Production, International Policy, and South African Cinema
It has by now become customary within national cinema studies to appreciate that all national cinemas are influenced to varying degrees by transnational movements of talent, capital and ideas. This article seeks to examine some of the ways that South African cinema and the South African film industry have been shaped by various forms of transnational production, including official coproductions, coproductions made outside the auspices of official…
The Producer as Salesman
Transnational Production, International Policy, and South African Cinema
It has by now become customary within national cinema studies to appreciate that all national cinemas are influenced to varying degrees by transnational movements of talent, capital and ideas. This article seeks to examine some of the ways that South African cinema and the South African film industry have been shaped by various forms of transnational production, including official coproductions, coproductions made outside the auspices of official…
Mass Producing European Cinema
Global and local rhetorics at a public-facing private company
This article utilizes Canal+’s film production and distribution subsidiary Studiocanal as a way to understand both companies’ impacts on French cinema since the formation of the subsidiary in the early 1990s. As such, the article is structured as a chronology and an analysis of the major films made in French and financed by Studiocanal in terms of their critical and popular reception. The article also examines the talent relationships underpinnin…
Introduction
Streaming Video
An international team of experts explores how streaming services are disrupting traditional storytelling. The rise of streaming has dramatically transformed how audiences consume media. Over the last decade, subscription video-on-demand (SVOD) services, including Netflix, Prime Video, and Disney+, have begun commissioning and financing their own original movies and TV shows, changing the way and the rate at which content is produced across the gl…
European Cinema in the Streaming Era
Netflix’ Spain
Review of: Netflix’ Spain: Critical Perspectives , Jorge González Del Pozo and Xosé Pereira Boán (eds) (2024) London: Routledge, 258 pp., ISBN 978-1-03255-777-9, h/bk, £135 ISBN 978-1-03255-737-3, p/bk, £35.99 ISBN 978-1-00343-218-0, e-book, £26.99
Productores y cambios en la industria
Publicamos la traducción de este artículo del profesor Christopher Meir, que formó parte del libro European Cinema in the Streaming Era, editado por Springer Nature (Cristopher Meir y Roderik Smits [eds.]) y que forma parte de la serie de Palgrave European Film and Media Studies. En el capítulo 10 de dicha publicación, dedicada al impacto de las plataformas de streaming en el cine europeo, se incluye este estudio que analiza los modelos actuales …
The Peculiarities of Place
The development of the Madrid Content City cluster, inaugurated in 2019 in the outskirts of the Spanish capital, illuminates the way in which Netflix is expanding worldwide, while also revealing a turn in public-private collaborations in the context of the neo-liberal globalization. After providing a chronology of the development of this production hub, the article focuses on the influence of space and infrastructure on Netflix’s production pract…
Cinema and Media Studies (6 works) · Movie theater (6 works) · Art (4 works) · Art history (3 works) · Media studies (3 works) · Sociology (3 works) · African history and culture studies (2 works) · Capital (architecture (2 works) · Cultural Industries and Urban Development (2 works) · Film industry (2 works)