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Lamberto Tronchin

Biographic Data

ID903105
NAMELamberto Tronchin
GIVEN NAMESLamberto
FAMILY NAMETronchin
SIGNATURETRONCHIN L
AFFILIATIONSUniversity of Bologna
ORCID0000-0003-0670-3455
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS1
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Pompeii Performance Soundscapes in the Amphitheater, the Grand Theater, and the Odeon

    Open Access•Cobi van Tonder, Ruoran Yan et al.•ARTICLE•Heritage•2025•References: 1

    Theaters in ancient Pompeii played a vital role in Roman entertainment, shaping the auditory experiences of spectators. This study examines the acoustic properties of the Amphitheater, the Grand Theater, and the Odeon using impulse response (IR) analysis to reconstruct their soundscapes. Next, the study considers the impact of typical musical instruments, vocal performances, and ambient sounds—such as gladiatorial combat—on these spaces’ acoustic…

  • Immersive 3D Soundscape

    Open Access•Adriano Farina, Antonella Bevilacqua et al.•ARTICLE•Urban Science•2025•References: 2

    Sound source localization represents one of the major challenges for soundscapes due to the dynamicity of a large variety of signals. Many applications are found related to ecosystems to study the migration process of birds and animals other than other terrestrial environments to survey wildlife. Other applications on sound recording are supported by sensors to detect animal movement. This paper deals with the immersive 3D soundscape by using a m…

  • Best selection of adhesive for restoration of archaeological glasses through the modal analysis of its acoustic and vibrational response

    Open Access•Lamberto Tronchin, Antonella Bevilacqua et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

  • Investigations on the acoustic response of two heritage buildings designed by Galli Bibiena and disappeared from history in the 18th century

    Open Access•Antonella Bevilacqua, Lamberto Tronchin•ARTICLE•Journal of Cultural Heritage•2024

    Historical briefings that reassemble the causes and the reasons why the 2 opera theatres (built and destroyed in 1700) have been lost forever. • Analysis of the architectural features typical of Galli Bibiena as family of scenographers, architects and designers. • Attribution of absorption and scattering coefficients to digital models based on both descriptions of historical resources and extensive experience of acoustic measurements and simulati…

  • Transmitting acoustic phenomena and aural illusions

    Open Access•Lamberto Tronchin, David Jonathan Knight•ARTICLE•Building Acoustics•2018

    This article continues the preliminary exploration of the sonic observations of Athanasius Kircher, namely, the first book of his Phonurgiæ Nova (1673), the Phonosophia anacamptica (Tronchin, Durvilli and Tarabusi). This book analyzes in particular sound propagation in enclosed spaces. In this work, Kircher also describes the statua citofonica, or ‘talking statue’, in relation to the magical effect created by aural illusion and the famous ancient…

  • Optimization of building energy performance by means of multi-scale analysis – Lessons learned from case studies

    Open Access•Lamberto Tronchin, Massimiliano Manfren et al.•ARTICLE•Sustainable Cities and Society•2016

  • Revisiting Historic Buildings through the Senses Visualising Aural and Obscured Aspects of San Vitale, Ravenna

    Open Access•Lamberto Tronchin, David Jonathan Knight•ARTICLE•International Journal of…•2015•Cited by: 1•References: 1

  • Acoustic characterisation of “virtual” musical instruments

    Angelo Farina, Andreas Langhoff et al.•ARTICLE•Journal of New Music Research•1998

    In this paper the realisation of “virtual” musical instruments, in which the instruments are treated as linear systems characterised by their impulse response, are analysed. The impulse response is treated as a numerical filter, which is convolved with the force excitation signal coming from the chords, producing a signal containing all the acoustic characteristics of the instruments, and avoiding all nonacoustic phenomena. The aim of this work i…

  • Revisiting Historic Buildings through the Senses Visualising Aural and Obscured Aspects of San Vitale, Ravenna

    Open Access•Lamberto Tronchin, David Jonathan Knight•ARTICLE•International Journal of…•2015•Cited by: 1•References: 1

  • Acoustic characterisation of “virtual” musical instruments

    Angelo Farina, Andreas Langhoff et al.•ARTICLE•Journal of New Music Research•1998

    In this paper the realisation of “virtual” musical instruments, in which the instruments are treated as linear systems characterised by their impulse response, are analysed. The impulse response is treated as a numerical filter, which is convolved with the force excitation signal coming from the chords, producing a signal containing all the acoustic characteristics of the instruments, and avoiding all nonacoustic phenomena. The aim of this work i…

  • Revisiting Historic Buildings through the Senses Visualising Aural and Obscured Aspects of San Vitale, Ravenna

    Open Access•Lamberto Tronchin, David Jonathan Knight•ARTICLE•International Journal of…•2015•Cited by: 1•References: 1

  • Optimization of building energy performance by means of multi-scale analysis – Lessons learned from case studies

    Open Access•Lamberto Tronchin, Massimiliano Manfren et al.•ARTICLE•Sustainable Cities and Society•2016

  • Transmitting acoustic phenomena and aural illusions

    Open Access•Lamberto Tronchin, David Jonathan Knight•ARTICLE•Building Acoustics•2018

    This article continues the preliminary exploration of the sonic observations of Athanasius Kircher, namely, the first book of his Phonurgiæ Nova (1673), the Phonosophia anacamptica (Tronchin, Durvilli and Tarabusi). This book analyzes in particular sound propagation in enclosed spaces. In this work, Kircher also describes the statua citofonica, or ‘talking statue’, in relation to the magical effect created by aural illusion and the famous ancient…

  • Investigations on the acoustic response of two heritage buildings designed by Galli Bibiena and disappeared from history in the 18th century

    Open Access•Antonella Bevilacqua, Lamberto Tronchin•ARTICLE•Journal of Cultural Heritage•2024

    Historical briefings that reassemble the causes and the reasons why the 2 opera theatres (built and destroyed in 1700) have been lost forever. • Analysis of the architectural features typical of Galli Bibiena as family of scenographers, architects and designers. • Attribution of absorption and scattering coefficients to digital models based on both descriptions of historical resources and extensive experience of acoustic measurements and simulati…

  • Pompeii Performance Soundscapes in the Amphitheater, the Grand Theater, and the Odeon

    Open Access•Cobi van Tonder, Ruoran Yan et al.•ARTICLE•Heritage•2025•References: 1

    Theaters in ancient Pompeii played a vital role in Roman entertainment, shaping the auditory experiences of spectators. This study examines the acoustic properties of the Amphitheater, the Grand Theater, and the Odeon using impulse response (IR) analysis to reconstruct their soundscapes. Next, the study considers the impact of typical musical instruments, vocal performances, and ambient sounds—such as gladiatorial combat—on these spaces’ acoustic…

  • Immersive 3D Soundscape

    Open Access•Adriano Farina, Antonella Bevilacqua et al.•ARTICLE•Urban Science•2025•References: 2

    Sound source localization represents one of the major challenges for soundscapes due to the dynamicity of a large variety of signals. Many applications are found related to ecosystems to study the migration process of birds and animals other than other terrestrial environments to survey wildlife. Other applications on sound recording are supported by sensors to detect animal movement. This paper deals with the immersive 3D soundscape by using a m…

  • Best selection of adhesive for restoration of archaeological glasses through the modal analysis of its acoustic and vibrational response

    Open Access•Lamberto Tronchin, Antonella Bevilacqua et al.•ARTICLE•Journal of Cultural Heritage•2025•References: 2

Computer Science (5 works) · Acoustics (4 works) · Art (4 works) · Physics (4 works) · Engineering (3 works) · History (3 works) · 3D Surveying and Cultural Heritage (2 works) · Archaeology (2 works) · Architecture and Art History Studies (2 works) · Artificial Intelligence (2 works)

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