Lisa Claypool
Biographic Data
| ID | 903270 |
|---|---|
| NAME | Lisa Claypool |
| GIVEN NAMES | Lisa |
| FAMILY NAME | Claypool |
| SIGNATURE | CLAYPOOL L |
| AFFILIATIONS | University of Alberta |
| ORCID | 0009-0003-9116-5328 |
| VERIFIED | Yes |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Lunation
Tao Lengyue (1895–1985) obsessed over the moon. He painted it endlessly. He was a chronicler. By complexly foregrounding long-lived Chinese systems of lunar timekeeping in his paintings and journals, Tao presents an alternative to Western semi-heliocentric modes of measuring time. But there is more to Tao's understanding of time and temporality that deepens negotiations of the discriminatory universalism of the modern Western model of time. Tao w…
Palestine time
China's Feminist Gap
What does it mean to make art in a space that lies on the fault lines of geopolitical boundaries and gender discourses? This article explores the work of Chinese women artists who are alive to the complexities and ambiguities of their position and art practices in between. It asks after the feminist nature of that gap space as the condition for dispersal of identity and the emergence of embodied and affective meaning. How does the work of art wor…
Hauntings
Towards the end of his life, in the late summer of 1961, the ink artist Fu Baoshi 傅抱石 (1904–1965) painted a landscape as it was being mined for coal, strata by strata (Fig. 1). The machinery used to excavate the underbellies of two mountains looms to the left and anchors beholders to a central position, inviting a panoramic view as the land gives itself up to our situated gaze. Lush coal-dark lines trail over the surface of the near mountain. Bon…
Republican Lens
Feminine Orientalism or Modern Enchantment? Peiping and the Graphic Artists Elizabeth Keith and Bertha Lum, 1920s–1930s
The ideological suppositions, images, and fantasy associated with orientalism has given rise to the conceptualization of a materialist “feminine orientalism.” The term refers to an historical moment in the early twentieth century when white women in Europe and North America defined their social roles and gender by appropriating male orientalist politics and ideology. This article challenges the concept of “feminine orientalism” through the study …
Boundary Forms
Ways of Seeing the Nation
This paper explores the uneasy position of painting in an early twentieth-century Shanghai publication, the National Essence Journal (Guocui xuebao, 1905–11), published by the prominent and influential Society for Preservation of National Learning (Guoxue baocunhui). The publication is like international expositions and museums in peculiar ways; the Chinese paintings in it, devoted to the nation, are paradoxically invisible. In the article I expl…
No prominent works on this page.
Ways of Seeing the Nation
This paper explores the uneasy position of painting in an early twentieth-century Shanghai publication, the National Essence Journal (Guocui xuebao, 1905–11), published by the prominent and influential Society for Preservation of National Learning (Guoxue baocunhui). The publication is like international expositions and museums in peculiar ways; the Chinese paintings in it, devoted to the nation, are paradoxically invisible. In the article I expl…
Boundary Forms
Feminine Orientalism or Modern Enchantment? Peiping and the Graphic Artists Elizabeth Keith and Bertha Lum, 1920s–1930s
The ideological suppositions, images, and fantasy associated with orientalism has given rise to the conceptualization of a materialist “feminine orientalism.” The term refers to an historical moment in the early twentieth century when white women in Europe and North America defined their social roles and gender by appropriating male orientalist politics and ideology. This article challenges the concept of “feminine orientalism” through the study …
Republican Lens
Hauntings
Towards the end of his life, in the late summer of 1961, the ink artist Fu Baoshi 傅抱石 (1904–1965) painted a landscape as it was being mined for coal, strata by strata (Fig. 1). The machinery used to excavate the underbellies of two mountains looms to the left and anchors beholders to a central position, inviting a panoramic view as the land gives itself up to our situated gaze. Lush coal-dark lines trail over the surface of the near mountain. Bon…
Lunation
Tao Lengyue (1895–1985) obsessed over the moon. He painted it endlessly. He was a chronicler. By complexly foregrounding long-lived Chinese systems of lunar timekeeping in his paintings and journals, Tao presents an alternative to Western semi-heliocentric modes of measuring time. But there is more to Tao's understanding of time and temporality that deepens negotiations of the discriminatory universalism of the modern Western model of time. Tao w…
Palestine time
China's Feminist Gap
What does it mean to make art in a space that lies on the fault lines of geopolitical boundaries and gender discourses? This article explores the work of Chinese women artists who are alive to the complexities and ambiguities of their position and art practices in between. It asks after the feminist nature of that gap space as the condition for dispersal of identity and the emergence of embodied and affective meaning. How does the work of art wor…
Art (7 works) · Chinese history and philosophy (5 works) · Sociology (5 works) · Visual arts (5 works) · Art history (4 works) · Painting (4 works) · Aesthetics (3 works) · History (3 works) · Philosophy (3 works) · China (2 works)