Gretchen Jude
Biographic Data
| ID | 9054739 |
|---|---|
| NAME | Gretchen Jude |
| GIVEN NAMES | Gretchen |
| FAMILY NAME | Jude |
| SIGNATURE | JUDE G |
| AFFILIATIONS | University of Utah |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Yoshida Ami’s Onkyō and the Persistently "Japanese" Body
This essay examines the experimental vocal and electronic work of Yoshida Ami in the context of the Japanese onkyō movement of the turn of the millennium, developing the concept of “plasmatic voice” that addresses the assemblage of embodied vocal performance through audio technology. Understanding vocal performance as it circulates globally through digital media networks must be perforce include transcultural analysis of race, culture, and gender…
Japan's Nightingale Geisha Singers
This paper examines the emergence and disappearance of Japan’s geisha kashu recording stars over the course of the 20th century, delving into their extensive body of audio recordings, which includes songs by some of Japan's most important early popular composers. Clarifying the distinction between geisha and the geisha recording stars, this paper traces the relationship between “traditional” Japanese musical forms (specifically, the complex of sh…
No prominent works on this page.
Japan's Nightingale Geisha Singers
This paper examines the emergence and disappearance of Japan’s geisha kashu recording stars over the course of the 20th century, delving into their extensive body of audio recordings, which includes songs by some of Japan's most important early popular composers. Clarifying the distinction between geisha and the geisha recording stars, this paper traces the relationship between “traditional” Japanese musical forms (specifically, the complex of sh…
Yoshida Ami’s Onkyō and the Persistently "Japanese" Body
This essay examines the experimental vocal and electronic work of Yoshida Ami in the context of the Japanese onkyō movement of the turn of the millennium, developing the concept of “plasmatic voice” that addresses the assemblage of embodied vocal performance through audio technology. Understanding vocal performance as it circulates globally through digital media networks must be perforce include transcultural analysis of race, culture, and gender…
Asian Culture and Media Studies (2 works) · Acoustics (1 work) · Active listening (1 work) · Art (1 work) · Communication (1 work) · Counterpoint (1 work) · History (1 work) · Hong Kong and Taiwan Politics (1 work) · Literature (1 work) · Media, Communication, and Education (1 work)