Arif Zuhdi Winarto
Biographic Data
| ID | 9055804 |
|---|---|
| NAME | Arif Zuhdi Winarto |
| GIVEN NAMES | Arif Zuhdi |
| FAMILY NAME | Winarto |
| SIGNATURE | WINARTO A Z |
| AFFILIATIONS | Mulawarman University |
| ORCID | 0000-0002-0240-6157 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2026 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Hyperreality of Fiction Idol on K-Pop Demon Hunters Animation through The Fandom's Fast-Paced Transmedia Storytelling
This study examines how K-Pop Demon Hunters became a transmedia phenomenon through the rapid circulation of fan and creator responses across digital platforms. Using netnography, it analyzes six YouTube Shorts videos that circulated around the film shortly after its Netflix release, including parody, AI-generated realism, official choreography, behind-the-scenes content, cosplay, and vocal performance. The study finds that the film’s fictional id…
Scopophilic objectification and the digital afterlife of women’s live streams on YouTube in Indonesia
This study examines how women's live videos are repurposed into repeatable objects of scopophilic consumption through re-editing practices on a popular Indonesian YouTube channel. Focusing on @sebo*channel, the study analyzes how live content originally intended for self-presentation or interaction is extracted, re-arranged, and circulated into new visual forms that intensify the logic of the male gaze, voyeuristic pleasure, and objectification. …
No prominent works on this page.
The Hyperreality of Fiction Idol on K-Pop Demon Hunters Animation through The Fandom's Fast-Paced Transmedia Storytelling
This study examines how K-Pop Demon Hunters became a transmedia phenomenon through the rapid circulation of fan and creator responses across digital platforms. Using netnography, it analyzes six YouTube Shorts videos that circulated around the film shortly after its Netflix release, including parody, AI-generated realism, official choreography, behind-the-scenes content, cosplay, and vocal performance. The study finds that the film’s fictional id…
Scopophilic objectification and the digital afterlife of women’s live streams on YouTube in Indonesia
This study examines how women's live videos are repurposed into repeatable objects of scopophilic consumption through re-editing practices on a popular Indonesian YouTube channel. Focusing on @sebo*channel, the study analyzes how live content originally intended for self-presentation or interaction is extracted, re-arranged, and circulated into new visual forms that intensify the logic of the male gaze, voyeuristic pleasure, and objectification. …
Asian Culture and Media Studies (2 works) · Gender, Feminism, and Media (2 works) · Afterlife (1 work) · Animation (1 work) · Citizen journalism (1 work) · Demon (1 work) · Fandom (1 work) · Gaze (1 work) · Gesture (1 work) · Happening (1 work)