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Chloë Edwards

Biographic Data

ID9062911
NAMEChloë Edwards
GIVEN NAMESChloë
FAMILY NAMEEdwards
SIGNATUREEDWARDS C
AFFILIATIONSUniversity of Exeter
ORCID0000-0002-3087-3529
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2025
H-INDEX0
  • ‘Hit that perfect beat, boy’

    Open Access•Chloë Edwards•ARTICLE•DIY Alternative Cultures & Society•2025

    This paper offers a queer reading of the emerging Hi-NRG subgenre in Britain in the 1980s and contends that the physical significance of the autonomous dancing queer body remains radically symbolic and critical in a period in which queer bodies, specifically those of gay men, were too often discriminately depicted in the context of anxiety and infection. Illuminated by the ideas of queer theorists (José Esteban Muñoz) and musicologists (Judith A.…

  • Cosmic Dancers, Cosmetic Shells

    Open Access•Chloë Edwards•ARTICLE•Excursions Journal•2023

    This paper concentrates on the ways in which masculinity and male (homo)sexuality were challenged, depicted, and expressed within the New Romantic subculture of Margaret Thatcher’s first term (1979-1983). Centring on the subculture’s nucleus, the Blitz nightclub in London’s Covent Garden, which served as a safe space in which its clientele could explore their identities away from the prevailing Conservative ideology of the time, I examine the wor…

No prominent works on this page.

  • Cosmic Dancers, Cosmetic Shells

    Open Access•Chloë Edwards•ARTICLE•Excursions Journal•2023

    This paper concentrates on the ways in which masculinity and male (homo)sexuality were challenged, depicted, and expressed within the New Romantic subculture of Margaret Thatcher’s first term (1979-1983). Centring on the subculture’s nucleus, the Blitz nightclub in London’s Covent Garden, which served as a safe space in which its clientele could explore their identities away from the prevailing Conservative ideology of the time, I examine the wor…

  • ‘Hit that perfect beat, boy’

    Open Access•Chloë Edwards•ARTICLE•DIY Alternative Cultures & Society•2025

    This paper offers a queer reading of the emerging Hi-NRG subgenre in Britain in the 1980s and contends that the physical significance of the autonomous dancing queer body remains radically symbolic and critical in a period in which queer bodies, specifically those of gay men, were too often discriminately depicted in the context of anxiety and infection. Illuminated by the ideas of queer theorists (José Esteban Muñoz) and musicologists (Judith A.…

Art (2 works) · Gender Studies (2 works) · Queer (2 works) · Sociology (2 works) · Aesthetics (1 work) · Art history (1 work) · Cinema and Media Studies (1 work) · Dance (1 work) · Diversity and Impact of Dance (1 work) · Ethos (1 work)

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