Judy Maloof
Biographic Data
| ID | 906724 |
|---|---|
| NAME | Judy Maloof |
| GIVEN NAMES | Judy |
| FAMILY NAME | Maloof |
| SIGNATURE | MALOOF J |
| AFFILIATIONS | University of New Mexico |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 0 |
Desert Blood
Recovering and Discovering Another Perspective
During the past two decades, an unprecedented number of Latin American women writers have published their novels, poetry, essays, plays, and testimonial narratives. This mushrooming corpus of women's writing is by no means homogeneous. The literary styles of these works range from the highly aesthetic, metafictional, and hermetic prose of writers such as Diamela Eltit and Julieta Campos to the more accessible narratives of in
La novela ecuatoriana contemporanea de 1970-1985 y su marginacion
Male Subjectivity and Gender Relations in Juan Carlos Onetti's "El pozo"
This reading of Juan Carlos Onetti's El pozo focuses on the process of construction of the subject and on the representation of gender relations. Subjectivity, in El pozo, is a gendered male subjectivity; female characters are constituted as other in relation to the male subject I explore the complex interrelatedness between patriarchal social/discursive formations?that is, gender relations that are based on the Hegelian master-slave dialectic? a…
Comic Lubricity
Even though there are numerous studies on Carpentier's Concierto barroco in both Spanish and English, this article is the first gender aware reading of the novella. The theoretical framework for this analysis draws on the works of feminist theorists including Simone de Beauvoir, Catherine Belsey, and Susan Rubin Suleiman. The author treats the issue of the representation of Woman in the text either as a denigrated grotesque object, as a comic, bu…
No prominent works on this page.
Comic Lubricity
Even though there are numerous studies on Carpentier's Concierto barroco in both Spanish and English, this article is the first gender aware reading of the novella. The theoretical framework for this analysis draws on the works of feminist theorists including Simone de Beauvoir, Catherine Belsey, and Susan Rubin Suleiman. The author treats the issue of the representation of Woman in the text either as a denigrated grotesque object, as a comic, bu…
Male Subjectivity and Gender Relations in Juan Carlos Onetti's "El pozo"
This reading of Juan Carlos Onetti's El pozo focuses on the process of construction of the subject and on the representation of gender relations. Subjectivity, in El pozo, is a gendered male subjectivity; female characters are constituted as other in relation to the male subject I explore the complex interrelatedness between patriarchal social/discursive formations?that is, gender relations that are based on the Hegelian master-slave dialectic? a…
La novela ecuatoriana contemporanea de 1970-1985 y su marginacion
Recovering and Discovering Another Perspective
During the past two decades, an unprecedented number of Latin American women writers have published their novels, poetry, essays, plays, and testimonial narratives. This mushrooming corpus of women's writing is by no means homogeneous. The literary styles of these works range from the highly aesthetic, metafictional, and hermetic prose of writers such as Diamela Eltit and Julieta Campos to the more accessible narratives of in
Desert Blood
Sociology (3 works) · Art (2 works) · Gender Studies (2 works) · Latin American and Latino Studies (2 works) · Latin American Literature Studies (2 works) · Law (2 works) · Political science (2 works) · Action (physics) (1 work) · Artificial Intelligence (1 work) · Artificial Intelligence (1 work)