Emily Mark-Fitzgerald
Biographic Data
| ID | 909186 |
|---|---|
| NAME | Emily Mark-Fitzgerald |
| GIVEN NAMES | Emily |
| FAMILY NAME | Mark-Fitzgerald |
| SIGNATURE | MARK-FITZGERALD E |
| AFFILIATIONS | , |
| ORCID | 0000-0003-0480-2716 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Colour troubles: Colourisation and photography in Ireland
An Alien in Wexford: Harry Furniss, Punch , and Zozimus (The ‘Irish Punch’)
Born in Ireland, Harry Furniss (1854–1925) was one of the most prolific satirists of the nineteenth century, best known for producing over two thousand illustrations for Punch. Although Furniss frequently sought to distinguish himself from his Irish origins, they proved a constant source of inspiration for his satirical productions in print (and later on stage), as he capitalized on a shifting position as both ‘insider’ and ‘outsider’ to Irish po…
Known unknowns: Research on Irish museums since 2008
In 2015–2016 the first comprehensive survey of museums in Ireland in a decade – the Irish Museums Survey 2016 – was undertaken as a collaborative project between the School of Art History and Cultural Policy, University College Dublin, and the Irish Museums Association. Since the Republic’s economic collapse in 2008 and the recession, museums have weathered significant shifts in governance and board structures, and drastic cutbacks that have affe…
Famine memory and the gathering of stones: Genealogies of belonging
Since the mid-1990s the commemoration of Irish migration – specifically that related to the Famine of the 1840s – has achieved remarkable visibility in the public sphere. This essay explores how the practice of community Famine commemoration may be read as an index of competing commemorative concerns, as appeals for heritage recognition and genealogical affiliation combine with narratives of both ethnic difference and essentialism. In particular,…
Commemorating the Irish Famine: Memory and the Monument
Commemorating the Irish Famine: Memory and the Monument
Commemorating the Irish Famine: Memory and the Monument presents for the first time a visual cultural history of the 1840s Irish Famine, tracing its representation and commemoration from the 19th century up to its 150th anniversary in the 1990s and beyond.As the watershed event of 19th century Ireland, the Famine’s political and social impacts profoundly shaped modern Ireland and the nations of its diaspora. Yet up until the 1990s, the memory of …
Commemorating the Irish Famine: Memory and the Monument
"Commemorating the Irish Famine" published on by Discontinued
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Commemorating the Irish Famine: Memory and the Monument
Commemorating the Irish Famine: Memory and the Monument
Commemorating the Irish Famine: Memory and the Monument presents for the first time a visual cultural history of the 1840s Irish Famine, tracing its representation and commemoration from the 19th century up to its 150th anniversary in the 1990s and beyond.As the watershed event of 19th century Ireland, the Famine’s political and social impacts profoundly shaped modern Ireland and the nations of its diaspora. Yet up until the 1990s, the memory of …
Commemorating the Irish Famine: Memory and the Monument
"Commemorating the Irish Famine" published on by Discontinued
Famine memory and the gathering of stones: Genealogies of belonging
Since the mid-1990s the commemoration of Irish migration – specifically that related to the Famine of the 1840s – has achieved remarkable visibility in the public sphere. This essay explores how the practice of community Famine commemoration may be read as an index of competing commemorative concerns, as appeals for heritage recognition and genealogical affiliation combine with narratives of both ethnic difference and essentialism. In particular,…
Known unknowns: Research on Irish museums since 2008
In 2015–2016 the first comprehensive survey of museums in Ireland in a decade – the Irish Museums Survey 2016 – was undertaken as a collaborative project between the School of Art History and Cultural Policy, University College Dublin, and the Irish Museums Association. Since the Republic’s economic collapse in 2008 and the recession, museums have weathered significant shifts in governance and board structures, and drastic cutbacks that have affe…
An Alien in Wexford: Harry Furniss, Punch , and Zozimus (The ‘Irish Punch’)
Born in Ireland, Harry Furniss (1854–1925) was one of the most prolific satirists of the nineteenth century, best known for producing over two thousand illustrations for Punch. Although Furniss frequently sought to distinguish himself from his Irish origins, they proved a constant source of inspiration for his satirical productions in print (and later on stage), as he capitalized on a shifting position as both ‘insider’ and ‘outsider’ to Irish po…
Colour troubles: Colourisation and photography in Ireland
History (6 works) · Irish (6 works) · Law (5 works) · Political science (5 works) · Archaeology (4 works) · Art (4 works) · Famine (4 works) · Irish and British Studies (4 works) · 1845-1852 (3 works) · Diaspora (3 works)