Levon Hakobian
Biographic Data
| ID | 9099569 |
|---|---|
| NAME | Levon Hakobian |
| GIVEN NAMES | Levon |
| FAMILY NAME | Hakobian |
| SIGNATURE | HAKOBIAN L |
| AFFILIATIONS | Department of Music Theory, Institute for Art Studies, 125375 Moscow, Russia |
| ORCID | 0000-0002-5246-4697 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Oeuvre Inspired by Utopias
The legacy of Swiss composer Klaus Huber (1924–2017) can be presented as one large ecumenical, social, cosmopolitan utopia, based on the ideas of thinkers, mystics, and poets from different eras and countries. Christian humanism, pacifism, and faith in the transformative power of utopian ideals inspired the activities of this artist, who was unswerving in his commitment to a complex and austere musical language, incompatible with any kind of “pre…
The Musicalization of Prose and Poetry in the Oeuvre of Daniil Kharms
The term ‘musicalization’ comes from Aldous Huxley’s novel Point Counter Point where it denotes the use of music-derived models in fiction. The oeuvre of Russian writer Daniil Kharms (1905–1942) provides telling examples of such an approach to constructing both prose and poetry, as in his works, the conventional features of art prose and art poetry are, as a rule, considerably reduced. Kharms’s pieces, typically, consist of discrete ‘incidents’, …
The Versification of the Šarakan Hymns
Les hymnes sacres armeniens (« sarakan » ou « saraknoc' ») presentaient des vers prosaiques (variation du nombre de syllabes dans les hemistiches) entre le 5 eme et le 11 eme siecle. Puis il y eut une periode de transition avec une egalisation graduelle du nombre de syllabes afin d'adppter la versification syllabique stable des 12 eme et 13 eme siecles
No prominent works on this page.
The Versification of the Šarakan Hymns
Les hymnes sacres armeniens (« sarakan » ou « saraknoc' ») presentaient des vers prosaiques (variation du nombre de syllabes dans les hemistiches) entre le 5 eme et le 11 eme siecle. Puis il y eut une periode de transition avec une egalisation graduelle du nombre de syllabes afin d'adppter la versification syllabique stable des 12 eme et 13 eme siecles
The Musicalization of Prose and Poetry in the Oeuvre of Daniil Kharms
The term ‘musicalization’ comes from Aldous Huxley’s novel Point Counter Point where it denotes the use of music-derived models in fiction. The oeuvre of Russian writer Daniil Kharms (1905–1942) provides telling examples of such an approach to constructing both prose and poetry, as in his works, the conventional features of art prose and art poetry are, as a rule, considerably reduced. Kharms’s pieces, typically, consist of discrete ‘incidents’, …
The Oeuvre Inspired by Utopias
The legacy of Swiss composer Klaus Huber (1924–2017) can be presented as one large ecumenical, social, cosmopolitan utopia, based on the ideas of thinkers, mystics, and poets from different eras and countries. Christian humanism, pacifism, and faith in the transformative power of utopian ideals inspired the activities of this artist, who was unswerving in his commitment to a complex and austere musical language, incompatible with any kind of “pre…
Art (2 works) · Art history (2 works) · Literature (2 works) · Mathematics (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Philosophy (2 works) · Poetry (2 works) · Ancient Near East History (1 work) · Architecture and Computational Design (1 work)