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Anna V Bulycheva

Biographic Data

ID9099646
NAMEAnna V Bulycheva
GIVEN NAMESAnna V
FAMILY NAMEBulycheva
SIGNATUREBULYCHEVA A V
AFFILIATIONSMoscow Conservatory
ORCID0000-0002-1163-7344
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2013
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva et al.•ARTICLE•Contemporary Musicology•2024

    The article is devoted to the Baroque theorist and composer Mikhail Berezovsky. In the scholarly literature, it is already possible to find some references to his musicological treatise consisting of two parts: A Brief Exposition of Musical Singing (elementary music theory) and Grammar. A Collection from Many (theory of composition). We have also discovered Berezovsky’s 12-voice partesny concerto Who shall ascend the Hill of the Lord? Due to fili…

  • The Creation of the Myth about the Failure of Georges Bizet’s Carmen. Following the Materials of the French Press of the Years 1875–1883

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva et al.•ARTICLE•Contemporary Musicology•2023

    The stage fate of Georges Bizet’s last opera Carmen has become surrounded by legends for a long time. For a long period of time in musicology in Russia and in other countries it was considered that the composition was received rather coldly by the critics, whereas the world premiere, which took place on March 3, 1875 resulted in a failure. An analysis of the articles published in the periodicals of 1875 reveals the erroneousness of this fact: the…

  • “I laughed like a madman at the music alone…” Borodin’s operetta heroic warriors in Victor Krylov's letters to Nikolay Savitsky

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva•ARTICLE•Contemporary Musicology•2020

    The article is the first publication of 22 letters by playwright Viktor Krylov to Nikolay Savitsky, Stage Director of the Moscow Opera Сompany. The letters were discovered in 2020 in the State Historical Museum. The preparation of the article included dating and commenting on the letters. All the letters date from 1866 to 1867. Most of them are devoted to Heroic Warriors (1867), an operetta by Alexander Borodin based on the libretto by Krylov. Th…

  • Beethoven's Ninth Symphony

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva•ARTICLE•Contemporary Musicology•2020

    For almost a century, Beethoven's Ninth Symphony has been printed in Russia with equirhythmic translations—more than ten different editions including scores, choral parts, and arrangements with or without vocal lines. At the same time, the only publication that provides the name of the translator on its title page is the full score published in 1953. It bears the name of the poet Sergey Gorodetsky. The study of Russian publications issued from 18…

  • L’image de la Russie ancienne dans l’opéra russe du xixe siècle

    Open Access•Anna Bulycheva, Anna V Bulycheva et al.•ARTICLE•Revue des études slaves•2013

    L’article s’intéresse à la représentation de la Russie ancienne dans l’opéra russe du classicisme au symbolisme. Tout au long du xixe siècle, la préférence est allée aux sujets empruntés aux contes et légendes (bylines). Dans les opéras de la période préromantique s’est constituée une image stable de la Rus ́, fondée davantage sur la mythologie païenne et les poèmes épiques que sur les faits historiques. Les motifs liés au baptême de la Rus ́ en …

No prominent works on this page.

  • L’image de la Russie ancienne dans l’opéra russe du xixe siècle

    Open Access•Anna Bulycheva, Anna V Bulycheva et al.•ARTICLE•Revue des études slaves•2013

    L’article s’intéresse à la représentation de la Russie ancienne dans l’opéra russe du classicisme au symbolisme. Tout au long du xixe siècle, la préférence est allée aux sujets empruntés aux contes et légendes (bylines). Dans les opéras de la période préromantique s’est constituée une image stable de la Rus ́, fondée davantage sur la mythologie païenne et les poèmes épiques que sur les faits historiques. Les motifs liés au baptême de la Rus ́ en …

  • “I laughed like a madman at the music alone…” Borodin’s operetta heroic warriors in Victor Krylov's letters to Nikolay Savitsky

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva•ARTICLE•Contemporary Musicology•2020

    The article is the first publication of 22 letters by playwright Viktor Krylov to Nikolay Savitsky, Stage Director of the Moscow Opera Сompany. The letters were discovered in 2020 in the State Historical Museum. The preparation of the article included dating and commenting on the letters. All the letters date from 1866 to 1867. Most of them are devoted to Heroic Warriors (1867), an operetta by Alexander Borodin based on the libretto by Krylov. Th…

  • Beethoven's Ninth Symphony

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva•ARTICLE•Contemporary Musicology•2020

    For almost a century, Beethoven's Ninth Symphony has been printed in Russia with equirhythmic translations—more than ten different editions including scores, choral parts, and arrangements with or without vocal lines. At the same time, the only publication that provides the name of the translator on its title page is the full score published in 1953. It bears the name of the poet Sergey Gorodetsky. The study of Russian publications issued from 18…

  • The Creation of the Myth about the Failure of Georges Bizet’s Carmen. Following the Materials of the French Press of the Years 1875–1883

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva et al.•ARTICLE•Contemporary Musicology•2023

    The stage fate of Georges Bizet’s last opera Carmen has become surrounded by legends for a long time. For a long period of time in musicology in Russia and in other countries it was considered that the composition was received rather coldly by the critics, whereas the world premiere, which took place on March 3, 1875 resulted in a failure. An analysis of the articles published in the periodicals of 1875 reveals the erroneousness of this fact: the…

  • Theorist, Composer, Music Teacher Mikhail Berezovsky and His “Adaptation” of Nikolay Diletsky’s Treatise

    Open Access•Moscow State Tchaikovsky Conservatory, Anna V Bulycheva et al.•ARTICLE•Contemporary Musicology•2024

    The article is devoted to the Baroque theorist and composer Mikhail Berezovsky. In the scholarly literature, it is already possible to find some references to his musicological treatise consisting of two parts: A Brief Exposition of Musical Singing (elementary music theory) and Grammar. A Collection from Many (theory of composition). We have also discovered Berezovsky’s 12-voice partesny concerto Who shall ascend the Hill of the Lord? Due to fili…

Art (5 works) · History (4 works) · Literature (4 works) · Art history (3 works) · Musicology and Musical Analysis (3 works) · Opera (3 works) · Critical edition (2 works) · Diverse Musicological Studies (2 works) · Linguistics (2 works) · MOZART (2 works)

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