Catherine E Morris
Biographic Data
| ID | 9103933 |
|---|---|
| NAME | Catherine E Morris |
| GIVEN NAMES | Catherine E |
| FAMILY NAME | Morris |
| SIGNATURE | MORRIS C E |
| AFFILIATIONS | Liverpool Hope University |
| ORCID | 0000-0002-7401-6545 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
“My so strange roots”
All of my writing whether in autofiction, biography, historical analysis, poetry or theatre is a political act of solidarity in making an archive in which feminism and art intersect as social change. In this essay, I conjure solidarity with contemporary French and Irish feminist artists whose work unmakes the self inside cells and outside the aftermath of exploded lives. Breeze blocks, cages, a small prison cell filled by Alice Maher with a giant…
Introduction – performing in digital in the Covid-19 era
This paper introduces the special issue of ‘Performing in Digital’ and reflects the processes and experiences of theatre performance, production, and education during the most affected years of the COVID-19 pandemic. It examines the form, modality, and mediality of theatre production and collaboration during this time, for theatre practitioners and general audiences. As theatres went dark in 2020, performance education and production practices mi…
Judy Chicago
Medusa
No prominent works on this page.
Medusa
Judy Chicago
“My so strange roots”
All of my writing whether in autofiction, biography, historical analysis, poetry or theatre is a political act of solidarity in making an archive in which feminism and art intersect as social change. In this essay, I conjure solidarity with contemporary French and Irish feminist artists whose work unmakes the self inside cells and outside the aftermath of exploded lives. Breeze blocks, cages, a small prison cell filled by Alice Maher with a giant…
Introduction – performing in digital in the Covid-19 era
This paper introduces the special issue of ‘Performing in Digital’ and reflects the processes and experiences of theatre performance, production, and education during the most affected years of the COVID-19 pandemic. It examines the form, modality, and mediality of theatre production and collaboration during this time, for theatre practitioners and general audiences. As theatres went dark in 2020, performance education and production practices mi…
Philosophy (3 works) · Sociology (3 works) · Art (2 works) · Medicine (2 works) · Ancient Mediterranean Archaeology and History (1 work) · Archaeology and Historical Studies (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Biography (1 work) · Bourgeoisie (1 work)