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Hugh Shields

Biographic Data

ID91053
NAMEHugh Shields
GIVEN NAMESHugh
FAMILY NAMEShields
SIGNATURESHIELDS H
AFFILIATIONSTrinity College Dublin
VERIFIEDNo
TOTAL WORKS26
TOTAL CITATIONS3
AUTHOR COUNT26
EDITOR COUNT0
FIRST PUBLICATION YEAR1964
LATEST PUBLICATION YEAR1998
H-INDEX1
  • Tunes of the Munster Pipers

    Peter Browne, Hugh Shields•ARTICLE•Béaloideas•1998

  • Breton Ballads

    Hugh Shields, Mary‐Ann Constantine et al.•ARTICLE•Béaloideas•1996

  • Narrative Singing in Ireland Lays, Ballads, Come-All-Yes and Other Songs

    Lillis Ó Laoire, Hugh Shields et al.•ARTICLE•Comhar•1995•Cited by: 2

  • The Mount Callan Garland

    Hugh Shields, Tom Munnelly et al.•ARTICLE•Béaloideas•1994

    Hugh Shields, The Mount Callan Garland, Béaloideas, Iml. 62/63, Glórtha ón Osnádúr: Páipéir a cuireadh i láthair ag an Siompósium Nordach-Ceilteach / Sounds from the Supernatural: Papers Presented at the Nordic-Celtic Legend Symposium (1994/1995), pp. 215-218

  • Narrative Singing in Ireland

    Lillis Ó Laoire, Hugh Shields•ARTICLE•Béaloideas•1994•Cited by: 1

    Lillis Ó Laoire, Narrative Singing in Ireland, Béaloideas, Iml. 62/63, Glórtha ón Osnádúr: Páipéir a cuireadh i láthair ag an Siompósium Nordach-Ceilteach / Sounds from the Supernatural: Papers Presented at the Nordic-Celtic Legend Symposium (1994/1995), pp. 218-221

  • Varieties of the Supernatural in Song

    Hugh Shields•ARTICLE•Béaloideas•1992

    Hugh Shields, Varieties of the Supernatural in Song, Béaloideas, Iml. 60/61, Finscealta Agus Litriocht: Paipeir a cuireadh I lathair ag an Siompoisiam Nordach-Ceiltech / Legends and Fiction: Papers Presented at the Nordic-Celtic Legend Symposium (1992/1993), pp. 161-172

  • Das korsische Volkslied. Ethnographie und Geschichte, Gattungen und Stil, Volume 3: Aufnahmekatalog und Liedtexte

    Hugh Shields, Wolfgang Laade•ARTICLE•Ethnomusicology•1989

  • Bibliography of Irish Folk Song

    Rionach Ui Ogain, Hugh Shields•ARTICLE•Béaloideas•1986

  • Western Europe

    Hugh Shields•ARTICLE•Ethnomusicology•1985

  • Das korsische Volkslied: Ethnographie und Geschichte, Gattungen und Stil

    Hugh Shields, Wolfgang Laade•ARTICLE•Ethnomusicology•1985

  • La Tradition de danse en Bearn et Pays basque francais

    Hugh Shields, Jean-Michel Guilcher et al.•ARTICLE•Ethnomusicology•1985

  • Anfange und gattungstypische Ausformung der englischen Strassenballade 1550-1650. Schaustellerische Literatur, Fruhform eines journalistischen Mediums, populare Erbauung, Belehrung und Unterhaltung

    Hugh Shields, Natascha Wurzbach•ARTICLE•Journal of American Folklore•1984

  • The Greig-Duncan Folk Song Collection

    Peter Cooke, Patrick Shuldham-Shaw et al.•ARTICLE•Ethnomusicology•1984

  • Hebridean Folksongs

    Hugh Shields, J L Campbell et al.•ARTICLE•Béaloideas•1982

  • Éigse Cheol Tíre: Irish Folk Music Studies

    Rionach Ui Ogain, Hugh Shields et al.•ARTICLE•Béaloideas•1982

  • Traditional Music in Ireland

    Hugh Shields, Tomas O Canainn•ARTICLE•Ethnomusicology•1980

  • Irlande I. Heritage gaelique et traditions du Connemara

    Hugh Shields, Josyane Beriou•ARTICLE•Ethnomusicology•1980

  • Anthologie de la musique traditionnelle francaise I: Musique traditionnelle des pays de France

    Hugh Shields, Jean-Loup Baly et al.•ARTICLE•Ethnomusicology•1980

  • Deora Aille

    Hugh Shields•ARTICLE•Ethnomusicology•1978

  • Chants et musiques populaires du Haut-Poitou

    Hugh Shields•ARTICLE•Ethnomusicology•1978

  • Charlie Wills

    James Porter, Bill Leader et al.•ARTICLE•Ethnomusicology•1976

  • Supplementary Syllables in Anglo-Irish Folk Singing

    Open Access•Hugh Shields•ARTICLE•Yearbook of the International…•1973

    Frequent use of supplementary syllables distinguishes the singing from the speech of many Irish folk singers. These syllables are formed in the meaningful text by recourse to various procedures which have their basis in the spoken language; but the lengthening of speech in song greatly enlarges their scope. It is true that the extra syllables are weakly stressed ones; nevertheless, their number can be so great that their presence becomes quite ob…

  • Bishop Turpin and the source of Nycodemus gospell

    Hugh Shields•ARTICLE•English Studies•1972

  • Old British ballads in Ireland

    Hugh Shields•ARTICLE•Folk Life•1972

    This article is concerned with the European ballad genre as defined in practice in the English and Scottish field by F. J. Child, and I shall use the term ‘old’ balladry to refer strictly to that genre. My purpose is firstly to consider in general how and to what extent Ireland has absorbed, diffused and preserved old English and Scottish ballads, and secondly to present particular unpublished ballad versions recorded by me from the tradition of …

  • Singing Traditions of a Bilingual Parish in North-West Ireland

    Open Access•Hugh Shields•ARTICLE•Yearbook of the International…•1971

    In the summer of 1968 I recorded 91 songs and song fragments from the local oral tradition of a district in Donegal, the North-West county of Ireland. The district happens to be roughly co-terminous with the ecclesiastical and old civil parish of Glencolumbkille, which contains the larger part of the South-West Donegal gaeltacht (native Irish-speaking area). Since the number of monoglot Irish speakers here is now negligible, the parish is bilingu…

Next
  • Narrative Singing in Ireland Lays, Ballads, Come-All-Yes and Other Songs

    Lillis Ó Laoire, Hugh Shields et al.•ARTICLE•Comhar•1995•Cited by: 2

  • Narrative Singing in Ireland

    Lillis Ó Laoire, Hugh Shields•ARTICLE•Béaloideas•1994•Cited by: 1

    Lillis Ó Laoire, Narrative Singing in Ireland, Béaloideas, Iml. 62/63, Glórtha ón Osnádúr: Páipéir a cuireadh i láthair ag an Siompósium Nordach-Ceilteach / Sounds from the Supernatural: Papers Presented at the Nordic-Celtic Legend Symposium (1994/1995), pp. 218-221

  • Les Quinze Signes Descendus en Angleterre: A Medieval Legend in Decline

    Hugh Shields•ARTICLE•French Studies•1964

  • Singing Traditions of a Bilingual Parish in North-West Ireland

    Open Access•Hugh Shields•ARTICLE•Yearbook of the International…•1971

    In the summer of 1968 I recorded 91 songs and song fragments from the local oral tradition of a district in Donegal, the North-West county of Ireland. The district happens to be roughly co-terminous with the ecclesiastical and old civil parish of Glencolumbkille, which contains the larger part of the South-West Donegal gaeltacht (native Irish-speaking area). Since the number of monoglot Irish speakers here is now negligible, the parish is bilingu…

  • Bishop Turpin and the source of Nycodemus gospell

    Hugh Shields•ARTICLE•English Studies•1972

  • Old British ballads in Ireland

    Hugh Shields•ARTICLE•Folk Life•1972

    This article is concerned with the European ballad genre as defined in practice in the English and Scottish field by F. J. Child, and I shall use the term ‘old’ balladry to refer strictly to that genre. My purpose is firstly to consider in general how and to what extent Ireland has absorbed, diffused and preserved old English and Scottish ballads, and secondly to present particular unpublished ballad versions recorded by me from the tradition of …

  • Supplementary Syllables in Anglo-Irish Folk Singing

    Open Access•Hugh Shields•ARTICLE•Yearbook of the International…•1973

    Frequent use of supplementary syllables distinguishes the singing from the speech of many Irish folk singers. These syllables are formed in the meaningful text by recourse to various procedures which have their basis in the spoken language; but the lengthening of speech in song greatly enlarges their scope. It is true that the extra syllables are weakly stressed ones; nevertheless, their number can be so great that their presence becomes quite ob…

  • Charlie Wills

    James Porter, Bill Leader et al.•ARTICLE•Ethnomusicology•1976

  • Deora Aille

    Hugh Shields•ARTICLE•Ethnomusicology•1978

  • Chants et musiques populaires du Haut-Poitou

    Hugh Shields•ARTICLE•Ethnomusicology•1978

  • Traditional Music in Ireland

    Hugh Shields, Tomas O Canainn•ARTICLE•Ethnomusicology•1980

  • Irlande I. Heritage gaelique et traditions du Connemara

    Hugh Shields, Josyane Beriou•ARTICLE•Ethnomusicology•1980

  • Anthologie de la musique traditionnelle francaise I: Musique traditionnelle des pays de France

    Hugh Shields, Jean-Loup Baly et al.•ARTICLE•Ethnomusicology•1980

  • Hebridean Folksongs

    Hugh Shields, J L Campbell et al.•ARTICLE•Béaloideas•1982

  • Éigse Cheol Tíre: Irish Folk Music Studies

    Rionach Ui Ogain, Hugh Shields et al.•ARTICLE•Béaloideas•1982

  • Anfange und gattungstypische Ausformung der englischen Strassenballade 1550-1650. Schaustellerische Literatur, Fruhform eines journalistischen Mediums, populare Erbauung, Belehrung und Unterhaltung

    Hugh Shields, Natascha Wurzbach•ARTICLE•Journal of American Folklore•1984

  • The Greig-Duncan Folk Song Collection

    Peter Cooke, Patrick Shuldham-Shaw et al.•ARTICLE•Ethnomusicology•1984

  • Western Europe

    Hugh Shields•ARTICLE•Ethnomusicology•1985

  • Das korsische Volkslied: Ethnographie und Geschichte, Gattungen und Stil

    Hugh Shields, Wolfgang Laade•ARTICLE•Ethnomusicology•1985

  • La Tradition de danse en Bearn et Pays basque francais

    Hugh Shields, Jean-Michel Guilcher et al.•ARTICLE•Ethnomusicology•1985

  • Bibliography of Irish Folk Song

    Rionach Ui Ogain, Hugh Shields•ARTICLE•Béaloideas•1986

  • Das korsische Volkslied. Ethnographie und Geschichte, Gattungen und Stil, Volume 3: Aufnahmekatalog und Liedtexte

    Hugh Shields, Wolfgang Laade•ARTICLE•Ethnomusicology•1989

  • Varieties of the Supernatural in Song

    Hugh Shields•ARTICLE•Béaloideas•1992

    Hugh Shields, Varieties of the Supernatural in Song, Béaloideas, Iml. 60/61, Finscealta Agus Litriocht: Paipeir a cuireadh I lathair ag an Siompoisiam Nordach-Ceiltech / Legends and Fiction: Papers Presented at the Nordic-Celtic Legend Symposium (1992/1993), pp. 161-172

  • The Mount Callan Garland

    Hugh Shields, Tom Munnelly et al.•ARTICLE•Béaloideas•1994

    Hugh Shields, The Mount Callan Garland, Béaloideas, Iml. 62/63, Glórtha ón Osnádúr: Páipéir a cuireadh i láthair ag an Siompósium Nordach-Ceilteach / Sounds from the Supernatural: Papers Presented at the Nordic-Celtic Legend Symposium (1994/1995), pp. 215-218

  • Narrative Singing in Ireland

    Lillis Ó Laoire, Hugh Shields•ARTICLE•Béaloideas•1994•Cited by: 1

    Lillis Ó Laoire, Narrative Singing in Ireland, Béaloideas, Iml. 62/63, Glórtha ón Osnádúr: Páipéir a cuireadh i láthair ag an Siompósium Nordach-Ceilteach / Sounds from the Supernatural: Papers Presented at the Nordic-Celtic Legend Symposium (1994/1995), pp. 218-221

  • Narrative Singing in Ireland Lays, Ballads, Come-All-Yes and Other Songs

    Lillis Ó Laoire, Hugh Shields et al.•ARTICLE•Comhar•1995•Cited by: 2

  • Breton Ballads

    Hugh Shields, Mary‐Ann Constantine et al.•ARTICLE•Béaloideas•1996

Art (17 works) · Folklore, Mythology, and Literature Studies (9 works) · Literature (9 works) · History (8 works) · Linguistics (6 works) · Diverse Musicological Studies (5 works) · Psychology (5 works) · Ballad (4 works) · History (4 works) · Irish (4 works)

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