Katherine D Johnston
Biographic Data
| ID | 910796 |
|---|---|
| NAME | Katherine D Johnston |
| GIVEN NAMES | Katherine D |
| FAMILY NAME | Johnston |
| SIGNATURE | JOHNSTON K D |
| AFFILIATIONS | University of California, Riverside |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
Spectacles and Specters of Indigenous Peoples in How Tasty Was My Little Frenchman
Nelson Pereira dos Santos's 1971 film How Tasty Was My Little Frenchman is a strategic allegory for colonial and imperialist resistance, as well as a metatextual declaration of Brazilian national cinema. In the spirit of Oswald de Andrade's “Manifesto Antropofago,” dos Santos uses European encounters with the Tupinambá as an allegory for neocolonial invasions, embracing cannibalism not only as subject matter, but also as an artistic sensibility. …
Metadata, Metafiction, and the Stakes of Surveillance in Jennifer Egan'sA Visit from the Goon Squad
This essay analyzes increasingly ubiquitous data collection and posits that metafiction is especially well suited to grapple with the significance of metadata and data surveillance, given its own preoccupation with watching itself watch. Making a critical intervention in the historically male-centered canon of US metafiction, Egan's A Visit from the Goon Squad (2010) conscientiously engages the power relations of watching. In the background of th…
Metadata, Metafiction, and the Stakes of Surveillance in Jennifer Egan'sA Visit from the Goon Squad
This essay analyzes increasingly ubiquitous data collection and posits that metafiction is especially well suited to grapple with the significance of metadata and data surveillance, given its own preoccupation with watching itself watch. Making a critical intervention in the historically male-centered canon of US metafiction, Egan's A Visit from the Goon Squad (2010) conscientiously engages the power relations of watching. In the background of th…
Metadata, Metafiction, and the Stakes of Surveillance in Jennifer Egan'sA Visit from the Goon Squad
This essay analyzes increasingly ubiquitous data collection and posits that metafiction is especially well suited to grapple with the significance of metadata and data surveillance, given its own preoccupation with watching itself watch. Making a critical intervention in the historically male-centered canon of US metafiction, Egan's A Visit from the Goon Squad (2010) conscientiously engages the power relations of watching. In the background of th…
Spectacles and Specters of Indigenous Peoples in How Tasty Was My Little Frenchman
Nelson Pereira dos Santos's 1971 film How Tasty Was My Little Frenchman is a strategic allegory for colonial and imperialist resistance, as well as a metatextual declaration of Brazilian national cinema. In the spirit of Oswald de Andrade's “Manifesto Antropofago,” dos Santos uses European encounters with the Tupinambá as an allegory for neocolonial invasions, embracing cannibalism not only as subject matter, but also as an artistic sensibility. …
Art (2 works) · History (2 works) · Literature (2 works) · Narrative (2 works) · Adventure (1 work) · Aesthetics (1 work) · Allegory (1 work) · Archaeology (1 work) · Art history (1 work) · Artistic and Creative Research (1 work)