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Karin Van Nieuwkerk

Biographic Data

ID91106
NAMEKarin Van Nieuwkerk
GIVEN NAMESKarin
FAMILY NAMEVan Nieuwkerk
SIGNATUREVAN NIEUWKERK K
AFFILIATIONSRadboud University Nijmegen
ORCID0000-0002-9043-6929
VERIFIEDYes
TOTAL WORKS22
TOTAL CITATIONS59
WORKS AS AUTHOR19
WORKS AS EDITOR3
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2023
H-INDEX4
  • Islam Is My Washing Line”

    Open Access•Karin Van Nieuwkerk•ARTICLE•Religion and Gender•2023•Cited by: 1•References: 8

    Although conversion is an ongoing religious journey, it is rarely studied as such. This article provides a longitudinal study of conversion to Islam by Dutch women. People who recently convert might firmly hold on to their new convictions, not providing space for doubts and uncertainty, whereas studying the long-term process also gives insights into moments of weak belief, doubts, and ambivalence, or growing faith and spirituality. Not only these…

  • Iranian Refugee Entrepreneurship and Inclusion in the Netherlands

    Open Access•Samaneh Khademi, Caroline Essers et al.•ARTICLE•Journal of Refugee Studies•2022•References: 10

    Numerous studies have demonstrated the importance of entrepreneurship for migrants’ integration. Nonetheless, the impact of entrepreneurship on refugees’ inclusion and sense of belonging has been largely overlooked. This article explores how entrepreneurship contributes to the inclusion of Iranian refugee entrepreneurs, considering the different aspects of a refugee’s identity components such as ethnicity, age, class, gender, and religion. The li…

  • Introduction

    Open Access•Karin Van Nieuwkerk•ARTICLE•Religions•2021•References: 13

    The political impact-or rather the lack thereof-following the revolutionary uprisings in the Middle East has been well documented

  • Uncovering the Self’

    Open Access•Karin Van Nieuwkerk•ARTICLE•Religions•2020

    Since the 1980s, discourse on religious piety has taken many different forms, from mosque lessons by lay preachers—such as `Amr Khalid—to religious TV programmes and leisure activities. Within this widespread religious culture and cultivation of forms of visible piety, wearing the veil became an almost uncontested norm for women. As Saba Mahmood demonstrated, the veil became a crucial way to express and cultivate a ‘pious self’. Yet especially si…

  • Manhood Is Not Easy

    Open Access•Karin Van Nieuwkerk•BOOK•Manhood Is Not Easy•2019

  • Manhood Is Not Easy

    Karin Van Nieuwkerk•BOOK•Manhood Is Not Easy•2019

  • Moving In and Out of Islam

    Atefeh Aghaee, Mona Alyedreessy et al.•EDITOR•BOOK•Moving in and Out of Islam•2018

    With empirical case studies from Western and Central Europe, the United States, Canada, and the Middle East, this anthology opens a new field of study by exploring people’s rationales for leaving, as well as converting to, Islam.

  • Conversion and the politics of creating a “German Islam”

    Open Access•Karin Van Nieuwkerk•ARTICLE•Journal of Religious and…•2016

    Conversion to Islam in the West has become a growing field of academic interest. Initially the question why people, particularly women, embraced Islam captured the attention of scholars. Female con

  • Iraqi women in Denmark. Ritual performance and belonging in everyday life by Pedersen, Marianne Holm

    Open Access•Karin Van Nieuwkerk•ARTICLE•Social Anthropology•2015

  • “Conversion” to Islam and the Construction of a Pious Self

    Lewis R Rambo, Charles E Farhadian et al.•CHAPTER•The Oxford Handbook of Religious…•2014

    Contains fulltext : 129869.pdf (Publisher’s version ) (Open Access)

  • Performing Piety

    Karin Van Nieuwkerk•BOOK•Performing Piety•2013

    In the 1980s, Egypt witnessed a growing revival of religiosity among large sectors of the population, including artists. Many pious stars retired from art, "repented" from "sinful" activities, and dedicated themselves to worship, preaching, and charity. Their public conversions were influential in spreading piety to the Egyptian upper class during the 1990s, which in turn enabled the development of pious markets for leisure and art, thus facilita…

  • Popularizing Islam or Islamizing popular music

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2012•Cited by: 2•References: 7

  • Muslim Rap, Halal Soaps, and Revolutionary Theater

    Joseph Alagha, Michael Frishkopf et al.•EDITOR•BOOK•Muslim rap, halal soaps, and…•2011

  • Piety, Penitence and Gender

    Karin Van Nieuwkerk•ARTICLE•Journal for Islamic Studies•2008

    This article examines the interrelationship between the piety movement and the phenomenon of ‘repentant' singers, dancers and actresses in Egypt. A broad piety current that existed underneath the militant Islamists has recently come to the fore. This ‘post-Islamist' movement is less overtly political in its aims and emphasises the cultivation of the pious self. Repentant artists were at the vanguard of this new pious trend in Egypt. As public fig…

  • Creating an Islamic cultural sphere

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2008•Cited by: 5•References: 10

    The public sphere in the Middle East and elsewhere is changing rapidly due to the global availability of new technologies of mass media.As a result of the growing influence of Islamist and pietistic movements in the Muslim world and in Muslim communities in the West, an increasing Islamization or 'pietization' (Turner 2008) of the public sphere is discernable.Also with regard to the cultural sphere attempts are made to bring art, leisure and ente…

  • Biography and Choice

    Karin Van Nieuwkerk•ARTICLE•Islam and Christian–Muslim…•2008•Cited by: 7•References: 5

    This article assesses the relevance of the rational-choice approach for understanding female conversion to Islam in the Netherlands. Rational-choice theories are important for focusing on the increasingly pluralistic character of the religious market and the active nature of religious actors. It is argued that women are active actors who make sensible choices. Yet the rational choice conception of rationality is rather limited and the specific ch…

  • Repentant' artists in Egypt

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2008•Cited by: 8•References: 4

    This article explores the emergent public sphere in Egypt in the early 1990s by analysing the debates about the 'repentant' artists. Many artists, mostly women but also a few men, stepped down from art for religious reasons. Some of them even started to preach against art because they considered their former profession haram. The 'repentance' of so many famous performers led to fierce contestations in the media. Art became an issue par excellence…

  • Introduction. Gender and Conversion to Islam in the West

    Karin Van Nieuwkerk•CHAPTER•Women Embracing Islam•2006

  • Women Embracing Islam

    Allievi, Stefano Allievi et al.•EDITOR•BOOK•Women Embracing Islam•2006

  • Time and migration

    Karin Van Nieuwkerk•ARTICLE•Institute of Muslim Minority…•2005

    The cultural reproduction of group identities in a diasporic and transnational setting can be analysed by looking into the ways ritual celebrations are reconstituted. Muslim religious celebrations such as ramadan, 'id al-fitr, 'id al-adha, sha'bana, 'ashura, and 'id al-mulud are studied among Moroccan immigrant women in the Netherlands in order to see how far they are transformed upon migration. Migration is usually perceived in spatial metaphors…

  • Veils and wooden clogs don't go together

    Karin Van Nieuwkerk•ARTICLE•Ethnos•2004•Cited by: 36•References: 4

    n Contains fulltext :\n 61920.pdf (Publisher's version ) (Open Access)\n

  • A Trade like Any Other

    Michelle Forner, Karin Van Nieuwkerk•ARTICLE•Ethnomusicology•1996

  • Veils and wooden clogs don't go together

    Karin Van Nieuwkerk•ARTICLE•Ethnos•2004•Cited by: 36•References: 4

    n Contains fulltext :\n 61920.pdf (Publisher's version ) (Open Access)\n

  • Repentant' artists in Egypt

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2008•Cited by: 8•References: 4

    This article explores the emergent public sphere in Egypt in the early 1990s by analysing the debates about the 'repentant' artists. Many artists, mostly women but also a few men, stepped down from art for religious reasons. Some of them even started to preach against art because they considered their former profession haram. The 'repentance' of so many famous performers led to fierce contestations in the media. Art became an issue par excellence…

  • Biography and Choice

    Karin Van Nieuwkerk•ARTICLE•Islam and Christian–Muslim…•2008•Cited by: 7•References: 5

    This article assesses the relevance of the rational-choice approach for understanding female conversion to Islam in the Netherlands. Rational-choice theories are important for focusing on the increasingly pluralistic character of the religious market and the active nature of religious actors. It is argued that women are active actors who make sensible choices. Yet the rational choice conception of rationality is rather limited and the specific ch…

  • Creating an Islamic cultural sphere

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2008•Cited by: 5•References: 10

    The public sphere in the Middle East and elsewhere is changing rapidly due to the global availability of new technologies of mass media.As a result of the growing influence of Islamist and pietistic movements in the Muslim world and in Muslim communities in the West, an increasing Islamization or 'pietization' (Turner 2008) of the public sphere is discernable.Also with regard to the cultural sphere attempts are made to bring art, leisure and ente…

  • Popularizing Islam or Islamizing popular music

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2012•Cited by: 2•References: 7

  • Islam Is My Washing Line”

    Open Access•Karin Van Nieuwkerk•ARTICLE•Religion and Gender•2023•Cited by: 1•References: 8

    Although conversion is an ongoing religious journey, it is rarely studied as such. This article provides a longitudinal study of conversion to Islam by Dutch women. People who recently convert might firmly hold on to their new convictions, not providing space for doubts and uncertainty, whereas studying the long-term process also gives insights into moments of weak belief, doubts, and ambivalence, or growing faith and spirituality. Not only these…

  • A Trade like Any Other

    Michelle Forner, Karin Van Nieuwkerk•ARTICLE•Ethnomusicology•1996

  • Veils and wooden clogs don't go together

    Karin Van Nieuwkerk•ARTICLE•Ethnos•2004•Cited by: 36•References: 4

    n Contains fulltext :\n 61920.pdf (Publisher's version ) (Open Access)\n

  • Time and migration

    Karin Van Nieuwkerk•ARTICLE•Institute of Muslim Minority…•2005

    The cultural reproduction of group identities in a diasporic and transnational setting can be analysed by looking into the ways ritual celebrations are reconstituted. Muslim religious celebrations such as ramadan, 'id al-fitr, 'id al-adha, sha'bana, 'ashura, and 'id al-mulud are studied among Moroccan immigrant women in the Netherlands in order to see how far they are transformed upon migration. Migration is usually perceived in spatial metaphors…

  • Introduction. Gender and Conversion to Islam in the West

    Karin Van Nieuwkerk•CHAPTER•Women Embracing Islam•2006

  • Women Embracing Islam

    Allievi, Stefano Allievi et al.•EDITOR•BOOK•Women Embracing Islam•2006

  • Piety, Penitence and Gender

    Karin Van Nieuwkerk•ARTICLE•Journal for Islamic Studies•2008

    This article examines the interrelationship between the piety movement and the phenomenon of ‘repentant' singers, dancers and actresses in Egypt. A broad piety current that existed underneath the militant Islamists has recently come to the fore. This ‘post-Islamist' movement is less overtly political in its aims and emphasises the cultivation of the pious self. Repentant artists were at the vanguard of this new pious trend in Egypt. As public fig…

  • Creating an Islamic cultural sphere

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2008•Cited by: 5•References: 10

    The public sphere in the Middle East and elsewhere is changing rapidly due to the global availability of new technologies of mass media.As a result of the growing influence of Islamist and pietistic movements in the Muslim world and in Muslim communities in the West, an increasing Islamization or 'pietization' (Turner 2008) of the public sphere is discernable.Also with regard to the cultural sphere attempts are made to bring art, leisure and ente…

  • Biography and Choice

    Karin Van Nieuwkerk•ARTICLE•Islam and Christian–Muslim…•2008•Cited by: 7•References: 5

    This article assesses the relevance of the rational-choice approach for understanding female conversion to Islam in the Netherlands. Rational-choice theories are important for focusing on the increasingly pluralistic character of the religious market and the active nature of religious actors. It is argued that women are active actors who make sensible choices. Yet the rational choice conception of rationality is rather limited and the specific ch…

  • Repentant' artists in Egypt

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2008•Cited by: 8•References: 4

    This article explores the emergent public sphere in Egypt in the early 1990s by analysing the debates about the 'repentant' artists. Many artists, mostly women but also a few men, stepped down from art for religious reasons. Some of them even started to preach against art because they considered their former profession haram. The 'repentance' of so many famous performers led to fierce contestations in the media. Art became an issue par excellence…

  • Muslim Rap, Halal Soaps, and Revolutionary Theater

    Joseph Alagha, Michael Frishkopf et al.•EDITOR•BOOK•Muslim rap, halal soaps, and…•2011

  • Popularizing Islam or Islamizing popular music

    Open Access•Karin Van Nieuwkerk•ARTICLE•Contemporary Islam•2012•Cited by: 2•References: 7

  • Performing Piety

    Karin Van Nieuwkerk•BOOK•Performing Piety•2013

    In the 1980s, Egypt witnessed a growing revival of religiosity among large sectors of the population, including artists. Many pious stars retired from art, "repented" from "sinful" activities, and dedicated themselves to worship, preaching, and charity. Their public conversions were influential in spreading piety to the Egyptian upper class during the 1990s, which in turn enabled the development of pious markets for leisure and art, thus facilita…

  • “Conversion” to Islam and the Construction of a Pious Self

    Lewis R Rambo, Charles E Farhadian et al.•CHAPTER•The Oxford Handbook of Religious…•2014

    Contains fulltext : 129869.pdf (Publisher’s version ) (Open Access)

  • Iraqi women in Denmark. Ritual performance and belonging in everyday life by Pedersen, Marianne Holm

    Open Access•Karin Van Nieuwkerk•ARTICLE•Social Anthropology•2015

  • Conversion and the politics of creating a “German Islam”

    Open Access•Karin Van Nieuwkerk•ARTICLE•Journal of Religious and…•2016

    Conversion to Islam in the West has become a growing field of academic interest. Initially the question why people, particularly women, embraced Islam captured the attention of scholars. Female con

  • Moving In and Out of Islam

    Atefeh Aghaee, Mona Alyedreessy et al.•EDITOR•BOOK•Moving in and Out of Islam•2018

    With empirical case studies from Western and Central Europe, the United States, Canada, and the Middle East, this anthology opens a new field of study by exploring people’s rationales for leaving, as well as converting to, Islam.

  • Manhood Is Not Easy

    Open Access•Karin Van Nieuwkerk•BOOK•Manhood Is Not Easy•2019

  • Manhood Is Not Easy

    Karin Van Nieuwkerk•BOOK•Manhood Is Not Easy•2019

  • Uncovering the Self’

    Open Access•Karin Van Nieuwkerk•ARTICLE•Religions•2020

    Since the 1980s, discourse on religious piety has taken many different forms, from mosque lessons by lay preachers—such as `Amr Khalid—to religious TV programmes and leisure activities. Within this widespread religious culture and cultivation of forms of visible piety, wearing the veil became an almost uncontested norm for women. As Saba Mahmood demonstrated, the veil became a crucial way to express and cultivate a ‘pious self’. Yet especially si…

  • Introduction

    Open Access•Karin Van Nieuwkerk•ARTICLE•Religions•2021•References: 13

    The political impact-or rather the lack thereof-following the revolutionary uprisings in the Middle East has been well documented

  • Iranian Refugee Entrepreneurship and Inclusion in the Netherlands

    Open Access•Samaneh Khademi, Caroline Essers et al.•ARTICLE•Journal of Refugee Studies•2022•References: 10

    Numerous studies have demonstrated the importance of entrepreneurship for migrants’ integration. Nonetheless, the impact of entrepreneurship on refugees’ inclusion and sense of belonging has been largely overlooked. This article explores how entrepreneurship contributes to the inclusion of Iranian refugee entrepreneurs, considering the different aspects of a refugee’s identity components such as ethnicity, age, class, gender, and religion. The li…

  • Islam Is My Washing Line”

    Open Access•Karin Van Nieuwkerk•ARTICLE•Religion and Gender•2023•Cited by: 1•References: 8

    Although conversion is an ongoing religious journey, it is rarely studied as such. This article provides a longitudinal study of conversion to Islam by Dutch women. People who recently convert might firmly hold on to their new convictions, not providing space for doubts and uncertainty, whereas studying the long-term process also gives insights into moments of weak belief, doubts, and ambivalence, or growing faith and spirituality. Not only these…

Sociology (16 works) · Philosophy (14 works) · Islamic Studies and History (13 works) · History (12 works) · Islam (11 works) · Political science (11 works) · Aesthetics (9 works) · Jewish and Middle Eastern Studies (9 works) · Law (8 works) · Art (7 works)

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