Paris Cameron-Gardos
Biographic Data
| ID | 911621 |
|---|---|
| NAME | Paris Cameron-Gardos |
| GIVEN NAMES | Paris |
| FAMILY NAME | Cameron-Gardos |
| SIGNATURE | CAMERON-GARDOS P |
| AFFILIATIONS | Leiden University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The brotherhood of hate
The narrative of Danish director Nicolo Donato’s 2009 film, Brotherhood, demonstrates how both the coming out and outing of a gay Neo-Nazi creates dramatic moments of transformation within the film’s storyline. As a result, the audience has to confront the representation of unstable and asymmetrical acts of sexual, social, and political identification. These moments of identification involve acts of violence and betrayal that lead to the creation…
Hand-out
Bavo Defurne’s film Noordzee, Texas (2011) provides a unique cultural object with which to re-examine the discourses concerning queer representation in Flemish audio-visual media, the normative acceptance of the Flemish LGBTQ+ community, and the importance of coming out narratives. Vanlee (2019) and Vanlee, Dhaenens, and Van Bauwel (2020) argue that the banal representations of queer identity in Flemish television has privileged normative discour…
No prominent works on this page.
Hand-out
Bavo Defurne’s film Noordzee, Texas (2011) provides a unique cultural object with which to re-examine the discourses concerning queer representation in Flemish audio-visual media, the normative acceptance of the Flemish LGBTQ+ community, and the importance of coming out narratives. Vanlee (2019) and Vanlee, Dhaenens, and Van Bauwel (2020) argue that the banal representations of queer identity in Flemish television has privileged normative discour…
The brotherhood of hate
The narrative of Danish director Nicolo Donato’s 2009 film, Brotherhood, demonstrates how both the coming out and outing of a gay Neo-Nazi creates dramatic moments of transformation within the film’s storyline. As a result, the audience has to confront the representation of unstable and asymmetrical acts of sexual, social, and political identification. These moments of identification involve acts of violence and betrayal that lead to the creation…
Art (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Audio visual (1 work) · Computer Science (1 work) · European history and politics (1 work) · Flemish (1 work) · Gender Studies (1 work) · Italian Fascism and Post-war Society (1 work) · Law (1 work)