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Marcia Hadjimarkos

Biographic Data

ID9124356
NAMEMarcia Hadjimarkos
GIVEN NAMESMarcia
FAMILY NAMEHadjimarkos
SIGNATUREHADJIMARKOS M
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR0
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2024
LATEST PUBLICATION YEAR2025
H-INDEX0
  • So Thoughts May Live On

    Open Access•Elsa De Smet, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

    The sciences are worried. At times there is a fear that the discursive impasse of the moment will close in on itself, and that critical outcomes will be increasingly limited. This feeling has grown over the past decade as misunderstandings overwhelm discourse and language itself has been stripped of its resources, with words often turning against those who dare to utter them. Many things seem reversible within an incoherent cognitive loop where l…

  • Mickalene Thomas

    Open Access•Évelyne Toussaint, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

    Mickalene Thomas © Jon Jenkins, 2023The exhibition Mickalene Thomas: All About Love includes a quote by bell hooks: "To truly love we must learn to mix various ingredients—care, affection, recognition, respect, commitment, and trust, as well as honest and open communication." The works in the show provide a counterpoint to this phrase, and demonstrate what has been Mickalene Thomas’s objective since the beginning of her career: reappropriating th…

  • The Wisconsin Triennial, or "Midwest Nice"

    Open Access•Lola Lorant, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

    Installation view of the 2025 Wisconsin Triennial, Madison Museum of Contemporary Art, 2025. Photo by Mariah MonedaWisconsin is reputedly a boring place. People tend to think, as far as artistic and intellectual culture are concerned, that all the important things happen elsewhere in the United States. Who would imagine that a contemporary art triennial takes place in Wisconsin? But it’s true! The state can indeed be viewed from above, both liter…

  • A Mosaic of Collective Memory

    Open Access•Anastasiya Sagaydak, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

  • Evergreen

    Open Access•Yann Sérandour, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2024

    When I was invited to design an artist’s book for the publication of the 63rd issue of Critique d’art, with support from the Meyer Louis-Dreyfus Fund, I suggested making a list of all the books held in multiple copies in the collections of the INHA-Archives de la critique d’art. The 3,937 titles held in duplicate (3,340), triplicate (491), quadruplicate (83), quintuplicate (18), and sextuplicate (5) copies include 8,605 volumes of 4,668 supernume…

  • Institutions and Minorities

    Open Access•Elora Weill-Engerer, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2024

    Elora Weill-Engerer is the 2024 award-winner of TRAVERSES, a scheme that supports art criticism, and which since 2016 has brought together l'Institut franais, in partnership with the ministre de la Culture-Direction gnrale de la cration artistique, and the Archives de la critique d'art in order to promote French criticism and theoretical writing.This programme, which conducts an annual call for papers, advocates for the production, publication, a…

No prominent works on this page.

  • Evergreen

    Open Access•Yann Sérandour, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2024

    When I was invited to design an artist’s book for the publication of the 63rd issue of Critique d’art, with support from the Meyer Louis-Dreyfus Fund, I suggested making a list of all the books held in multiple copies in the collections of the INHA-Archives de la critique d’art. The 3,937 titles held in duplicate (3,340), triplicate (491), quadruplicate (83), quintuplicate (18), and sextuplicate (5) copies include 8,605 volumes of 4,668 supernume…

  • Institutions and Minorities

    Open Access•Elora Weill-Engerer, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2024

    Elora Weill-Engerer is the 2024 award-winner of TRAVERSES, a scheme that supports art criticism, and which since 2016 has brought together l'Institut franais, in partnership with the ministre de la Culture-Direction gnrale de la cration artistique, and the Archives de la critique d'art in order to promote French criticism and theoretical writing.This programme, which conducts an annual call for papers, advocates for the production, publication, a…

  • So Thoughts May Live On

    Open Access•Elsa De Smet, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

    The sciences are worried. At times there is a fear that the discursive impasse of the moment will close in on itself, and that critical outcomes will be increasingly limited. This feeling has grown over the past decade as misunderstandings overwhelm discourse and language itself has been stripped of its resources, with words often turning against those who dare to utter them. Many things seem reversible within an incoherent cognitive loop where l…

  • Mickalene Thomas

    Open Access•Évelyne Toussaint, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

    Mickalene Thomas © Jon Jenkins, 2023The exhibition Mickalene Thomas: All About Love includes a quote by bell hooks: "To truly love we must learn to mix various ingredients—care, affection, recognition, respect, commitment, and trust, as well as honest and open communication." The works in the show provide a counterpoint to this phrase, and demonstrate what has been Mickalene Thomas’s objective since the beginning of her career: reappropriating th…

  • The Wisconsin Triennial, or "Midwest Nice"

    Open Access•Lola Lorant, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

    Installation view of the 2025 Wisconsin Triennial, Madison Museum of Contemporary Art, 2025. Photo by Mariah MonedaWisconsin is reputedly a boring place. People tend to think, as far as artistic and intellectual culture are concerned, that all the important things happen elsewhere in the United States. Who would imagine that a contemporary art triennial takes place in Wisconsin? But it’s true! The state can indeed be viewed from above, both liter…

  • A Mosaic of Collective Memory

    Open Access•Anastasiya Sagaydak, Marcia Hadjimarkos•TRANSLATOR•ARTICLE•Critique d’art•2025

Art (2 works) · Art, Politics, and Modernism (2 works) · Italian Fascism and Post-war Society (2 works) · Law (2 works) · Political science (2 works) · Posthumanist Ethics and Activism (2 works) · Sociology (2 works) · Aesthetics (1 work) · Art Education and Development (1 work) · Art History and Market Analysis (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae