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Nadine Sieveking

Biographic Data

ID91453
NAMENadine Sieveking
GIVEN NAMESNadine
FAMILY NAMESieveking
SIGNATURESIEVEKING N
AFFILIATIONSLeipzig University
ORCID0000-0003-0501-2978
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS14
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2022
H-INDEX3
  • “Madame est au niveau 2, et moi...?” Gendered Dynamics of Qur’an Reading Courses in Dakarois Francophone Educated Middle-Class Milieus

    Open Access•Nadine Sieveking•ARTICLE•Cahiers d études africaines•2022

    This article focuses on the gendered dynamics of an adult religious education programme offered in Dakar since 2015. The programme is increasingly successful, especially among women, who constitute the majority of participants. It specifically targets a social group identified as “intellectuals,” and located within francophone educated middle-class milieus. Responding to the needs of this target group, the Qur’an reading courses not only reinforc…

  • "Koranlektüre-Kurse für „Intellektuelle" in Dakar, Senegal

    Nadine Sieveking•ARTICLE•Sociologus•2020•References: 13

    Seit 2015 werden in Dakar Koranlektürekurse von einer Organisation angeboten, die verspricht, mittels einfacher und effizienter Methoden die Fähigkeiten zum eigenständigen Lesen des Korans innerhalb von drei Monaten zu vermitteln. Diese kostenpflichtigen Kurse sind auf eine spezielle Zielgruppe in frankophonen urbanen Bildungsmilieus zugeschnitten, die als „Intellektuelle“ bezeichnet wird. Der Artikel untersucht den Erfolg der Kurse und die sozia…

  • The evolution of professional contemporary dance in Burkina Faso

    Nadine Sieveking, Sarah Andrieu•ARTICLE•Critical African Studies•2019•Cited by: 1•References: 12

    Burkina Faso is renowned within international dance circles for its vibrant dance scene. It is the origin of several accomplished and widely touring performing artists as well as a growing number of upcoming dancer-choreographers who want to engage in a professional artistic career. Yet, the existence of the profession of an artist, let alone of a professional choreographer, is not a commonly recognized social fact in this country. Against this b…

  • C'est d'abord moi

    Nadine Sieveking•ARTICLE•Journal of African Cultural Studies•2017•Cited by: 4•References: 8

    Within the ideological frame of ‘global art’, contemporary dance promotes norms of social and gender equality and celebrates cultural diversity in the form of highly individualized representations of collective experiences and aspirations. This inherently contradictory legitimizing ideology has opened up opportunities for female choreographers from Africa, an underrepresented category in this genre. Focusing a woman artist from Burkina Faso and o…

  • Create Your Space!' Locating Contemporary Dance in Ouagadougou

    Open Access•Nadine Sieveking•ARTICLE•Africa•2014•Cited by: 6•References: 13

    Since the turn of the century contemporary dance has been gaining momentum as a pan-African artistic movement in which a new generation of performers is engaging. In contrast to more popular forms of 'traditional' or 'modern' performance genres, this new movement has evolved within the cosmopolitan urban elite and is driven by processes of professionalization that lead to the creation of new, border-crossing artistic spaces. These spaces are char…

  • Introduction

    Open Access•Geert Castryck, Nadine Sieveking•ARTICLE•Africa•2014•Cited by: 3•References: 35

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • 'We don't want equality, we want to be given our rights'

    Nadine Sieveking

    'Der Artikel analysiert, wie Frauenorganisationen im Senegal sich globale Entwicklungskonzepte aneignen und deren Bedeutung unter Bezug auf lokale Diskurse und Praktiken aushandeln. Er basiert auf einer Fallstudie zu einer NRO-Kampagne zur Reform des nationalen Familienrechts, die auf Frauenrechte und Geschlechtergleichheit fokussiert. Das spannungsgeladene Verhältnis zwischen westlich dominierten Entwicklungsdiskursen und der offiziellen Frauenf…

  • Create Your Space!' Locating Contemporary Dance in Ouagadougou

    Open Access•Nadine Sieveking•ARTICLE•Africa•2014•Cited by: 6•References: 13

    Since the turn of the century contemporary dance has been gaining momentum as a pan-African artistic movement in which a new generation of performers is engaging. In contrast to more popular forms of 'traditional' or 'modern' performance genres, this new movement has evolved within the cosmopolitan urban elite and is driven by processes of professionalization that lead to the creation of new, border-crossing artistic spaces. These spaces are char…

  • C'est d'abord moi

    Nadine Sieveking•ARTICLE•Journal of African Cultural Studies•2017•Cited by: 4•References: 8

    Within the ideological frame of ‘global art’, contemporary dance promotes norms of social and gender equality and celebrates cultural diversity in the form of highly individualized representations of collective experiences and aspirations. This inherently contradictory legitimizing ideology has opened up opportunities for female choreographers from Africa, an underrepresented category in this genre. Focusing a woman artist from Burkina Faso and o…

  • Introduction

    Open Access•Geert Castryck, Nadine Sieveking•ARTICLE•Africa•2014•Cited by: 3•References: 35

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The evolution of professional contemporary dance in Burkina Faso

    Nadine Sieveking, Sarah Andrieu•ARTICLE•Critical African Studies•2019•Cited by: 1•References: 12

    Burkina Faso is renowned within international dance circles for its vibrant dance scene. It is the origin of several accomplished and widely touring performing artists as well as a growing number of upcoming dancer-choreographers who want to engage in a professional artistic career. Yet, the existence of the profession of an artist, let alone of a professional choreographer, is not a commonly recognized social fact in this country. Against this b…

  • Create Your Space!' Locating Contemporary Dance in Ouagadougou

    Open Access•Nadine Sieveking•ARTICLE•Africa•2014•Cited by: 6•References: 13

    Since the turn of the century contemporary dance has been gaining momentum as a pan-African artistic movement in which a new generation of performers is engaging. In contrast to more popular forms of 'traditional' or 'modern' performance genres, this new movement has evolved within the cosmopolitan urban elite and is driven by processes of professionalization that lead to the creation of new, border-crossing artistic spaces. These spaces are char…

  • Introduction

    Open Access•Geert Castryck, Nadine Sieveking•ARTICLE•Africa•2014•Cited by: 3•References: 35

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • C'est d'abord moi

    Nadine Sieveking•ARTICLE•Journal of African Cultural Studies•2017•Cited by: 4•References: 8

    Within the ideological frame of ‘global art’, contemporary dance promotes norms of social and gender equality and celebrates cultural diversity in the form of highly individualized representations of collective experiences and aspirations. This inherently contradictory legitimizing ideology has opened up opportunities for female choreographers from Africa, an underrepresented category in this genre. Focusing a woman artist from Burkina Faso and o…

  • The evolution of professional contemporary dance in Burkina Faso

    Nadine Sieveking, Sarah Andrieu•ARTICLE•Critical African Studies•2019•Cited by: 1•References: 12

    Burkina Faso is renowned within international dance circles for its vibrant dance scene. It is the origin of several accomplished and widely touring performing artists as well as a growing number of upcoming dancer-choreographers who want to engage in a professional artistic career. Yet, the existence of the profession of an artist, let alone of a professional choreographer, is not a commonly recognized social fact in this country. Against this b…

  • "Koranlektüre-Kurse für „Intellektuelle" in Dakar, Senegal

    Nadine Sieveking•ARTICLE•Sociologus•2020•References: 13

    Seit 2015 werden in Dakar Koranlektürekurse von einer Organisation angeboten, die verspricht, mittels einfacher und effizienter Methoden die Fähigkeiten zum eigenständigen Lesen des Korans innerhalb von drei Monaten zu vermitteln. Diese kostenpflichtigen Kurse sind auf eine spezielle Zielgruppe in frankophonen urbanen Bildungsmilieus zugeschnitten, die als „Intellektuelle“ bezeichnet wird. Der Artikel untersucht den Erfolg der Kurse und die sozia…

  • “Madame est au niveau 2, et moi...?” Gendered Dynamics of Qur’an Reading Courses in Dakarois Francophone Educated Middle-Class Milieus

    Open Access•Nadine Sieveking•ARTICLE•Cahiers d études africaines•2022

    This article focuses on the gendered dynamics of an adult religious education programme offered in Dakar since 2015. The programme is increasingly successful, especially among women, who constitute the majority of participants. It specifically targets a social group identified as “intellectuals,” and located within francophone educated middle-class milieus. Responding to the needs of this target group, the Qur’an reading courses not only reinforc…

  • 'We don't want equality, we want to be given our rights'

    Nadine Sieveking

    'Der Artikel analysiert, wie Frauenorganisationen im Senegal sich globale Entwicklungskonzepte aneignen und deren Bedeutung unter Bezug auf lokale Diskurse und Praktiken aushandeln. Er basiert auf einer Fallstudie zu einer NRO-Kampagne zur Reform des nationalen Familienrechts, die auf Frauenrechte und Geschlechtergleichheit fokussiert. Das spannungsgeladene Verhältnis zwischen westlich dominierten Entwicklungsdiskursen und der offiziellen Frauenf…

Political science (6 works) · Art (5 works) · Sociology (5 works) · Aesthetics (3 works) · African Studies and Ethnography (3 works) · Cultural Identity and Heritage (3 works) · Dance (3 works) · Gender Studies (3 works) · Religion, Society, and Development (3 works) · Social science (3 works)

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