Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Freya Jarman

Biographic Data

ID9151369
NAMEFreya Jarman
GIVEN NAMESFreya
FAMILY NAMEJarman
SIGNATUREJARMAN F
ORCID0000-0003-4543-1421
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR1
WORKS AS EDITOR1
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Les songes pleureurs de Poulenc

    Open Access•Oliver Charles Edward Smith, Freya Jarman•EDITOR•ARTICLE•Cogent Arts and Humanities•2016

    Francis Poulenc’s Sonate pour violon et piano exists as something of a hybrid work. Dedicated to the memory of Spanish resistant poet Federico García Lorca, the sonata’s slow movement, the “Intermezzo”, is prepended with the opening line of Lorca’s “Las Seis Cuerdas”. As a consequence, the movement is imbued with a programmatic quality that causes it to sit somewhere inbetween Poulenc’s instrumental and vocal works. In this essay, I take advantag…

  • Madonna's Drowned Worlds

    Open Access•Santiago Fouz-Hernández, Freya Jarman-Ivens et al.•BOOK•Madonna's drowned worlds•2004

    Offers new perspectives on Madonna's work to date. An international array of scholars portrays her popularisation of the notion that identity is not fixed & can be continuously rearranged & revamped. Explores the themes of gender, sexuality, ethnicity and celebrity comsumption through the lens of Madonna's songs, videos & shows

No prominent works on this page.

  • Madonna's Drowned Worlds

    Open Access•Santiago Fouz-Hernández, Freya Jarman-Ivens et al.•BOOK•Madonna's drowned worlds•2004

    Offers new perspectives on Madonna's work to date. An international array of scholars portrays her popularisation of the notion that identity is not fixed & can be continuously rearranged & revamped. Explores the themes of gender, sexuality, ethnicity and celebrity comsumption through the lens of Madonna's songs, videos & shows

  • Les songes pleureurs de Poulenc

    Open Access•Oliver Charles Edward Smith, Freya Jarman•EDITOR•ARTICLE•Cogent Arts and Humanities•2016

    Francis Poulenc’s Sonate pour violon et piano exists as something of a hybrid work. Dedicated to the memory of Spanish resistant poet Federico García Lorca, the sonata’s slow movement, the “Intermezzo”, is prepended with the opening line of Lorca’s “Las Seis Cuerdas”. As a consequence, the movement is imbued with a programmatic quality that causes it to sit somewhere inbetween Poulenc’s instrumental and vocal works. In this essay, I take advantag…

Aesthetics (2 works) · Art (2 works) · Art history (2 works) · 1958 (1 work) · American and British Literature Analysis (1 work) · Anthropology (1 work) · Computer Science (1 work) · Criticism and interpretation (1 work) · Engineering (1 work) · Ethnic group (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae