Jörg Scheller
Biographic Data
| ID | 9153996 |
|---|---|
| NAME | Jörg Scheller |
| GIVEN NAMES | Jörg |
| FAMILY NAME | Scheller |
| SIGNATURE | SCHELLER J |
| AFFILIATIONS | Zurich University of the Arts |
| ORCID | 0009-0009-7458-0013 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Fleischmaurerei. Kulturtechniken des Machsals in Bodybuilding und Freimaurerei
Der Westen liegt am Schwarzen Meer
The Borders of Boundlessness
In this article, the early critique of intermedia aesthetics and border-crossing in the arts is reassessed against the background of the contemporary dissolution not only of media boundaries but also of disciplinary, categorical, social boundaries. In 1974, the art critic Rosalind Krauss warned against a trivialization of the dissolution of art’s boundaries in the “post-media condition”. With recourse to Frederic Jameson, she argued that “this le…
Apopcalypse
This paper examines the heavy metal genre as a popular form of apocalypticism, i.e., as a warning reminder or “premediation” of potentially (large-scale) lethal crises. By confronting the audience with disturbing, seemingly exaggerated scenarios of disease, chaos, war, and horror, heavy metal builds barriers in popular culture against what philosopher Günther Anders has called “apocalyptic blindness.” The genre, then, offers a kind of “aesthetic …
Metalmorphosen
Wie ist Heavy Metal entstanden? Warum ist die Apokalypse im Heavy Metal allgegenwärtig? Was verbindet Heavy Metal mit Liberalismus? Inwiefern ist die Harmonik des Extreme Metal genderneutral? Was hat Heavy Metal mit der Kunst des Strickens zu tun und was mit tiergestützter Psychotherapie? Wo mündet Grindcore in Kosmetik? In Metalmorphosen zeigt Jörg Scheller die überraschend komplexe Geschichte des Heavy Metal – als verzerrtes Echo eines Jahrhund…
Anything Grows. 15 Essays zur Geschichte, Ästhetik und Bedeutung des Bartes Ulrich Boss (Bern)
No prominent works on this page.
Anything Grows. 15 Essays zur Geschichte, Ästhetik und Bedeutung des Bartes Ulrich Boss (Bern)
Metalmorphosen
Wie ist Heavy Metal entstanden? Warum ist die Apokalypse im Heavy Metal allgegenwärtig? Was verbindet Heavy Metal mit Liberalismus? Inwiefern ist die Harmonik des Extreme Metal genderneutral? Was hat Heavy Metal mit der Kunst des Strickens zu tun und was mit tiergestützter Psychotherapie? Wo mündet Grindcore in Kosmetik? In Metalmorphosen zeigt Jörg Scheller die überraschend komplexe Geschichte des Heavy Metal – als verzerrtes Echo eines Jahrhund…
Apopcalypse
This paper examines the heavy metal genre as a popular form of apocalypticism, i.e., as a warning reminder or “premediation” of potentially (large-scale) lethal crises. By confronting the audience with disturbing, seemingly exaggerated scenarios of disease, chaos, war, and horror, heavy metal builds barriers in popular culture against what philosopher Günther Anders has called “apocalyptic blindness.” The genre, then, offers a kind of “aesthetic …
Der Westen liegt am Schwarzen Meer
The Borders of Boundlessness
In this article, the early critique of intermedia aesthetics and border-crossing in the arts is reassessed against the background of the contemporary dissolution not only of media boundaries but also of disciplinary, categorical, social boundaries. In 1974, the art critic Rosalind Krauss warned against a trivialization of the dissolution of art’s boundaries in the “post-media condition”. With recourse to Frederic Jameson, she argued that “this le…
Fleischmaurerei. Kulturtechniken des Machsals in Bodybuilding und Freimaurerei
Art (3 works) · German Literature and Culture Studies (2 works) · Political science (2 works) · Aesthetics (1 work) · American Political and Social Dynamics (1 work) · Apocalypticism (1 work) · Appeal (1 work) · Archaeology (1 work) · Arts, Culture, and Music Studies (1 work) · beard (1 work)