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Juan E De Castro

Biographic Data

ID915526
NAMEJuan E De Castro
GIVEN NAMESJuan E
FAMILY NAMEDe Castro
SIGNATUREDE CASTRO J E
AFFILIATIONSNew School
ORCID0000-0002-8487-5458
VERIFIEDYes
TOTAL WORKS16
TOTAL CITATIONS13
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Mestizo Nations: Culture, Race, and Conformity in Latin American Literature

    Juan E De Castro•BOOK•Mestizo Nations•2022

  • Velázquez Castro, M. (2020). Hijos de la peste. Una historia de las epidemias en el Perú. Lima: Taurus

    Open Access•Juan E De Castro•ARTICLE•Letras (Lima•2021

    Velazquez Castro, M. (2020). Hijos de la peste. Una historia de las epidemias en el Peru. Lima: Taurus

  • Stateness as Landgrab: A Political History of Maya Dispossession in Guatemala

    Open Access•Juan E De Castro, Juan Castro et al.•ARTICLE•American Quarterly•2017•Cited by: 13

    Stateness as Landgrab: A Political History of Maya Dispossession in Guatemala Juan Castro (bio) and Manuela Lavinas Picq (bio) The history of state formation in the Americas is largely a history of indigenous dispossession. But not all dispossessions function the same. In Guatemala the forms of stealing of indigenous territory varied over time. Spanish colonizers made Maya communities buy their own lands. After independence, the modern liberal st…

  • Gasquet, Axel. El llamado de Oriente. Historia cultural del orientalismo argentino (1900-1950). Buenos Aires: Eudeba, 2015. Impreso. 444 pp

    Open Access•Juan E De Castro•ARTICLE•TRANSMODERNITY Journal of…•2016

    n Gasquet, Axel. El llamado de Oriente. Historia cultural del orientalismo argentino (1900-1950). \n Buenos Aires: Eudeba, 2015. Impreso. 444 pp.\n

  • The Latin American Literary Boom and US Nationalism During the Cold War - by Cohn, Deborah

    Open Access•Juan E De Castro•ARTICLE•Bulletin of Latin American Research•2015

  • Alfonso Reyes, Jorge Luis Borges y Nuestra América

    Open Access•Juan E De Castro•ARTICLE•TRANSMODERNITY Journal of…•2013

    originalmente redactado en ingls, luego del reiterado reconocimiento de que Reyes era "the finest Spanish prose stylist of the century", aada que "in my writing I learned a great deal about simplicity and directness from him" En materia de escritura haba aprendido mucho en simplicidad y sinceridad de l" (165). Como seala Emir Rodrguez Monegal, antes de conocer la obra de Reyes, el joven Borges

  • Into the Archive: Writing and Power in Colonial Peru - by Burns, Kathryn

    Open Access•Juan E De Castro•ARTICLE•Bulletin of Latin American Research•2013

  • Corral, Wilfrido H. Cartografía occidental de la novela hispanoamericana. Quito: Centro Cultural Benjamín Carrión, 2010

    Open Access•Juan E De Castro•ARTICLE•TRANSMODERNITY Journal of…•2011

    Best known as one of the editors of Theory's Empire (2005), the widely reviewed and discussed "anti-theory" anthology, Wilfrido H. Corral provides us, in Cartografa occidental de la novela hispanoamericana, with an analysis of the development of the novel in Spanish America in the 20th century and in what has transpired of the 21st. While it gives the Boom its due-of the five chapters which comprise the book, two are dedicated to well-known liter…

  • En qué idioma escribe Ud: Spanish, Tagalog, and Identity in José Rizal's Noli me tangere

    Juan E De Castro•ARTICLE•Modern Language Notes•2011

    En qué idioma escribe Ud.?:Spanish, Tagalog, and Identity in José Rizal's Noli me tangere Juan E. de Castro Introduction "¿En qué idioma escribe Ud.?" (142) "In which language are you writing?"1 This question, that Juan Crisóstomo Ibarra, the protagonist of José Rizal's novel Noli me tangere (1887), addresses to the old scholar Don Anastasio, better known as Tasio, is more than just an expression of curiosity when he sees the latter writing, of a…

  • Mario Vargas Llosa versus Barbarism

    Open Access•Juan E De Castro•ARTICLE•Latin American Research Review•2010

    This article studies how the Peruvian novelist Mario Vargas Llosa and, more generally, neoliberalism rearticulate the opposition between civilization and barbarism, and the vision of the world that underlies it. During a time in which many intellectuals have embraced a relativistic notion of culture that makes judgment problematic, neoliberals embrace this clear-cut value hierarchy with complete abandonment. In fact, one cannot but be surprised b…

  • The Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production

    Open Access•Juan E De Castro•BOOK•Spaces of Latin American Literature•2008

    The Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production examines how Latin American writers, artists, and intellectuals have negotiated their relationship with Weste

  • Los cuerpos de Eva: Anatomía del deseo femenino

    Open Access•Juan E De Castro, Claudia Soria•ARTICLE•Chasqui•2006

  • Christopher Isherwood Meets Jorge Luis Borges: On the Value of South American Cultures

    Juan E De Castro•ARTICLE•Modern Language Notes•2004

    In 1949, Christopher Isherwood, the author of Berlin Stories, the source for the musical and film Cabaret, published what is probably his least-known book, The Condor and the Cows, a South American Travel-Diary. (The "condor" refers to the Andean countries, the "cows," less elegantly, to Argentina.) This book, which is fascinating in its portrayal of the cultural environment of the Spanish-speaking South America of the late 1940s, though marred b…

  • Mestizo Nations: Culture, Race, and Conformity in Latin American Literature

    Juan E De Castro•BOOK•Mestizo Nations•2002

    Nationality in Latin America has long been entwined with questions of racial identity. Just as American-born colonial elites grounded their struggle for independence from Spain and Portugal in the history of Amerindian resistance, constructions of nationality were based on the notion of the fusion of populations heterogeneous in culture, race, and language. But this rhetorical celebration of difference was framed by a real-life pressure to assimi…

  • The Deus Ex-Machina

    Open Access•Juan E De Castro•ARTICLE•Postmodern Culture•2002

    Postmodern Culture - Volume 12, Number 3, May 2002

  • "Richard Rodriguez in "Borderland

    Juan E De Castro•ARTICLE•Aztlán A Journal of Chicano Studies•2001

    Starting with Days of Obligation: An Argument with My Mexican Father (1992), the recent writings of Richard Rodriguez not only have stressed the centrality of cultural interaction and exchange, but have also resorted to Jose Vasconcelos's notion of the "cosmic race" in their analyses of contemporary American reality. Although his essays havepoints in common with theories of the "border"and of the "borderlands," Rodriguez's celebration of hybridit…

  • Stateness as Landgrab: A Political History of Maya Dispossession in Guatemala

    Open Access•Juan E De Castro, Juan Castro et al.•ARTICLE•American Quarterly•2017•Cited by: 13

    Stateness as Landgrab: A Political History of Maya Dispossession in Guatemala Juan Castro (bio) and Manuela Lavinas Picq (bio) The history of state formation in the Americas is largely a history of indigenous dispossession. But not all dispossessions function the same. In Guatemala the forms of stealing of indigenous territory varied over time. Spanish colonizers made Maya communities buy their own lands. After independence, the modern liberal st…

  • "Richard Rodriguez in "Borderland

    Juan E De Castro•ARTICLE•Aztlán A Journal of Chicano Studies•2001

    Starting with Days of Obligation: An Argument with My Mexican Father (1992), the recent writings of Richard Rodriguez not only have stressed the centrality of cultural interaction and exchange, but have also resorted to Jose Vasconcelos's notion of the "cosmic race" in their analyses of contemporary American reality. Although his essays havepoints in common with theories of the "border"and of the "borderlands," Rodriguez's celebration of hybridit…

  • Mestizo Nations: Culture, Race, and Conformity in Latin American Literature

    Juan E De Castro•BOOK•Mestizo Nations•2002

    Nationality in Latin America has long been entwined with questions of racial identity. Just as American-born colonial elites grounded their struggle for independence from Spain and Portugal in the history of Amerindian resistance, constructions of nationality were based on the notion of the fusion of populations heterogeneous in culture, race, and language. But this rhetorical celebration of difference was framed by a real-life pressure to assimi…

  • The Deus Ex-Machina

    Open Access•Juan E De Castro•ARTICLE•Postmodern Culture•2002

    Postmodern Culture - Volume 12, Number 3, May 2002

  • Christopher Isherwood Meets Jorge Luis Borges: On the Value of South American Cultures

    Juan E De Castro•ARTICLE•Modern Language Notes•2004

    In 1949, Christopher Isherwood, the author of Berlin Stories, the source for the musical and film Cabaret, published what is probably his least-known book, The Condor and the Cows, a South American Travel-Diary. (The "condor" refers to the Andean countries, the "cows," less elegantly, to Argentina.) This book, which is fascinating in its portrayal of the cultural environment of the Spanish-speaking South America of the late 1940s, though marred b…

  • Los cuerpos de Eva: Anatomía del deseo femenino

    Open Access•Juan E De Castro, Claudia Soria•ARTICLE•Chasqui•2006

  • The Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production

    Open Access•Juan E De Castro•BOOK•Spaces of Latin American Literature•2008

    The Spaces of Latin American Literature: Tradition, Globalization, and Cultural Production examines how Latin American writers, artists, and intellectuals have negotiated their relationship with Weste

  • Mario Vargas Llosa versus Barbarism

    Open Access•Juan E De Castro•ARTICLE•Latin American Research Review•2010

    This article studies how the Peruvian novelist Mario Vargas Llosa and, more generally, neoliberalism rearticulate the opposition between civilization and barbarism, and the vision of the world that underlies it. During a time in which many intellectuals have embraced a relativistic notion of culture that makes judgment problematic, neoliberals embrace this clear-cut value hierarchy with complete abandonment. In fact, one cannot but be surprised b…

  • Corral, Wilfrido H. Cartografía occidental de la novela hispanoamericana. Quito: Centro Cultural Benjamín Carrión, 2010

    Open Access•Juan E De Castro•ARTICLE•TRANSMODERNITY Journal of…•2011

    Best known as one of the editors of Theory's Empire (2005), the widely reviewed and discussed "anti-theory" anthology, Wilfrido H. Corral provides us, in Cartografa occidental de la novela hispanoamericana, with an analysis of the development of the novel in Spanish America in the 20th century and in what has transpired of the 21st. While it gives the Boom its due-of the five chapters which comprise the book, two are dedicated to well-known liter…

  • En qué idioma escribe Ud: Spanish, Tagalog, and Identity in José Rizal's Noli me tangere

    Juan E De Castro•ARTICLE•Modern Language Notes•2011

    En qué idioma escribe Ud.?:Spanish, Tagalog, and Identity in José Rizal's Noli me tangere Juan E. de Castro Introduction "¿En qué idioma escribe Ud.?" (142) "In which language are you writing?"1 This question, that Juan Crisóstomo Ibarra, the protagonist of José Rizal's novel Noli me tangere (1887), addresses to the old scholar Don Anastasio, better known as Tasio, is more than just an expression of curiosity when he sees the latter writing, of a…

  • Alfonso Reyes, Jorge Luis Borges y Nuestra América

    Open Access•Juan E De Castro•ARTICLE•TRANSMODERNITY Journal of…•2013

    originalmente redactado en ingls, luego del reiterado reconocimiento de que Reyes era "the finest Spanish prose stylist of the century", aada que "in my writing I learned a great deal about simplicity and directness from him" En materia de escritura haba aprendido mucho en simplicidad y sinceridad de l" (165). Como seala Emir Rodrguez Monegal, antes de conocer la obra de Reyes, el joven Borges

  • Into the Archive: Writing and Power in Colonial Peru - by Burns, Kathryn

    Open Access•Juan E De Castro•ARTICLE•Bulletin of Latin American Research•2013

  • The Latin American Literary Boom and US Nationalism During the Cold War - by Cohn, Deborah

    Open Access•Juan E De Castro•ARTICLE•Bulletin of Latin American Research•2015

  • Gasquet, Axel. El llamado de Oriente. Historia cultural del orientalismo argentino (1900-1950). Buenos Aires: Eudeba, 2015. Impreso. 444 pp

    Open Access•Juan E De Castro•ARTICLE•TRANSMODERNITY Journal of…•2016

    n Gasquet, Axel. El llamado de Oriente. Historia cultural del orientalismo argentino (1900-1950). \n Buenos Aires: Eudeba, 2015. Impreso. 444 pp.\n

  • Stateness as Landgrab: A Political History of Maya Dispossession in Guatemala

    Open Access•Juan E De Castro, Juan Castro et al.•ARTICLE•American Quarterly•2017•Cited by: 13

    Stateness as Landgrab: A Political History of Maya Dispossession in Guatemala Juan Castro (bio) and Manuela Lavinas Picq (bio) The history of state formation in the Americas is largely a history of indigenous dispossession. But not all dispossessions function the same. In Guatemala the forms of stealing of indigenous territory varied over time. Spanish colonizers made Maya communities buy their own lands. After independence, the modern liberal st…

  • Velázquez Castro, M. (2020). Hijos de la peste. Una historia de las epidemias en el Perú. Lima: Taurus

    Open Access•Juan E De Castro•ARTICLE•Letras (Lima•2021

    Velazquez Castro, M. (2020). Hijos de la peste. Una historia de las epidemias en el Peru. Lima: Taurus

  • Mestizo Nations: Culture, Race, and Conformity in Latin American Literature

    Juan E De Castro•BOOK•Mestizo Nations•2022

Political science (10 works) · Art (9 works) · History (9 works) · Law (9 works) · Humanities (6 works) · Politics (6 works) · Sociology (6 works) · Geography (5 works) · Law (5 works) · Archaeology (4 works)

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