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Qiancheng Li

Biographic Data

ID9160450
NAMEQiancheng Li
GIVEN NAMESQiancheng
FAMILY NAMELi
SIGNATURELI Q
ORCID0000-0001-9074-9813
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS0
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2017
H-INDEX0
  • Snakes' Legs

    Siao Chen Hu, Robert Hegel et al.•BOOK•Snakes' Legs•2017

    Snakes' Legs examines sequels (xushu), a common but long-neglected literary phenomenon in traditional China. What prompted writers to produce sequels despite their poor reputation as a genre? What motivated readers to read them? How should we characterize the nature of the relationship between sequels and rewritings? Contributors to this volume illuminate these and other questions, and the collection as a whole offers a comprehensive consideratio…

  • Fictions of Enlightenment

    Qiancheng Li•BOOK•Fictions of Enlightenment•2004

    Fictions of Enlightenment is the first book to examine the fascinating and intricate relationship between Buddhism and the development of Chinese vernacular fiction. Qiancheng Li brings Buddhist models to bear on the vision, structure, and narrative form of three classics of late imperial literature— Journey to the West, Tower of Myriad Mirrors, and Dream of the Red Chamber —arguing that by fashioning their plots after the narratives of certain M…

  • Faces of the Weaving Maid and the Herdboy Tensions, Reconciliations, and the Doubling Device in “The Pearl Shirt Reencountered”

    Qiancheng Li, Li Qiancheng•ARTICLE•Monumenta Serica•2002

    本文著重分析明代小說家馮夢龍的〈蔣興哥重會珍珠衫 所表 現的沖突和妥協,特別是常被忽略的小說的第二部分。中國古 典文學中婦女有兩種類型,一類雖然美麗出衆,但不爲社會和 大家庭所容,因爲她們只代表情愛;另一類則是社會和大家庭 所接受的,因爲她們代表社會責任。這種矛盾心態表現在牛郎 織女的神話中。在某些傳說中,織女與牛郎一結合就忽視其社 會責任;他們的所做所爲以他們的情愛受到限制而告終。不同 類型的女性在織女身上得到了統一。這些母題貫穿了馮夢龍的 作品的始終。作者認爲,小說中的四個主要人物分別爲牛郎與 織女的重像,他們每人均代表古代男女的一種類型。其中,兩 女性可以說是一個復合的織女,兩位男性是一個復合的牛郎。 小說作者通過這種方法使矛盾達到最大限度的妥協

No prominent works on this page.

  • Faces of the Weaving Maid and the Herdboy Tensions, Reconciliations, and the Doubling Device in “The Pearl Shirt Reencountered”

    Qiancheng Li, Li Qiancheng•ARTICLE•Monumenta Serica•2002

    本文著重分析明代小說家馮夢龍的〈蔣興哥重會珍珠衫 所表 現的沖突和妥協,特別是常被忽略的小說的第二部分。中國古 典文學中婦女有兩種類型,一類雖然美麗出衆,但不爲社會和 大家庭所容,因爲她們只代表情愛;另一類則是社會和大家庭 所接受的,因爲她們代表社會責任。這種矛盾心態表現在牛郎 織女的神話中。在某些傳說中,織女與牛郎一結合就忽視其社 會責任;他們的所做所爲以他們的情愛受到限制而告終。不同 類型的女性在織女身上得到了統一。這些母題貫穿了馮夢龍的 作品的始終。作者認爲,小說中的四個主要人物分別爲牛郎與 織女的重像,他們每人均代表古代男女的一種類型。其中,兩 女性可以說是一個復合的織女,兩位男性是一個復合的牛郎。 小說作者通過這種方法使矛盾達到最大限度的妥協

  • Fictions of Enlightenment

    Qiancheng Li•BOOK•Fictions of Enlightenment•2004

    Fictions of Enlightenment is the first book to examine the fascinating and intricate relationship between Buddhism and the development of Chinese vernacular fiction. Qiancheng Li brings Buddhist models to bear on the vision, structure, and narrative form of three classics of late imperial literature— Journey to the West, Tower of Myriad Mirrors, and Dream of the Red Chamber —arguing that by fashioning their plots after the narratives of certain M…

  • Snakes' Legs

    Siao Chen Hu, Robert Hegel et al.•BOOK•Snakes' Legs•2017

    Snakes' Legs examines sequels (xushu), a common but long-neglected literary phenomenon in traditional China. What prompted writers to produce sequels despite their poor reputation as a genre? What motivated readers to read them? How should we characterize the nature of the relationship between sequels and rewritings? Contributors to this volume illuminate these and other questions, and the collection as a whole offers a comprehensive consideratio…

Chinese history and philosophy (2 works) · Environmental and Cultural Studies in Latin America and Beyond (2 works) · History (2 works) · Archaeology (1 works) · Art (1 works) · Buddhism (1 works) · Buddhism in literature (1 works) · Education, Philosophy, and Society (1 works) · Engineering (1 works) · Enlightenment (1 works)

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