Martine Pelletier
Biographic Data
| ID | 9165750 |
|---|---|
| NAME | Martine Pelletier |
| GIVEN NAMES | Martine |
| FAMILY NAME | Pelletier |
| SIGNATURE | PELLETIER M |
| AFFILIATIONS | Universidade Federal de Santa Catarina |
| ORCID | 0000-0002-1551-5491 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Zosia Kuczyńska, Brian Friel’s Models of Influence
“A complete archive is good. You always hope to get a complete archive. But of course it’s not a question of bulk” says David Knight in Brian Friel’s Give Me Your Answer, Do! (1997), as he hopes to convince writer Tom Connolly to sell his archive to the American university he represents. We can easily understand that the question should have exercised the playwright since at the time he was also pondering what to do with his own considerable arch…
Marilynn Richtarik, Getting to Good Friday
Running counter to Conor Cruise O’Brien’s famous phrase about “the unhealthy intersection between literature and politics in Northern Ireland”, Marilynn Richtarik has written a remarkable book, which offers us a most healthy and convincing analysis of several major literary works produced over the long decade leading up to the 1998 Belfast / Good Friday Agreement and understood in their political context. It is both an important study and a timel…
Brian Friel on the french stage
The success of Brian Friel's drama on stage in the English-speaking world is beyond dispute. Many plays of his plays have also been widely translated leading to numerous productions worldwide. My concern in this article is with French-language productions. The focus in this article will be, first, on the association between Brian Friel and the late great French actor and director Laurent Terzieff, who introduced French theatre professionals and a…
The Cambridge Companion to Brian Friel
Brian Friel is widely recognized as Ireland's greatest living playwright, winning an international reputation through such acclaimed works as Translations (1980) and Dancing at Lughnasa (1990). This 2006 collection of specially commissioned essays includes contributions from leading commentators on Friel's work (including two fellow playwrights) and explores the entire range of his career from his 1964 breakthrough with Philadelphia, Here I Come!…
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The Cambridge Companion to Brian Friel
Brian Friel is widely recognized as Ireland's greatest living playwright, winning an international reputation through such acclaimed works as Translations (1980) and Dancing at Lughnasa (1990). This 2006 collection of specially commissioned essays includes contributions from leading commentators on Friel's work (including two fellow playwrights) and explores the entire range of his career from his 1964 breakthrough with Philadelphia, Here I Come!…
Brian Friel on the french stage
The success of Brian Friel's drama on stage in the English-speaking world is beyond dispute. Many plays of his plays have also been widely translated leading to numerous productions worldwide. My concern in this article is with French-language productions. The focus in this article will be, first, on the association between Brian Friel and the late great French actor and director Laurent Terzieff, who introduced French theatre professionals and a…
Marilynn Richtarik, Getting to Good Friday
Running counter to Conor Cruise O’Brien’s famous phrase about “the unhealthy intersection between literature and politics in Northern Ireland”, Marilynn Richtarik has written a remarkable book, which offers us a most healthy and convincing analysis of several major literary works produced over the long decade leading up to the 1998 Belfast / Good Friday Agreement and understood in their political context. It is both an important study and a timel…
Zosia Kuczyńska, Brian Friel’s Models of Influence
“A complete archive is good. You always hope to get a complete archive. But of course it’s not a question of bulk” says David Knight in Brian Friel’s Give Me Your Answer, Do! (1997), as he hopes to convince writer Tom Connolly to sell his archive to the American university he represents. We can easily understand that the question should have exercised the playwright since at the time he was also pondering what to do with his own considerable arch…
Art (3 works) · History (3 works) · Political science (3 works) · Art history (2 works) · Classics (2 works) · Drama (2 works) · Irish and British Studies (2 works) · Law (2 works) · Literature (2 works) · Theatre and Performance Studies (2 works)