Georg Döcker
Biographic Data
| ID | 9170474 |
|---|---|
| NAME | Georg Döcker |
| GIVEN NAMES | Georg |
| FAMILY NAME | Döcker |
| SIGNATURE | DÖCKER G |
| AFFILIATIONS | University of Roehampton |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
Cancelled Time
The COVID-19 pandemic has affected contemporary performing arts in several ways, not least in the form of mass cancellations of performances and production processes in many countries around the world in the year 2020. In this article, I propose to view the interruption of performative processes as the event of a time of cancellation: the transition of unrealised futures into the past, where they persist as past futures and reservoirs of what cou…
Powerlessness as Potential
In this interview piece, the theorist, practitioner and curator Gigi Argyropoulou discusses current forms of political theatre in public spaces that she’s been involved with. She focuses particularly on her work with Eight (Το Οχτώ), the Green Park and the Embros Theatre, all of which are theatre projects situated in central Athens, in Greece. She analyses the dynamics of creating work collectively as a group of practitioners that share similar p…
Another Image of Existence
Since 2015/2016, Denise Ferreira da Silva and Valentina Desideri have been engaging in a joint practice of so-called Poethical Readings, a device that engages the poetic and the ethical at the limits of the epistemology and ontology of the modern Subject. In this interview, Ferreira da Silva and Desideri provide insight into the singular and theatrical dynamics of Poetical Readings, as well as The Sensing Salon, a format for the collective exerci…
Power and Powerlessness in Performance
This editorial is an introduction to power / powerlessness, theatre and performance conceived as an intervention piece in three parts written by each of the three editors of this issue. The first part is an extended analysis of power and powerless in performance developed by Georg Döcker. The second part, developed by Eve Katsouraki, discusses the implications of a powerless theatre, especially during times of crisis such as the recent pandemic, …
Theater als Dispositiv
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Theater als Dispositiv
Cancelled Time
The COVID-19 pandemic has affected contemporary performing arts in several ways, not least in the form of mass cancellations of performances and production processes in many countries around the world in the year 2020. In this article, I propose to view the interruption of performative processes as the event of a time of cancellation: the transition of unrealised futures into the past, where they persist as past futures and reservoirs of what cou…
Powerlessness as Potential
In this interview piece, the theorist, practitioner and curator Gigi Argyropoulou discusses current forms of political theatre in public spaces that she’s been involved with. She focuses particularly on her work with Eight (Το Οχτώ), the Green Park and the Embros Theatre, all of which are theatre projects situated in central Athens, in Greece. She analyses the dynamics of creating work collectively as a group of practitioners that share similar p…
Another Image of Existence
Since 2015/2016, Denise Ferreira da Silva and Valentina Desideri have been engaging in a joint practice of so-called Poethical Readings, a device that engages the poetic and the ethical at the limits of the epistemology and ontology of the modern Subject. In this interview, Ferreira da Silva and Desideri provide insight into the singular and theatrical dynamics of Poetical Readings, as well as The Sensing Salon, a format for the collective exerci…
Power and Powerlessness in Performance
This editorial is an introduction to power / powerlessness, theatre and performance conceived as an intervention piece in three parts written by each of the three editors of this issue. The first part is an extended analysis of power and powerless in performance developed by Georg Döcker. The second part, developed by Eve Katsouraki, discusses the implications of a powerless theatre, especially during times of crisis such as the recent pandemic, …
Art (4 works) · Sociology (4 works) · Aesthetics (3 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works) · Politics (3 works) · Arts and Performance Studies (2 works) · Computer Science (2 works) · Epistemology (2 works)