Tze-lan Deborah Sang
Biographic Data
| ID | 9184250 |
|---|---|
| NAME | Tze-lan Deborah Sang |
| GIVEN NAMES | Tze-lan Deborah |
| FAMILY NAME | Sang |
| SIGNATURE | SANG T D |
| AFFILIATIONS | Michigan State University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2012 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
The many ways of speaking as ‘I’
Touted as a representative of the ‘Me’ generation of documentary makers in twenty-first-century Taiwan, Wuna Wu has appeared as both filmmaker and social actor in her documentaries. Even when the ostensible subject matter of the film is not Wu, she has often inserted herself into the story and the frame. This raises questions of why she elects to be visible to the documentary viewer, what her visibility and performativity in front of the camera a…
Translating Homosexuality
Documenting Taiwan on Film
1. Introduction Tze-lan D. Sang and Sylvia Li-chun Lin 2. Re/Making Histories: On Historical Documentary Film and Taiwan: A People's History Daw-Ming Lee 3. Re-Creating the White Terror on the Screen Sylvia Li-chun Lin 4. Reclaiming Taiwan's Colonial Modernity: The Case of Viva Tonal: The Dance Age, Tze-lan D. Sang 5. Cultivating Taiwanese: Yen Lan-chuan and Juang Yi-tseng's Let it Be (Wu Mi Le), Bert M. Scruggs 6.The Politics and Aesthetics of S…
No prominent works on this page.
Documenting Taiwan on Film
1. Introduction Tze-lan D. Sang and Sylvia Li-chun Lin 2. Re/Making Histories: On Historical Documentary Film and Taiwan: A People's History Daw-Ming Lee 3. Re-Creating the White Terror on the Screen Sylvia Li-chun Lin 4. Reclaiming Taiwan's Colonial Modernity: The Case of Viva Tonal: The Dance Age, Tze-lan D. Sang 5. Cultivating Taiwanese: Yen Lan-chuan and Juang Yi-tseng's Let it Be (Wu Mi Le), Bert M. Scruggs 6.The Politics and Aesthetics of S…
The many ways of speaking as ‘I’
Touted as a representative of the ‘Me’ generation of documentary makers in twenty-first-century Taiwan, Wuna Wu has appeared as both filmmaker and social actor in her documentaries. Even when the ostensible subject matter of the film is not Wu, she has often inserted herself into the story and the frame. This raises questions of why she elects to be visible to the documentary viewer, what her visibility and performativity in front of the camera a…
Translating Homosexuality
Asian Culture and Media Studies (3 works) · Art (2 works) · Gender Studies (2 works) · History (2 works) · Hong Kong and Taiwan Politics (2 works) · Law (2 works) · Literature (2 works) · Political science (2 works) · Sociology (2 works) · Aesthetics (1 work)