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Robert Garfias

Biographic Data

ID91983
NAMERobert Garfias
GIVEN NAMESRobert
FAMILY NAMEGarfias
SIGNATUREGARFIAS R
AFFILIATIONSUC Irvine Health
VERIFIEDNo
TOTAL WORKS34
TOTAL CITATIONS19
AUTHOR COUNT34
EDITOR COUNT0
FIRST PUBLICATION YEAR1959
LATEST PUBLICATION YEAR2011
H-INDEX3
  • Birmanie: Musique du théâtre classique / Burma: Classical Theatre Music. 2010. Archives internationales de musique populaire Aimp 96–97. Disques VDE-Gallo VDE CD-1317/1318. Recorded by Philip Yampolsk…

    Open Access•Robert Garfias•ARTICLE•Yearbook for Traditional Music•2011

    Birmanie: Musique du théâtre classique / Burma: Classical Theatre Music. 2010. Archives internationales de musique populaire AIMP 96–97. Disques VDE-Gallo VDE CD-1317/1318. Recorded by Philip Yampolsky. Annotated by Ward Keelor. Edited by Renaud Millet-Lacombe. 44-pp. booklet with notes in French and English. English translation by Isabelle Schulte-Tenckhoff. 2 colour photographs. 2 compact discs: 13 tracks (66:16), 10 tracks (63:04). Recorded in…

  • Preface to Structure and Dynamics: 1#3

    Robert F Manlove, Robert Garfias et al.•ARTICLE•Structure and Dynamics eJournal…•2005

    We institute here a policy of occasionally publishing noteworthy PhD dissertations that advance anthropology or related sciences. Such publications are to be copy edited by the dissertation author, nominated by the author's PhD committee, and must receive unqualified support in our review process of at least two assigned referees, as well as by the editors of Structure and Dynamics

  • Introduction to Structure and Dynamics: Inaugural Issue

    Douglas R White, Robert F Manlove et al.•ARTICLE•Structure and Dynamics eJournal…•2005

    In inaugurating the Structure and Dynamics journal, we offer a conduit for refereed electronic publication, debate, and editorial communication in the domain of anthropology and human sciences. We as editors dedicate our effort to facilitating and disseminating interdisciplinary discussion and research in anthropology and related sciences. We invite you-as a subscribed reader at no cost-to contribute and to participate in raising the aspirations …

  • Myanmar

    Robert Garfias, Judith Becker et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Some Principles of Formal Variation in the Kolintang Music of the Maranao

    Usopay Hamdag Cadar, Usopay Cadar et al.•ARTICLE•Asian Music•1996

    The two principal groups of Moslems living on the island of Mindanao in the Southern Philippines are the Maranao and their neighbors, the Magindanaon.Although each of these groups regards itself as distinct from its neighbors, their languages are mutually intelligible and they share many common cultural traits.Islam has strongly imbued the daily life of both groups and among them the numerous Hadji --persons who have made the long pilgrimage to M…

  • Are' Are Music and Shaping Bamboo

    Robert Garfias, Hugo Zemp et al.•ARTICLE•Ethnomusicology•1996

  • Music in the Dialogue of Cultures: Traditional Music and Cultural Policy

    Robert Garfias, Max Peter Baumann•ARTICLE•Yearbook for Traditional Music•1993•Cited by: 1

    JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a

  • The Okinawan Kunkunshi Notation System and Its Role in the Dissemination of the Shuri Court Music Tradition

    Robert Garfias•ARTICLE•Asian Music•1993•Cited by: 1

    Robert Garfias, The Okinawan Kunkunshi Notation System and Its Role in the Dissemination of the Shuri Court Music Tradition, Asian Music, Vol. 25, No. 1/2, 25th Anniversary Double Issue (1993 - 1994), pp. 115-144

  • Nicaraguan Folk Music from Masaya: Musica Folklorica de Masaya

    Robert Garfias, T M Scruggs•ARTICLE•Latin American Music Review•1991

  • Collection universelle de musique populaire enregistree/World Collection of Recorded Folk Music

    Robert Garfias, Constantin Brailoiu et al.•ARTICLE•Ethnomusicology•1987•Cited by: 1

  • Dance among the Urban Gypsies of Romania

    Robert Garfias•ARTICLE•Yearbook for Traditional Music•1984•Cited by: 2

    Dansul la tiganii din mediul urban, din Romania In zilele noastre multi tigani din Romania locuiesc in marile orase, cum ar fi Bucurestiul, de exemplu. Cei mai multi vorbesc numai romineste Si au contacte sporadice (unii nu au de loc) cu tiganii nomazi. Muzica este una din ocupatiile importante acceptate si practicate de aceastl categorie a populatiei urbane. Muzica lautareascd, cfntecul lautaresc, cintecul de petrecere, si cintecul de pahar sint…

  • The Marimba of Mexico and Central America

    Robert Garfias•ARTICLE•Latin American Music Review•1983•Cited by: 5

    The Marimba of Mexico and Central America Author(s): Robert Garfias Source: Latin American Music Review / Revista de Musica Latinoamericana, Vol. 4, No. 2 (Autumn - Winter, 1983), pp. 203-228 Published by: University of Texas Press Stable URL: http://www.jstor.org/stable/780267 Accessed: 16-05-2017 22:17 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a …

  • Looking to the Future of World Music

    Robert Garfias•ARTICLE•Asian Music•1982

  • Survivals of Turkish Characteristics in Romanian Musica Lautareasca

    Open Access•Robert Garfias•ARTICLE•Yearbook for Traditional Music•1981•Cited by: 5

    Turkish political influence in Romania from the 16th Century until 1881 is well documented. Historical records also provide numerous references to Turkish music in Romania, which together with certain survivals in the form of instruments and musical forms serve to delineate the broader outlines of the potential area of influence of Turkish music on certain Romanian musical practices. In this presentation I shall attempt to gather together some of…

  • Folcloristica, Organologie, Muzicologie

    Robert Garfias, Tiberiu Alexandru et al.•ARTICLE•Ethnomusicology•1980

  • Chinese and Japanese Music-Dramas

    Robert Garfias, J I Crump et al.•ARTICLE•Ethnomusicology•1979

  • A Comment

    Open Access•Robert Garfias•ARTICLE•Dance Research Journal•1978

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Music of a Thousand Autumns: The Tōgaku Style of Japanese Court Music

    Shigeo Kishibe, Robert Garfias•ARTICLE•Journal of the American Oriental…•1978

  • Music of a Thousand Autumns

    Elliot Weisgarber, Robert Garfias•ARTICLE•Pacific Affairs•1978

  • Music of a Thousand Autumns. The Togaku Style of Japanese Court Music

    Taeko Kusano, Robert Garfias•ARTICLE•Monumenta Nipponica•1977

  • At the Japanese Court

    Rembrandt F Wolpert, Robert Garfias•ARTICLE•The Musical Times•1977

  • Music of a Thousand Autums: The Togaku Style of Japanese Court Music

    William P Malm, Robert Garfias•ARTICLE•Ethnomusicology•1977

  • Historia de la musica popular en Mexico (1896-1973)

    Robert Garfias, Juan S Garrido et al.•ARTICLE•Ethnomusicology•1977

  • Preliminary Thoughts on Burmese Modes

    Robert Garfias•ARTICLE•Asian Music•1975

    Little precise written information exists concerning the theory of Burmese music. Upon closely investigating the present performance practice of Burmese musicians, however, it becomes apparent that a rather complex orally transmitted theory of the music exists. It is never taught as theory per se, but the knowledge is acquired as the musician adds one composition after another to his repertoire. It is therefore, the vast body of Burmese music as …

  • Some Principles of Formal Variation in the Kolintang Music of the Maranao

    Usopay Hamdag Cadar, Usopay Cadar et al.•ARTICLE•Ethnomusicology•1974

    The two principal groups of Moslems living on the island of Mindanao in the Southern Philippines are the Maranao and their neighbors, the Magindanaon.Although each of these groups regards itself as distinct from its neighbors, their languages are mutually intelligible and they share many common cultural traits.Islam has strongly imbued the daily life of both groups and among them the numerous Hadji --persons who have made the long pilgrimage to M…

Next
  • The Marimba of Mexico and Central America

    Robert Garfias•ARTICLE•Latin American Music Review•1983•Cited by: 5

    The Marimba of Mexico and Central America Author(s): Robert Garfias Source: Latin American Music Review / Revista de Musica Latinoamericana, Vol. 4, No. 2 (Autumn - Winter, 1983), pp. 203-228 Published by: University of Texas Press Stable URL: http://www.jstor.org/stable/780267 Accessed: 16-05-2017 22:17 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a …

  • Survivals of Turkish Characteristics in Romanian Musica Lautareasca

    Open Access•Robert Garfias•ARTICLE•Yearbook for Traditional Music•1981•Cited by: 5

    Turkish political influence in Romania from the 16th Century until 1881 is well documented. Historical records also provide numerous references to Turkish music in Romania, which together with certain survivals in the form of instruments and musical forms serve to delineate the broader outlines of the potential area of influence of Turkish music on certain Romanian musical practices. In this presentation I shall attempt to gather together some of…

  • Japanese Music and Musical Instruments

    Robert Garfias, William P Malm•ARTICLE•Monumenta Nipponica•1959•Cited by: 3

    The author provides facts about various types of Japanese music and musical instruments and their place in the overall history of Japan. For the benefit of the layman, much general information has been included, while it includes discussion of more technical matters for the musicoligists

  • Dance among the Urban Gypsies of Romania

    Robert Garfias•ARTICLE•Yearbook for Traditional Music•1984•Cited by: 2

    Dansul la tiganii din mediul urban, din Romania In zilele noastre multi tigani din Romania locuiesc in marile orase, cum ar fi Bucurestiul, de exemplu. Cei mai multi vorbesc numai romineste Si au contacte sporadice (unii nu au de loc) cu tiganii nomazi. Muzica este una din ocupatiile importante acceptate si practicate de aceastl categorie a populatiei urbane. Muzica lautareascd, cfntecul lautaresc, cintecul de petrecere, si cintecul de pahar sint…

  • Music in the Dialogue of Cultures: Traditional Music and Cultural Policy

    Robert Garfias, Max Peter Baumann•ARTICLE•Yearbook for Traditional Music•1993•Cited by: 1

    JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a

  • The Okinawan Kunkunshi Notation System and Its Role in the Dissemination of the Shuri Court Music Tradition

    Robert Garfias•ARTICLE•Asian Music•1993•Cited by: 1

    Robert Garfias, The Okinawan Kunkunshi Notation System and Its Role in the Dissemination of the Shuri Court Music Tradition, Asian Music, Vol. 25, No. 1/2, 25th Anniversary Double Issue (1993 - 1994), pp. 115-144

  • Collection universelle de musique populaire enregistree/World Collection of Recorded Folk Music

    Robert Garfias, Constantin Brailoiu et al.•ARTICLE•Ethnomusicology•1987•Cited by: 1

  • Transcription I

    Robert Garfias•ARTICLE•Ethnomusicology•1964•Cited by: 1

  • Japanese Music and Musical Instruments

    Robert Garfias, William P Malm•ARTICLE•Monumenta Nipponica•1959•Cited by: 3

    The author provides facts about various types of Japanese music and musical instruments and their place in the overall history of Japan. For the benefit of the layman, much general information has been included, while it includes discussion of more technical matters for the musicoligists

  • Gagaku. The Music and Dances of the Japanese Imperial Household

    William P Malm, Robert Garfias•ARTICLE•Ethnomusicology•1960

  • Gradual Modifications of the Gagaku Tradition

    Robert Garfias•ARTICLE•Ethnomusicology•1960

    Gradual Modifications of the Gagaku Tradition Author(s): Robert Garfias Source: Ethnomusicology, Vol. 4, No. 1 (Jan., 1960), pp. 16-19 Published by: University of Illinois Press on behalf of Society for Ethnomusicology Stable URL: http://www.jstor.org/stable/924231 Accessed: 19-05-2017 20:48 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digit…

  • Anthology of Korean Traditional Music, Vol. II (Yeong-san Hoe-sang), A Chamber Music (Composition)

    Robert Garfias, Kim Kim•ARTICLE•Ethnomusicology•1962

  • Transcription I

    Robert Garfias•ARTICLE•Ethnomusicology•1964•Cited by: 1

  • African Rhythm and American Jazz; Music Historians Explore the African Origins of Jazz

    Robert Garfias•ARTICLE•Ethnomusicology•1972

  • Louisiana cajun music, Vol. 3: The String Bands of the 1930s

    Robert Garfias•ARTICLE•Ethnomusicology•1973

  • Marimba Music of Tehuantepec

    Henrietta Yurchenco, Robert Garfias•ARTICLE•Ethnomusicology•1973

  • Eighteenth Century Traditional Music of Japan; Koto Music of the Edo Period

    Robert Garfias, John Levy et al.•ARTICLE•Ethnomusicology•1973

  • Some Principles of Formal Variation in the Kolintang Music of the Maranao

    Usopay Hamdag Cadar, Usopay Cadar et al.•ARTICLE•Ethnomusicology•1974

    The two principal groups of Moslems living on the island of Mindanao in the Southern Philippines are the Maranao and their neighbors, the Magindanaon.Although each of these groups regards itself as distinct from its neighbors, their languages are mutually intelligible and they share many common cultural traits.Islam has strongly imbued the daily life of both groups and among them the numerous Hadji --persons who have made the long pilgrimage to M…

  • Preliminary Thoughts on Burmese Modes

    Robert Garfias•ARTICLE•Asian Music•1975

    Little precise written information exists concerning the theory of Burmese music. Upon closely investigating the present performance practice of Burmese musicians, however, it becomes apparent that a rather complex orally transmitted theory of the music exists. It is never taught as theory per se, but the knowledge is acquired as the musician adds one composition after another to his repertoire. It is therefore, the vast body of Burmese music as …

  • Music of a Thousand Autumns. The Togaku Style of Japanese Court Music

    Taeko Kusano, Robert Garfias•ARTICLE•Monumenta Nipponica•1977

  • At the Japanese Court

    Rembrandt F Wolpert, Robert Garfias•ARTICLE•The Musical Times•1977

  • Music of a Thousand Autums: The Togaku Style of Japanese Court Music

    William P Malm, Robert Garfias•ARTICLE•Ethnomusicology•1977

  • Historia de la musica popular en Mexico (1896-1973)

    Robert Garfias, Juan S Garrido et al.•ARTICLE•Ethnomusicology•1977

  • A Comment

    Open Access•Robert Garfias•ARTICLE•Dance Research Journal•1978

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Music of a Thousand Autumns: The Tōgaku Style of Japanese Court Music

    Shigeo Kishibe, Robert Garfias•ARTICLE•Journal of the American Oriental…•1978

  • Music of a Thousand Autumns

    Elliot Weisgarber, Robert Garfias•ARTICLE•Pacific Affairs•1978

  • Chinese and Japanese Music-Dramas

    Robert Garfias, J I Crump et al.•ARTICLE•Ethnomusicology•1979

  • Folcloristica, Organologie, Muzicologie

    Robert Garfias, Tiberiu Alexandru et al.•ARTICLE•Ethnomusicology•1980

  • Survivals of Turkish Characteristics in Romanian Musica Lautareasca

    Open Access•Robert Garfias•ARTICLE•Yearbook for Traditional Music•1981•Cited by: 5

    Turkish political influence in Romania from the 16th Century until 1881 is well documented. Historical records also provide numerous references to Turkish music in Romania, which together with certain survivals in the form of instruments and musical forms serve to delineate the broader outlines of the potential area of influence of Turkish music on certain Romanian musical practices. In this presentation I shall attempt to gather together some of…

  • Looking to the Future of World Music

    Robert Garfias•ARTICLE•Asian Music•1982

  • The Marimba of Mexico and Central America

    Robert Garfias•ARTICLE•Latin American Music Review•1983•Cited by: 5

    The Marimba of Mexico and Central America Author(s): Robert Garfias Source: Latin American Music Review / Revista de Musica Latinoamericana, Vol. 4, No. 2 (Autumn - Winter, 1983), pp. 203-228 Published by: University of Texas Press Stable URL: http://www.jstor.org/stable/780267 Accessed: 16-05-2017 22:17 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a …

  • Dance among the Urban Gypsies of Romania

    Robert Garfias•ARTICLE•Yearbook for Traditional Music•1984•Cited by: 2

    Dansul la tiganii din mediul urban, din Romania In zilele noastre multi tigani din Romania locuiesc in marile orase, cum ar fi Bucurestiul, de exemplu. Cei mai multi vorbesc numai romineste Si au contacte sporadice (unii nu au de loc) cu tiganii nomazi. Muzica este una din ocupatiile importante acceptate si practicate de aceastl categorie a populatiei urbane. Muzica lautareascd, cfntecul lautaresc, cintecul de petrecere, si cintecul de pahar sint…

  • Collection universelle de musique populaire enregistree/World Collection of Recorded Folk Music

    Robert Garfias, Constantin Brailoiu et al.•ARTICLE•Ethnomusicology•1987•Cited by: 1

Art (21 works) · Diverse Musicological Studies (10 works) · Literature (9 works) · History (8 works) · Musicology and Musical Analysis (8 works) · Visual arts (8 works) · Asian Culture and Media Studies (7 works) · Computer Science (5 works) · Geography (5 works) · Philosophy (5 works)

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