Rotimi Omoyele Fasan
Biographic Data
| ID | 9199755 |
|---|---|
| NAME | Rotimi Omoyele Fasan |
| GIVEN NAMES | Rotimi Omoyele |
| FAMILY NAME | Fasan |
| SIGNATURE | FASAN R O |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Voice and the new media in the classification of Yoruba neo-traditional music
The place of voice, or the vocal mode, has long been recognised in the classification of Yoruba oral poetry, which includes Yoruba songs and dance music. The emergence of new media, especially instrumentation, itself an important factor in the typology of Yoruba poetry, has given the voice added valence in the taxonomisation of Yoruba songs. This paper identifies and seeks to situate the human voice, primal instrument of the singer, as the crucia…
He(art) of the metre
The historical rise of African literature in Europhone languages, particularly English and French, as a social and disciplinary practice directed at the recuperation of the fractured African persona and world view following centuries of (mis)representation in Western-authored texts, has conferred on it an adversarial tone that is generally viewed as the archetypal character of African literature that is productive of other categories of ethnic/na…
No prominent works on this page.
Voice and the new media in the classification of Yoruba neo-traditional music
The place of voice, or the vocal mode, has long been recognised in the classification of Yoruba oral poetry, which includes Yoruba songs and dance music. The emergence of new media, especially instrumentation, itself an important factor in the typology of Yoruba poetry, has given the voice added valence in the taxonomisation of Yoruba songs. This paper identifies and seeks to situate the human voice, primal instrument of the singer, as the crucia…
He(art) of the metre
The historical rise of African literature in Europhone languages, particularly English and French, as a social and disciplinary practice directed at the recuperation of the fractured African persona and world view following centuries of (mis)representation in Western-authored texts, has conferred on it an adversarial tone that is generally viewed as the archetypal character of African literature that is productive of other categories of ethnic/na…
Aesthetics (2 works) · Art (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Poetry (2 works) · Sociology (2 works) · Yoruba (2 works) · African history and culture studies (1 work) · Anthropology (1 work)