Sandhiya Kalyanasundaram
Biographic Data
| ID | 9203665 |
|---|---|
| NAME | Sandhiya Kalyanasundaram |
| GIVEN NAMES | Sandhiya |
| FAMILY NAME | Kalyanasundaram |
| SIGNATURE | KALYANASUNDARAM S |
| AFFILIATIONS | Manipal Academy of Higher Education |
| ORCID | 0000-0002-2722-689X |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
IJSD Volume 14 2024 Making Television Dance (Again)
No abstract available
Chasing Manodharma
No abstract available
Forests Fanned by Waves
This narrative article explores a boatman's intimate relationship with the mangrove forests he had grown up with from his childhood. The author listens to the boatman's stories about his life when he is in his sixties. How he assessed the author also implied what part of his world the author would be invited to see. This is a narrative of warmth and friendship built through traversing the mangrove forest in a handmade raft, watching birdlife, lot…
Reflections On State Of The Art
No abstract available
Perception, Temporality And Symbol
This article makes an early attempt to emerge a dialogue between neuroscientific theories of perception and video art while proposing alternate lenses to view Kaleka’s installation in the context of Indian contemporary video art. The author proposes that Neuroaesthetics as a field may benefit from studying screendance and audience engagement because the conceptual complexity offered by screendance has the potential to throw light on cognitive and…
Extended Beings
No abstract available
Navigating Hyperrealities
This essay discusses the choreographic ethos that integrates technology and dance as an evolving mode of storytelling in South Indian (Tamil-Kollywood) movies by tracing the work of director Shankar Shanmugam. Through analyses of song-dance sequences, I identify three key principles for using screendance techniques, and reflect on how these innovations contribute to cultivating and shaping the audience imagination. The audience is challenged to f…
No prominent works on this page.
Navigating Hyperrealities
This essay discusses the choreographic ethos that integrates technology and dance as an evolving mode of storytelling in South Indian (Tamil-Kollywood) movies by tracing the work of director Shankar Shanmugam. Through analyses of song-dance sequences, I identify three key principles for using screendance techniques, and reflect on how these innovations contribute to cultivating and shaping the audience imagination. The audience is challenged to f…
Extended Beings
No abstract available
Reflections On State Of The Art
No abstract available
Perception, Temporality And Symbol
This article makes an early attempt to emerge a dialogue between neuroscientific theories of perception and video art while proposing alternate lenses to view Kaleka’s installation in the context of Indian contemporary video art. The author proposes that Neuroaesthetics as a field may benefit from studying screendance and audience engagement because the conceptual complexity offered by screendance has the potential to throw light on cognitive and…
Forests Fanned by Waves
This narrative article explores a boatman's intimate relationship with the mangrove forests he had grown up with from his childhood. The author listens to the boatman's stories about his life when he is in his sixties. How he assessed the author also implied what part of his world the author would be invited to see. This is a narrative of warmth and friendship built through traversing the mangrove forest in a handmade raft, watching birdlife, lot…
IJSD Volume 14 2024 Making Television Dance (Again)
No abstract available
Chasing Manodharma
No abstract available
Computer Science (5 works) · Art (4 works) · Diversity and Impact of Dance (3 works) · Philosophy (3 works) · Psychology (3 works) · Sociology (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Asian Culture and Media Studies (2 works) · Cinema and Media Studies (2 works)