Wyn Mason
Biographic Data
| ID | 9212621 |
|---|---|
| NAME | Wyn Mason |
| GIVEN NAMES | Wyn |
| FAMILY NAME | Mason |
| SIGNATURE | MASON W |
| AFFILIATIONS | University of Glamorgan |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 0 |
Mobilising stillness
The article explores the concept of ‘database film-making’ (i.e. first compiling a creative database of images in order to later construct a narrative in postproduction, rather than following the more traditional pathway of film-making via scriptwriting), arguing that approaching a film from a database perspective can potentially increase its cinematic qualities. The article builds upon ‘Database as a symbolic form’ (2001) by Manovich, along with…
Paperwork
In 2002 internationally established installation artists, Artstation and Welsh filmmaker, Wyn Mason, collaborated on an artist placement within a Brussels asylum seeker reception centre, Le Petit Chateau. The resulting Paperwork exhibition at The Old Library, Cardiff, included a looped, twin-screen video projection. Collaborating with Artstation, whose art practice is heavily influenced by cybernetics, led Wyn to adopt a radically different filmm…
No prominent works on this page.
Paperwork
In 2002 internationally established installation artists, Artstation and Welsh filmmaker, Wyn Mason, collaborated on an artist placement within a Brussels asylum seeker reception centre, Le Petit Chateau. The resulting Paperwork exhibition at The Old Library, Cardiff, included a looped, twin-screen video projection. Collaborating with Artstation, whose art practice is heavily influenced by cybernetics, led Wyn to adopt a radically different filmm…
Mobilising stillness
The article explores the concept of ‘database film-making’ (i.e. first compiling a creative database of images in order to later construct a narrative in postproduction, rather than following the more traditional pathway of film-making via scriptwriting), arguing that approaching a film from a database perspective can potentially increase its cinematic qualities. The article builds upon ‘Database as a symbolic form’ (2001) by Manovich, along with…
Art (2 works) · Visual arts (2 works) · Archaeology (1 work) · Architecture and Computational Design (1 work) · Art, Technology, and Culture (1 work) · Artificial Intelligence (1 work) · Artistic and Creative Research (1 work) · Cinema and Media Studies (1 work) · Cinematography (1 work) · Computer Science (1 work)