Jeremy Bubb
Biographic Data
| ID | 9212625 |
|---|---|
| NAME | Jeremy Bubb |
| GIVEN NAMES | Jeremy |
| FAMILY NAME | Bubb |
| SIGNATURE | BUBB J |
| AFFILIATIONS | University of Roehampton |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2007 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 0 |
Mapping a First World War archive through a contemporary lens
This article examines my current research, which is comprised of the making of a gallery installation film, Palimpsest. This film uses contemporary images of the everyday to contemplate events of the First World War as represented in a collection of unique, first-hand, unpublished letters sent home to London by mapmaker Rifleman Barney Griew. Palimpsest has been commissioned by Changing the Landscape, a multimedia arts project developed by Sarah …
Back to the future
We only see what we look at. To look is an act of choice [...] We never look at one thing; we are always looking at the relation between things and ourselves. Our vision is continually active, continually moving, continually holding things in a circle around itself, constituting what is present to us as we are.(Berger 1983: 1)This statement denotes our searching nature, claiming that as viewers we are eager to make sense of what we see, construct…
A reflection on the ‘Peer Review and Dissemination of Media Practice Research Conference’ at the University of Salford, and on future developments for practice as research
In this article I would like to reflect on this peer review exercise for ScreenWork and consider issues it raises about practice-based, and practice as, research in relation to Dr Michael Biggs's (2003) PARIP paper, The role of ‘the work’ in research. Finally I will discuss possible future developments for production work in relation to ScreenWork
No prominent works on this page.
A reflection on the ‘Peer Review and Dissemination of Media Practice Research Conference’ at the University of Salford, and on future developments for practice as research
In this article I would like to reflect on this peer review exercise for ScreenWork and consider issues it raises about practice-based, and practice as, research in relation to Dr Michael Biggs's (2003) PARIP paper, The role of ‘the work’ in research. Finally I will discuss possible future developments for production work in relation to ScreenWork
Back to the future
We only see what we look at. To look is an act of choice [...] We never look at one thing; we are always looking at the relation between things and ourselves. Our vision is continually active, continually moving, continually holding things in a circle around itself, constituting what is present to us as we are.(Berger 1983: 1)This statement denotes our searching nature, claiming that as viewers we are eager to make sense of what we see, construct…
Mapping a First World War archive through a contemporary lens
This article examines my current research, which is comprised of the making of a gallery installation film, Palimpsest. This film uses contemporary images of the everyday to contemplate events of the First World War as represented in a collection of unique, first-hand, unpublished letters sent home to London by mapmaker Rifleman Barney Griew. Palimpsest has been commissioned by Changing the Landscape, a multimedia arts project developed by Sarah …
Art (3 works) · Sociology (3 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Media studies (2 works) · Narrative (2 works) · Political science (2 works) · Storytelling (2 works)