A P Anupama
Biographic Data
| ID | 9230528 |
|---|---|
| NAME | A P Anupama |
| GIVEN NAMES | A P |
| FAMILY NAME | Anupama |
| SIGNATURE | ANUPAMA A P |
| AFFILIATIONS | VIT-AP University |
| ORCID | 0000-0002-8059-7710 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Redefining surveillance
In the early 2000s, television witnessed the ascendancy of reality TV, profoundly influencing societal norms and behaviours. Taking the culturally situated phenomenon of Bigg Boss (2006–present) in India as a prime case study, this research scrutinizes the Hindi-language version through the frameworks of Michel Foucault’s panopticon and Gilles Deleuze’s concept of the ‘society of control’. Utilizing close reading of episodes, the study examines h…
Cinesexual palimpsests
Since the 1980s, South Indian cinema has frequently focused on the female body, and post-1990s Malayalam films have shown notable changes in the depiction of sexuality and gender. Contemporary films increasingly prioritize pleasure, fantasy and the interplay between aesthetics and gender identity, challenging Laura Mulvey’s concept of the masculine gaze by engaging with the mysterious female body. Drawing on Patricia MacCormack’s idea of ‘cinesex…
No prominent works on this page.
Cinesexual palimpsests
Since the 1980s, South Indian cinema has frequently focused on the female body, and post-1990s Malayalam films have shown notable changes in the depiction of sexuality and gender. Contemporary films increasingly prioritize pleasure, fantasy and the interplay between aesthetics and gender identity, challenging Laura Mulvey’s concept of the masculine gaze by engaging with the mysterious female body. Drawing on Patricia MacCormack’s idea of ‘cinesex…
Redefining surveillance
In the early 2000s, television witnessed the ascendancy of reality TV, profoundly influencing societal norms and behaviours. Taking the culturally situated phenomenon of Bigg Boss (2006–present) in India as a prime case study, this research scrutinizes the Hindi-language version through the frameworks of Michel Foucault’s panopticon and Gilles Deleuze’s concept of the ‘society of control’. Utilizing close reading of episodes, the study examines h…
South Asian Cinema and Culture (2 works) · Anthropological Studies and Insights (1 work) · Biopower (1 work) · Cinema and Media Studies (1 work) · Commodification (1 work) · CONTEST (1 work) · Depiction (1 work) · Gender, Feminism, and Media (1 work) · Human sexuality (1 work) · Malayalam (1 work)