Sean Maher
Biographic Data
| ID | 9232240 |
|---|---|
| NAME | Sean Maher |
| GIVEN NAMES | Sean |
| FAMILY NAME | Maher |
| SIGNATURE | MAHER S |
| AFFILIATIONS | QUT |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Co-creative practice reconciling theory and practice in tertiary student documentary production
Accommodating theory and practice is a significant pedagogical challenge for screen programmes in higher education. Integrating theory and practice within the pedagogy of documentary screen production raises specific issues related to its ethical obligations and social change remit. Designing screen studies programmes that effectively support students to become critically aware and reflexive practitioners requires historical and theoretical knowl…
Innovation in true crime
This discussion explores innovation in true crime programming on streaming platforms and on-demand catch up broadcast television services. Altered consumption habits from long form programming and binge viewing on streaming services has prompted innovations in factual content through docuseries. Commencing with Reality Television police procedurals such as the long running US series Cops ([1989–2023]. Cops. TV Series. Fox. 1989–2013, 2023. Paramo…
Policymakers’ and healthcare providers’ perspectives on the introduction of oral pre-exposure prophylaxis for key populations in Ghana
Policymakers and providers recognize the value of PrEP in cubing new HIV infections but have concerns about disinhibition, non-adherence, and cost. Therefore, the Ghana health service should roll-out a range of strategies to address their concerns including: sensitization with providers to mitigate underlying stigma towards KPs, particularly MSM, integration of PrEP into existing services, and innovative strategies to improve continued use of PrE…
Australian feature films and distribution
Feature films remain critical flagships to any national film industry. Australian feature films can be highly commercial endeavours that also perform symbolic functions by embodying the national imaginary in big screen based sound and imagery. They conduct a dialogue with domestic audiences as well as showcase key aspects of Australia in the global film festival circuit. As the preeminent filmmaking form, feature films also serve as important lau…
Screen production enquiry
Within Australian universities, doctoral research in screen production is growing significantly. Two recent studies have documented both the scale of this research and inconsistencies in the requirements of the degree. These institutional variations, combined with a lack of clarity around appropriate methodologies for academic research through film and television practice, create challenges for students, supervisors, examiners and the overall dev…
Education paths for documentary distribution
An expanding education market targeted through ‘bridging material’ enabling cineliteracies has the potential to offer Australian producers with increased distribution opportunities, educators with targeted teaching aids and students with enhanced learning outcomes. For Australian documentary producers, the key to unlocking the potential of the education sector is engaging with its curriculum-based requirements at the earliest stages of pre-produc…
Re-thinking ancillary
The use of Australian screen content in Australian schools and universities is undergoing rapid change due to digital and online distribution capacity on the supply side and digital and online affordance embedded in student cultures. This paper examines the ways in which Australian screen content and its distribution are beginning to adapt to educational usage. Issues facing content rights holders, distribution companies and emerging digital plat…
No prominent works on this page.
Screen production enquiry
Within Australian universities, doctoral research in screen production is growing significantly. Two recent studies have documented both the scale of this research and inconsistencies in the requirements of the degree. These institutional variations, combined with a lack of clarity around appropriate methodologies for academic research through film and television practice, create challenges for students, supervisors, examiners and the overall dev…
Education paths for documentary distribution
An expanding education market targeted through ‘bridging material’ enabling cineliteracies has the potential to offer Australian producers with increased distribution opportunities, educators with targeted teaching aids and students with enhanced learning outcomes. For Australian documentary producers, the key to unlocking the potential of the education sector is engaging with its curriculum-based requirements at the earliest stages of pre-produc…
Re-thinking ancillary
The use of Australian screen content in Australian schools and universities is undergoing rapid change due to digital and online distribution capacity on the supply side and digital and online affordance embedded in student cultures. This paper examines the ways in which Australian screen content and its distribution are beginning to adapt to educational usage. Issues facing content rights holders, distribution companies and emerging digital plat…
Australian feature films and distribution
Feature films remain critical flagships to any national film industry. Australian feature films can be highly commercial endeavours that also perform symbolic functions by embodying the national imaginary in big screen based sound and imagery. They conduct a dialogue with domestic audiences as well as showcase key aspects of Australia in the global film festival circuit. As the preeminent filmmaking form, feature films also serve as important lau…
Co-creative practice reconciling theory and practice in tertiary student documentary production
Accommodating theory and practice is a significant pedagogical challenge for screen programmes in higher education. Integrating theory and practice within the pedagogy of documentary screen production raises specific issues related to its ethical obligations and social change remit. Designing screen studies programmes that effectively support students to become critically aware and reflexive practitioners requires historical and theoretical knowl…
Innovation in true crime
This discussion explores innovation in true crime programming on streaming platforms and on-demand catch up broadcast television services. Altered consumption habits from long form programming and binge viewing on streaming services has prompted innovations in factual content through docuseries. Commencing with Reality Television police procedurals such as the long running US series Cops ([1989–2023]. Cops. TV Series. Fox. 1989–2013, 2023. Paramo…
Policymakers’ and healthcare providers’ perspectives on the introduction of oral pre-exposure prophylaxis for key populations in Ghana
Policymakers and providers recognize the value of PrEP in cubing new HIV infections but have concerns about disinhibition, non-adherence, and cost. Therefore, the Ghana health service should roll-out a range of strategies to address their concerns including: sensitization with providers to mitigate underlying stigma towards KPs, particularly MSM, integration of PrEP into existing services, and innovative strategies to improve continued use of PrE…
Sociology (6 works) · Business (5 works) · Pedagogy (4 works) · Political science (4 works) · Art (3 works) · Computer Science (3 works) · Curriculum (3 works) · Engineering (3 works) · Advertising (2 works) · Artistic and Creative Research (2 works)