Fernando Gabriel Pagnoni Berns
Biographic Data
| ID | 9237267 |
|---|---|
| NAME | Fernando Gabriel Pagnoni Berns |
| GIVEN NAMES | Fernando Gabriel Pagnoni |
| FAMILY NAME | Berns |
| SIGNATURE | BERNS F G P |
| AFFILIATIONS | Universidad de Buenos Aires |
| ORCID | 0000-0002-0014-3752 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The responsibility to protect and its limits: Transnational intervention in The Honourable Woman
The horrors of September 11, 2001 gave us two powerful notions: international terrorism as a form of foreign intervention, on one hand, and the phrase ‘responsibility to protect’, on the other. But ‘responsibility to protect’ is a slippery ethical notion that can easily fall into interventionism, the latter linked with forms of terrorism. Thus, it is not by chance that TV shows and films revolving around important, powerful CEO decisions impactin…
Hybrid: Reading Godzilla Through Posthumanism
This essay proposes to read the classic cycle of Godzilla films (roughly, 1954–1995) using a posthuman perspective that makes its emphasis on animal, vegetal and mineral life. We will use posthuman and materialist philosophy to analyze hybrid monsters as part of new interdisciplinary studies about non-human agencies and their creepy potential. As such, we want to offer the first posthumanist readings of the Godzilla franchise, in time to celebrat…
Transnational Railway Cultures: Trains in Music, Literature, Film, and Visual Art
No prominent works on this page.
Transnational Railway Cultures: Trains in Music, Literature, Film, and Visual Art
The responsibility to protect and its limits: Transnational intervention in The Honourable Woman
The horrors of September 11, 2001 gave us two powerful notions: international terrorism as a form of foreign intervention, on one hand, and the phrase ‘responsibility to protect’, on the other. But ‘responsibility to protect’ is a slippery ethical notion that can easily fall into interventionism, the latter linked with forms of terrorism. Thus, it is not by chance that TV shows and films revolving around important, powerful CEO decisions impactin…
Hybrid: Reading Godzilla Through Posthumanism
This essay proposes to read the classic cycle of Godzilla films (roughly, 1954–1995) using a posthuman perspective that makes its emphasis on animal, vegetal and mineral life. We will use posthuman and materialist philosophy to analyze hybrid monsters as part of new interdisciplinary studies about non-human agencies and their creepy potential. As such, we want to offer the first posthumanist readings of the Godzilla franchise, in time to celebrat…
Computer Science (2 works) · Aesthetics (1 works) · Archaeology (1 works) · Art (1 works) · Art history (1 works) · Artificial Intelligence (1 works) · Business (1 works) · Geographies of human-animal interactions (1 works) · Geography (1 works) · Geology (1 works)