Silvie Špánková
Biographic Data
| ID | 9237366 |
|---|---|
| NAME | Silvie Špánková |
| GIVEN NAMES | Silvie |
| FAMILY NAME | Špánková |
| SIGNATURE | ŠPÁNKOVÁ S |
| AFFILIATIONS | Masaryk University |
| ORCID | 0000-0001-9839-7963 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Mabata-Bata in Motion
This paper analyzes Mia Couto’s short story “O dia em que explodiu Mabata-bata” [The day Mabata-bata exploded] and its adaptation by Sol de Carvalho’s film Mabata Bata. Through an analysis of both versions, this study aims to understand how Couto’s narrative was recreated and transfigured in the film adaptation. The film adaptation of the story employs a blend of images and additional text to extend the verbal dimensions of the original story, th…
Rumos do conto português contemporâneo
No prefácio à obra de Domingos Monteiro, um dos maiores contistas portugueses do século XX, João Bigotte Chorão lamenta a fraca posição do conto entre os géneros narrativos cultivados e lidos em Portugal, expondo um paradoxo dos tempos modernos, em que ninguém tem tempo para nada e, apesar disso, as pessoas sempre preferem ler ou comprar romances em vez de contos (2001, p. 18)
No prominent works on this page.
Rumos do conto português contemporâneo
No prefácio à obra de Domingos Monteiro, um dos maiores contistas portugueses do século XX, João Bigotte Chorão lamenta a fraca posição do conto entre os géneros narrativos cultivados e lidos em Portugal, expondo um paradoxo dos tempos modernos, em que ninguém tem tempo para nada e, apesar disso, as pessoas sempre preferem ler ou comprar romances em vez de contos (2001, p. 18)
Mabata-Bata in Motion
This paper analyzes Mia Couto’s short story “O dia em que explodiu Mabata-bata” [The day Mabata-bata exploded] and its adaptation by Sol de Carvalho’s film Mabata Bata. Through an analysis of both versions, this study aims to understand how Couto’s narrative was recreated and transfigured in the film adaptation. The film adaptation of the story employs a blend of images and additional text to extend the verbal dimensions of the original story, th…
Art (2 works) · Aesthetics (1 works) · Cultural, Media, and Literary Studies (1 works) · Film genre (1 works) · History (1 works) · Humanities (1 works) · Literature (1 works) · Literature, Culture, and Aesthetics (1 works) · Literature, Culture, and Criticism (1 works) · Movie theater (1 works)