Kutup Ata Tuncer
Biographic Data
| ID | 9237607 |
|---|---|
| NAME | Kutup Ata Tuncer |
| GIVEN NAMES | Kutup Ata |
| FAMILY NAME | Tuncer |
| SIGNATURE | TUNCER K A |
| AFFILIATIONS | Manisa Celal Bayar University |
| ORCID | 0000-0002-8727-5255 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
A Comparison of Byzantine and Armenian Church Music in Terms of Musical Parameters
In this study, we compare Byzantine and Armenian church music, focusing on musical parameters such as notation systems, modal structure, rhythmic concepts, and liturgical practice. Both traditions, which took shape within the shared cultural heritage of Anatolia, share fundamental common characteristics such as the eight-mode (Octoechos/oot tzayn) system, a monophonic vocal-based structure, and a text-based rhythmic approach; however, they have d…
Cantus Firmus and the Auditory Body
In the Lutheran church music tradition, the placement of pre-existing chorale melodies as cantus firmus in new compositions constitutes a stable compositional practice extending from the sixteenth through the eighteenth century. Musicological literature has generally treated this practice as a formal technique or theological reference; however, neither its authoritative function nor its embedding within the auditory body of the congregation has b…
Yüzyıl Müziğinde Post-Seriyalizm
GİRİŞ1945'te, II.Dünya Savaşı'nın sona ermesinin ardından, iki savaş arası yılların neo
Yüzyil Müzi̇ği̇ Yeni̇ Notasyon Uygulamalari Üzeri̇ne Bi̇r İnceleme
No prominent works on this page.
Yüzyil Müzi̇ği̇ Yeni̇ Notasyon Uygulamalari Üzeri̇ne Bi̇r İnceleme
Yüzyıl Müziğinde Post-Seriyalizm
GİRİŞ1945'te, II.Dünya Savaşı'nın sona ermesinin ardından, iki savaş arası yılların neo
A Comparison of Byzantine and Armenian Church Music in Terms of Musical Parameters
In this study, we compare Byzantine and Armenian church music, focusing on musical parameters such as notation systems, modal structure, rhythmic concepts, and liturgical practice. Both traditions, which took shape within the shared cultural heritage of Anatolia, share fundamental common characteristics such as the eight-mode (Octoechos/oot tzayn) system, a monophonic vocal-based structure, and a text-based rhythmic approach; however, they have d…
Cantus Firmus and the Auditory Body
In the Lutheran church music tradition, the placement of pre-existing chorale melodies as cantus firmus in new compositions constitutes a stable compositional practice extending from the sixteenth through the eighteenth century. Musicological literature has generally treated this practice as a formal technique or theological reference; however, neither its authoritative function nor its embedding within the auditory body of the congregation has b…
Music Education and Analysis (2 works) · Musicology and Musical Analysis (2 works) · Armenian (1 work) · Augustinian Studies and Theology (1 work) · Bach Studies and Logistics Development (1 work) · Byzantine architecture (1 work) · Choir (1 work) · Cultural and Sociopolitical Studies (1 work) · Diverse Musicological Studies (1 work) · Educational Methods and Analysis (1 work)