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Joshua David Gonsalves

Biographic Data

ID9239357
NAMEJoshua David Gonsalves
GIVEN NAMESJoshua David
FAMILY NAMEGonsalves
SIGNATUREGONSALVES J D
AFFILIATIONSAmerican University of Beirut
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2017
H-INDEX0
  • Reading Race and "Rita" in The Lady from Shanghai

    Joshua David Gonsalves•ARTICLE•Mosaic•2017

    This essay explicates the desire to be independent that derives, I argue, from the moguls who invented Hollywood, resistant actors (James Cagney) and "rogue" producers (David O. Selznick). My historical analysis of this desire as it circulates among these figures will be supplemented by script variations of The Lady from Shanghai

  • Swinburne reads Keats

    Open Access•Joshua David Gonsalves, Alexander Dick•ARTICLE•Cogent Arts and Humanities•2015

    Keats and Swinburne loom large as purveyors of the “aesthetic” in its early and late nineteenth-century forms—that is, as a discourse of subject-formation through the exercise of tasteful distinction and as a self-referential discourse of art for art’s sake, respectively. In this essay, I analyse how Swinburne constructs a “Keats” that will allow him to master a “manliness in crisis” that affected both writers. If this “crisis” is historicized by…

No prominent works on this page.

  • Swinburne reads Keats

    Open Access•Joshua David Gonsalves, Alexander Dick•ARTICLE•Cogent Arts and Humanities•2015

    Keats and Swinburne loom large as purveyors of the “aesthetic” in its early and late nineteenth-century forms—that is, as a discourse of subject-formation through the exercise of tasteful distinction and as a self-referential discourse of art for art’s sake, respectively. In this essay, I analyse how Swinburne constructs a “Keats” that will allow him to master a “manliness in crisis” that affected both writers. If this “crisis” is historicized by…

  • Reading Race and "Rita" in The Lady from Shanghai

    Joshua David Gonsalves•ARTICLE•Mosaic•2017

    This essay explicates the desire to be independent that derives, I argue, from the moguls who invented Hollywood, resistant actors (James Cagney) and "rogue" producers (David O. Selznick). My historical analysis of this desire as it circulates among these figures will be supplemented by script variations of The Lady from Shanghai

Cinema and Media Studies (2 works) · Aesthetics (1 work) · American and British Literature Analysis (1 work) · Art (1 work) · Art history (1 work) · Astrophysics (1 work) · Auteur theory (1 work) · Decadence (1 work) · Gender Studies (1 work) · Gender, Feminism, and Media (1 work)

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