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Paramitha Dyah Fitriasari

Biographic Data

ID9240273
NAMEParamitha Dyah Fitriasari
GIVEN NAMESParamitha Dyah
FAMILY NAMEFitriasari
SIGNATUREFITRIASARI P D
AFFILIATIONSUniversitas Gadjah Mada
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2020
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Realizing nationalism through art

    Open Access•Yulis Susilawaty, Armaidy Armawi et al.•ARTICLE•Cogent Arts and Humanities•2026

    This study examines the role of the Galeri Nasional Indonesia (GNI) in promoting nationalism and strengthening cultural resilience through art amid globalization. Using a qualitative case study approach, this research analyzes the GNI’s exhibition curation, educational programs, and international collaborations through interviews, observations, and document analysis. The findings indicate that GNI contributes to nationalism by preserving and exhi…

  • Pentahelix Model of Cultural Transmission in Wayang On The Street Performances in Semarang’s Old Town

    Open Access•Dwi Yullastuti, Paramitha Dyah Fitriasari et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2025

    The sustainability of traditional performing arts in the modern era requires innovative strategies to ensure cultural relevance and intergenerational transmission. This study investigates the cultural transmission process within the Wayang On The Street (WOTS) performance, held in the Old Town area of Semarang in 2024, as a collaborative model integrating traditional values into contemporary public spaces. Employing a descriptive qualitative case…

  • Perkembangan Bentuk Penyajian Raminten Cabaret Show di Gedung Hamzah Batik Malioboro

    Elan Fitra Dianto, Wiwik Sushartami et al.•ARTICLE•JOGED•2024

    RINGKASANRaminten Cabaret Show adalah salah satu hiburan yang berada di Raminten 3 Resto, Gedung Hamzah Batik Malioboro Yogyakarta. Istilah kabaret di Raminten 3 Resto berarti sebuah pertunjukan layaknya konser musik (lipsync), para laki-laki yang berdandan seperti perempuan atau disebut sebagai draq queen, mengenakan busana yang dirancang agar dapat menyerupai artis-artis papan atas Indonesia bahkan diva dunia dan dilengkapi dengan riasan wajah …

  • Pojhian

    Paramitha Dyah Fitriasari, Budi Irawanto et al.•ARTICLE•Performance Research•2024

    This article explores Pojhian as a performance-ritual that shows humans' response to situations in extremis in their consciousness as social and spiritual beings. Pojhian is a performance-ritual held by the local community in Bondowoso, East Java, Indonesia. This performance-ritual tradition has survived for six generations. At its inception, Pojhian became a way for the locals to face situations in extremis such as the threat of wild animals, fa…

  • Apropriasi Seni Musik Gugah Sahur

    Open Access•Paramitha Dyah Fitriasari, M Ismail Hamsyah et al.•ARTICLE•RESITAL JURNAL SENI PERTUNJUKAN•2023

    The Appropriation of Gugah Sahur Musical Art: A Case Study of Tongklek Tuban and Tong-Tong Madura. This study aims to identify the interrelation between Tongklek Tuban and Tong-tong Madura. Tongklek Tuban, which is a typical music art of Tuban, evolves from the Patrol art in the form of music created originally in Tuban Regency. Interestingly, at first glance, Tongklek Tuban seems to have similarities to Tong-tong art that develops in Madura. To …

  • Jogja Dance Community Ruang Negosiasi dalam Jagad Tari di Yogyakarta

    Open Access•Paramitha Dyah Fitriasari, Galih Prakasiwi•ARTICLE•Jurnal Kawistara•2020

    Kesenian Yogyakarta memiliki identitas yang kuat dengan upaya preservasi seni tradisi berbasis kuasa dominan Kraton Yogyakarta sebagai sentralnya. Aturan seni tradisi yang mengikat, memunculkan peluang pengembangan maupun inovasi baru berdasar kebebasan. Tulisan ini melihat perwujudan kebebasan dan strategi dalam memposisikan diri pada jagad tari di Yogyakarta. Pengambilan data dilakukan melalui studi pustaka dan wawancara. Data tersebut dikelind…

No prominent works on this page.

  • Jogja Dance Community Ruang Negosiasi dalam Jagad Tari di Yogyakarta

    Open Access•Paramitha Dyah Fitriasari, Galih Prakasiwi•ARTICLE•Jurnal Kawistara•2020

    Kesenian Yogyakarta memiliki identitas yang kuat dengan upaya preservasi seni tradisi berbasis kuasa dominan Kraton Yogyakarta sebagai sentralnya. Aturan seni tradisi yang mengikat, memunculkan peluang pengembangan maupun inovasi baru berdasar kebebasan. Tulisan ini melihat perwujudan kebebasan dan strategi dalam memposisikan diri pada jagad tari di Yogyakarta. Pengambilan data dilakukan melalui studi pustaka dan wawancara. Data tersebut dikelind…

  • Apropriasi Seni Musik Gugah Sahur

    Open Access•Paramitha Dyah Fitriasari, M Ismail Hamsyah et al.•ARTICLE•RESITAL JURNAL SENI PERTUNJUKAN•2023

    The Appropriation of Gugah Sahur Musical Art: A Case Study of Tongklek Tuban and Tong-Tong Madura. This study aims to identify the interrelation between Tongklek Tuban and Tong-tong Madura. Tongklek Tuban, which is a typical music art of Tuban, evolves from the Patrol art in the form of music created originally in Tuban Regency. Interestingly, at first glance, Tongklek Tuban seems to have similarities to Tong-tong art that develops in Madura. To …

  • Perkembangan Bentuk Penyajian Raminten Cabaret Show di Gedung Hamzah Batik Malioboro

    Elan Fitra Dianto, Wiwik Sushartami et al.•ARTICLE•JOGED•2024

    RINGKASANRaminten Cabaret Show adalah salah satu hiburan yang berada di Raminten 3 Resto, Gedung Hamzah Batik Malioboro Yogyakarta. Istilah kabaret di Raminten 3 Resto berarti sebuah pertunjukan layaknya konser musik (lipsync), para laki-laki yang berdandan seperti perempuan atau disebut sebagai draq queen, mengenakan busana yang dirancang agar dapat menyerupai artis-artis papan atas Indonesia bahkan diva dunia dan dilengkapi dengan riasan wajah …

  • Pojhian

    Paramitha Dyah Fitriasari, Budi Irawanto et al.•ARTICLE•Performance Research•2024

    This article explores Pojhian as a performance-ritual that shows humans' response to situations in extremis in their consciousness as social and spiritual beings. Pojhian is a performance-ritual held by the local community in Bondowoso, East Java, Indonesia. This performance-ritual tradition has survived for six generations. At its inception, Pojhian became a way for the locals to face situations in extremis such as the threat of wild animals, fa…

  • Pentahelix Model of Cultural Transmission in Wayang On The Street Performances in Semarang’s Old Town

    Open Access•Dwi Yullastuti, Paramitha Dyah Fitriasari et al.•ARTICLE•Gondang Jurnal Seni dan Budaya•2025

    The sustainability of traditional performing arts in the modern era requires innovative strategies to ensure cultural relevance and intergenerational transmission. This study investigates the cultural transmission process within the Wayang On The Street (WOTS) performance, held in the Old Town area of Semarang in 2024, as a collaborative model integrating traditional values into contemporary public spaces. Employing a descriptive qualitative case…

  • Realizing nationalism through art

    Open Access•Yulis Susilawaty, Armaidy Armawi et al.•ARTICLE•Cogent Arts and Humanities•2026

    This study examines the role of the Galeri Nasional Indonesia (GNI) in promoting nationalism and strengthening cultural resilience through art amid globalization. Using a qualitative case study approach, this research analyzes the GNI’s exhibition curation, educational programs, and international collaborations through interviews, observations, and document analysis. The findings indicate that GNI contributes to nationalism by preserving and exhi…

Art (4 works) · Cultural and Artistic Studies (4 works) · Visual arts (2 works) · Ancient Near East History (1 work) · Appropriation (1 work) · Asian Studies and History (1 work) · Child Development and Education (1 work) · Community-based Tourism Development and Sustainability (1 work) · Cultural and Religious Practices in Indonesia (1 work) · Cultural and Social Studies (1 work)

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