Mark Yoffe
Biographic Data
| ID | 9250890 |
|---|---|
| NAME | Mark Yoffe |
| GIVEN NAMES | Mark |
| FAMILY NAME | Yoffe |
| SIGNATURE | YOFFE M |
| AFFILIATIONS | George Washington University |
| ORCID | 0000-0002-1986-4218 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
The Téchne of the 21st Century Transgressive Laughter
This article offers a comprehensive theorization of stiob as a historically sedimented, culturally specific, yet increasingly globalized modality of ironic discourse whose logic of deadpan overidentification has migrated from late-Soviet conceptualist counterculture into twenty-first-century political communication. Revisiting the folkloric, carnivalesque, and double-voiced foundations of stiob, this study situates the phenomenon within the longu…
Progressive Rock from the Union of Soviet Composers
This article focuses on the influence of Western progressive rock music on some innovative members of the Union of Soviet Composers, who were open to new trends and influences. These Soviet composers’ interest in progressive rock was not only intellectual, but also had serious practical implications. During the 1970s, several composers made attempts to create original works following various styles of prog rock. Occasionally, they incorporated el…
Vladimir Zhirinovsky, the Unholy Fool
No prominent works on this page.
Vladimir Zhirinovsky, the Unholy Fool
Progressive Rock from the Union of Soviet Composers
This article focuses on the influence of Western progressive rock music on some innovative members of the Union of Soviet Composers, who were open to new trends and influences. These Soviet composers’ interest in progressive rock was not only intellectual, but also had serious practical implications. During the 1970s, several composers made attempts to create original works following various styles of prog rock. Occasionally, they incorporated el…
The Téchne of the 21st Century Transgressive Laughter
This article offers a comprehensive theorization of stiob as a historically sedimented, culturally specific, yet increasingly globalized modality of ironic discourse whose logic of deadpan overidentification has migrated from late-Soviet conceptualist counterculture into twenty-first-century political communication. Revisiting the folkloric, carnivalesque, and double-voiced foundations of stiob, this study situates the phenomenon within the longu…
Art (2 works) · Political science (2 works) · Russian Literature and Bakhtin Studies (2 works) · Archaeology (1 work) · Carnivalesque (1 work) · Counterculture (1 work) · Diverse Musicological Studies (1 work) · Foolishness (1 work) · History (1 work) · Humor Studies and Applications (1 work)