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Guan-Lin Liu

Biographic Data

ID925273
NAMEGuan-Lin Liu
GIVEN NAMESGuan-Lin
FAMILY NAMELiu
SIGNATURELIU G
AFFILIATIONSImperial College London
ORCID0000-0002-6369-8659
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2023
LATEST PUBLICATION YEAR2023
H-INDEX0
  • Characterization and Degradation Analysis of Pigments in Paintings by Martiros Sarian

    Open Access•Guan-Lin Liu, Sergei G Kazarian•ARTICLE•Heritage•2023•References: 4

    This paper presents a preliminary scientific investigation of pigments used by Martiros Sarian, a prominent Armenian artist known for his vibrant and evocative paintings. The study focuses on five of Sarian’s paintings from different periods of his career, namely, Morning in Stavrino, Arabian Dancer, Caravan, Yerevan Zangu River, and Kirovakan, dated between 1909 and 1948. Non-destructive techniques, including micro-attenuated total reflection Fo…

  • ATR-FTIR spectroscopic imaging of white crusts in cross sections from oil cartoons by Edward Poynter in the Heritage Collections at UK Parliament

    Open Access•Guan-Lin Liu, Elsa Guerreiro et al.•ARTICLE•Journal of Cultural Heritage•2023•References: 50

    The formation of white crusts on the surface of oil paintings can affect both the physical and aesthetic values of the artwork. Characterisation of these white crusts enables better identification of methodologies and solutions when performing conservation treatments of oil paintings. In this paper, micro Attenuated Total Reflection-Fourier Transform Infrared (ATR-FTIR) spectroscopic imaging was used to investigate the white crusts and metal carb…

No prominent works on this page.

  • Characterization and Degradation Analysis of Pigments in Paintings by Martiros Sarian

    Open Access•Guan-Lin Liu, Sergei G Kazarian•ARTICLE•Heritage•2023•References: 4

    This paper presents a preliminary scientific investigation of pigments used by Martiros Sarian, a prominent Armenian artist known for his vibrant and evocative paintings. The study focuses on five of Sarian’s paintings from different periods of his career, namely, Morning in Stavrino, Arabian Dancer, Caravan, Yerevan Zangu River, and Kirovakan, dated between 1909 and 1948. Non-destructive techniques, including micro-attenuated total reflection Fo…

  • ATR-FTIR spectroscopic imaging of white crusts in cross sections from oil cartoons by Edward Poynter in the Heritage Collections at UK Parliament

    Open Access•Guan-Lin Liu, Elsa Guerreiro et al.•ARTICLE•Journal of Cultural Heritage•2023•References: 50

    The formation of white crusts on the surface of oil paintings can affect both the physical and aesthetic values of the artwork. Characterisation of these white crusts enables better identification of methodologies and solutions when performing conservation treatments of oil paintings. In this paper, micro Attenuated Total Reflection-Fourier Transform Infrared (ATR-FTIR) spectroscopic imaging was used to investigate the white crusts and metal carb…

Attenuated total reflection (2 works) · Building materials and conservation (2 works) · Chemistry (2 works) · Conservation Techniques and Studies (2 works) · Cultural Heritage Materials Analysis (2 works) · Fourier transform infrared spectroscopy (2 works) · Mineralogy (2 works) · Art (1 work) · Art history (1 work) · Chemical Engineering (1 work)

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