Lidia Mateo Leivas
Biographic Data
| ID | 925377 |
|---|---|
| NAME | Lidia Mateo Leivas |
| GIVEN NAMES | Lidia Mateo |
| FAMILY NAME | Leivas |
| SIGNATURE | LEIVAS L M |
| AFFILIATIONS | Universidad Nacional de Educación a Distancia |
| ORCID | 0000-0002-9282-4490 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Diccionario situado y subvertido. Voces de Mujeres de Frente (Ecuador)
Armar redes, expandirlas como las orquídeas». Visualidades y memorias en las luchas transfeministas
How does a clandestine image behave? Proposal for a theoretical tool based on a Spanish civil war gaze
The registered version of this article, first published in “Visual Studies, 36, 2021", is available online at the publisher's website: Taylor & Francis, https://doi.org/10.1080/1472586X.2020.1832909 La versión registrada de este artículo, publicado por primera vez en “Visual Studies, 36, 2021", está disponible en línea en el sitio web del editor: Taylor & Francis, https://doi.org/10.1080/1472586X.2020.1832909
The limits of remembrance during the Spanish Transition
The corpses of those who were defeated in the Spanish Civil War (1936–1939) first emerged in the public sphere during the country’s Transition to democracy (1973–1982). For many, the end of the dictatorship was an opportunity to come to terms with memories of the conflict through cultural and social practices. However, the memories of the defeated could not be retrieved. This state of amnesia became known as the ‘Pact of Oblivion’, a supposed tac…
Anexo. Testimonios de Vitoria , del Colectivo de Cine de Madrid
The limits of remembrance during the Spanish Transition
The corpses of those who were defeated in the Spanish Civil War (1936–1939) first emerged in the public sphere during the country’s Transition to democracy (1973–1982). For many, the end of the dictatorship was an opportunity to come to terms with memories of the conflict through cultural and social practices. However, the memories of the defeated could not be retrieved. This state of amnesia became known as the ‘Pact of Oblivion’, a supposed tac…
Anexo. Testimonios de Vitoria , del Colectivo de Cine de Madrid
The limits of remembrance during the Spanish Transition
The corpses of those who were defeated in the Spanish Civil War (1936–1939) first emerged in the public sphere during the country’s Transition to democracy (1973–1982). For many, the end of the dictatorship was an opportunity to come to terms with memories of the conflict through cultural and social practices. However, the memories of the defeated could not be retrieved. This state of amnesia became known as the ‘Pact of Oblivion’, a supposed tac…
How does a clandestine image behave? Proposal for a theoretical tool based on a Spanish civil war gaze
The registered version of this article, first published in “Visual Studies, 36, 2021", is available online at the publisher's website: Taylor & Francis, https://doi.org/10.1080/1472586X.2020.1832909 La versión registrada de este artículo, publicado por primera vez en “Visual Studies, 36, 2021", está disponible en línea en el sitio web del editor: Taylor & Francis, https://doi.org/10.1080/1472586X.2020.1832909
Diccionario situado y subvertido. Voces de Mujeres de Frente (Ecuador)
Armar redes, expandirlas como las orquídeas». Visualidades y memorias en las luchas transfeministas
Political science (3 works) · Spanish Culture and Identity (3 works) · Art (2 works) · Democracy (2 works) · Dictatorship (2 works) · History (2 works) · Italian Fascism and Post-war Society (2 works) · Law (2 works) · Photographic and Visual Arts (2 works) · Politics (2 works)