Andy Draycott
Biographic Data
| ID | 9255224 |
|---|---|
| NAME | Andy Draycott |
| GIVEN NAMES | Andy |
| FAMILY NAME | Draycott |
| SIGNATURE | DRAYCOTT A |
| AFFILIATIONS | Biola University |
| ORCID | 0000-0002-0518-414X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Still Standing: A Spiritual Classic, Monumental Racism, and the Iconographic Reception of John Bunyan’s The Pilgrim’s Progress
In The Pilgrim’s Progress (1678) John Bunyan describes the Flatterer as a “man black of flesh.” This depiction sets the course for the reception and adaptation of his work as a spiritual classic to enact, perpetuate, and even deepen a racist vision. Alternatively, theological awareness of racism and racialization finds expression in critique and correction. The history of the illustration of the Flatterer raises particularly acute questions. Buny…
Iconoclasm, iconophobia, and graphic novel adaptations of John Bunyan’s The Pilgrim’s Progress
This article explores the assumed tendency of evangelical Christians to iconoclasm or even iconophobia. In order to test these tendencies, recent graphic novel adaptations of John Bunyan’s The Pilgrim’s Progress is analysed. This text is a perennial spiritual classic for this wing of the Protestant tradition. Concerns for fidelity are explored in reference to both a ‘timeless’ and ‘timeful’ quality. An evangelical theology of adaptation is offere…
Pilgrim’s missionary progress: Contemporary evangelistic adaptations of John Bunyan’s lingering spiritual classic for a post-secular West
This article notes that the way in which John Bunyan’s The Pilgrim’s Progress has been used in Christian missionary endeavors since its original publication in 1678 lingers in contemporary reception. Two evangelistic adaptation artifacts are examined. These are evangelist J. John’s UK book adaptation and Revelation Media’s CGI movie. Interpretation is offered of how these fit within contemporary missiological emphases on the holistic gospel of th…
No prominent works on this page.
Iconoclasm, iconophobia, and graphic novel adaptations of John Bunyan’s The Pilgrim’s Progress
This article explores the assumed tendency of evangelical Christians to iconoclasm or even iconophobia. In order to test these tendencies, recent graphic novel adaptations of John Bunyan’s The Pilgrim’s Progress is analysed. This text is a perennial spiritual classic for this wing of the Protestant tradition. Concerns for fidelity are explored in reference to both a ‘timeless’ and ‘timeful’ quality. An evangelical theology of adaptation is offere…
Pilgrim’s missionary progress: Contemporary evangelistic adaptations of John Bunyan’s lingering spiritual classic for a post-secular West
This article notes that the way in which John Bunyan’s The Pilgrim’s Progress has been used in Christian missionary endeavors since its original publication in 1678 lingers in contemporary reception. Two evangelistic adaptation artifacts are examined. These are evangelist J. John’s UK book adaptation and Revelation Media’s CGI movie. Interpretation is offered of how these fit within contemporary missiological emphases on the holistic gospel of th…
Still Standing: A Spiritual Classic, Monumental Racism, and the Iconographic Reception of John Bunyan’s The Pilgrim’s Progress
In The Pilgrim’s Progress (1678) John Bunyan describes the Flatterer as a “man black of flesh.” This depiction sets the course for the reception and adaptation of his work as a spiritual classic to enact, perpetuate, and even deepen a racist vision. Alternatively, theological awareness of racism and racialization finds expression in critique and correction. The history of the illustration of the Flatterer raises particularly acute questions. Buny…
Art (3 works) · Art history (3 works) · History (3 works) · Philosophy (3 works) · Pilgrim (3 works) · Theology (3 works) · Literature (2 works) · Media, Religion, Digital Communication (2 works) · Religious studies (2 works) · Religious Tourism and Spaces (2 works)