Salim Ayoub
Biographic Data
| ID | 925585 |
|---|---|
| NAME | Salim Ayoub |
| GIVEN NAMES | Salim |
| FAMILY NAME | Ayoub |
| SIGNATURE | AYOUB S |
| AFFILIATIONS | Webster University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Filming sex, language, and alienation in Morocco
Nabil Ayouch's cinematic corpus has always been subject to vivid debates as his works target the sexual and linguistic status quo in Morocco, among other ideological patterns. The filmmaker's distrust towards the hegemonic order is palpable in his corpus, as illustrated by Much Loved (2015) and Razzia (2017). Ayouch's films offer an opaque questioning of the structural intersections between sex, socioeconomics, language, religion, and alienation.…
Société civile ou masculine ? La 'much-loved razzia' de Nabil Ayouch
Zin li Fik (Much Loved) et Razzia de Nabil Ayouch racontent les dangers de l’aliénation sociale et culturelle, du travail du sexe, de la pauvreté et de la résistance au Maroc. En représentant des réalités épineuses, les films dévoilent avec audace tout ce que le Maroc ne veut pas voir de lui-même. Nabil Ayouch propose une interrogation approfondie des relations socioculturelles et structurelles entre masculinité, sexualité, identité culturelle, e…
No prominent works on this page.
Société civile ou masculine ? La 'much-loved razzia' de Nabil Ayouch
Zin li Fik (Much Loved) et Razzia de Nabil Ayouch racontent les dangers de l’aliénation sociale et culturelle, du travail du sexe, de la pauvreté et de la résistance au Maroc. En représentant des réalités épineuses, les films dévoilent avec audace tout ce que le Maroc ne veut pas voir de lui-même. Nabil Ayouch propose une interrogation approfondie des relations socioculturelles et structurelles entre masculinité, sexualité, identité culturelle, e…
Filming sex, language, and alienation in Morocco
Nabil Ayouch's cinematic corpus has always been subject to vivid debates as his works target the sexual and linguistic status quo in Morocco, among other ideological patterns. The filmmaker's distrust towards the hegemonic order is palpable in his corpus, as illustrated by Much Loved (2015) and Razzia (2017). Ayouch's films offer an opaque questioning of the structural intersections between sex, socioeconomics, language, religion, and alienation.…
Art (2 works) · North African History and Literature (2 works) · Political and Social Issues (2 works) · Political science (2 works) · Aesthetics (1 work) · African history and culture studies (1 work) · Alienation (1 work) · Distrust (1 work) · Gender Studies (1 work) · Hegemony (1 work)