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Sylviane Ngandu‐kalenga Greensword

Biographic Data

ID925919
NAMESylviane Ngandu‐kalenga Greensword
GIVEN NAMESSylviane Ngandu‐kalenga
FAMILY NAMEGreensword
SIGNATUREGREENSWORD S N K
AFFILIATIONSTexas Christian University
ORCID0000-0001-7928-1105
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS5
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Teaching and Learning Guide for: Historicizing Black Hair Politics

    Open Access•Sylviane Ngandu‐kalenga Greensword•ARTICLE•Sociology Compass•2025

  • Olaudah Equiano and the Anti-Ethnography of Blackness

    Open Access•Sylviane Ngandu‐kalenga Greensword, Sylviane Ngandu-Kalenga Greensword•ARTICLE•Humans•2024•References: 8

    This essay considers the abolitionist narrative, The Life of Olaudah Equiano, through the anthropological lens of ethnography. Equiano’s account, though not without controversy, contributes to the evolution of an African cultural consciousness that would span across multiple continents. In that sense, while this autobiography seems to follow the literary pattern of its contemporary slave narratives, it is also countercultural and qualifies as “an…

  • Fabulous Transactions: Hair Braiding in a Jamaican Resort Salon

    Open Access•Sylviane Ngandu‐kalenga Greensword•ARTICLE•Transforming Anthropology•2023

    This article focuses on the commodification of Jamaican Blackness and associated images through institutionalized hair‐care services. Drawing on the notion of fabulousness (the unapologetic performance of Black feminine beauty), I present findings from ethnographic research conducted in the hair‐braiding salon of a resort in Ocho Rios. I detail how Jamaican Blackness unfolds differently depending on the consumer's demographic category: white tour…

  • Historicizing black hair politics: A framework for contextualizing race politics

    Open Access•Sylviane Ngandu‐kalenga Greensword•ARTICLE•Sociology Compass•2022•Cited by: 5•References: 25

    In this article, I chronicle the ways in which Black women's hair has been used not only to exert political oppression and dominance, but also to resist alienation in the Americas. Whether covered during field labor, groomed on Saturday evenings, celebrated on Sunday, arranged as prestigious imitation in the “Big House,” braided into secret codes in Colombia, shaved as punishment, or denied all exhibition under the tignon laws in Louisiana, hair …

  • "Producing "Fabulous: Commodification and Ethnicity in Hair Braiding Salons

    Sylviane Ngandu‐kalenga Greensword, Sylviane Greensword•THESIS•2017•References: 70

    Black women wearing fabulous braids are a striking feature of the Afro-diasporic cultural landscape. However, the braiders and salon owners who enable this aesthetic engineering are seldom acknowledged. This dissertation investigates the experience and role of Caribbean and West and Central African women in the hair braiding industry, a rapidly growing business in the U.S. I address the complexity of these women's multiple social roles and the mu…

  • Historicizing black hair politics: A framework for contextualizing race politics

    Open Access•Sylviane Ngandu‐kalenga Greensword•ARTICLE•Sociology Compass•2022•Cited by: 5•References: 25

    In this article, I chronicle the ways in which Black women's hair has been used not only to exert political oppression and dominance, but also to resist alienation in the Americas. Whether covered during field labor, groomed on Saturday evenings, celebrated on Sunday, arranged as prestigious imitation in the “Big House,” braided into secret codes in Colombia, shaved as punishment, or denied all exhibition under the tignon laws in Louisiana, hair …

  • "Producing "Fabulous: Commodification and Ethnicity in Hair Braiding Salons

    Sylviane Ngandu‐kalenga Greensword, Sylviane Greensword•THESIS•2017•References: 70

    Black women wearing fabulous braids are a striking feature of the Afro-diasporic cultural landscape. However, the braiders and salon owners who enable this aesthetic engineering are seldom acknowledged. This dissertation investigates the experience and role of Caribbean and West and Central African women in the hair braiding industry, a rapidly growing business in the U.S. I address the complexity of these women's multiple social roles and the mu…

  • Historicizing black hair politics: A framework for contextualizing race politics

    Open Access•Sylviane Ngandu‐kalenga Greensword•ARTICLE•Sociology Compass•2022•Cited by: 5•References: 25

    In this article, I chronicle the ways in which Black women's hair has been used not only to exert political oppression and dominance, but also to resist alienation in the Americas. Whether covered during field labor, groomed on Saturday evenings, celebrated on Sunday, arranged as prestigious imitation in the “Big House,” braided into secret codes in Colombia, shaved as punishment, or denied all exhibition under the tignon laws in Louisiana, hair …

  • Fabulous Transactions: Hair Braiding in a Jamaican Resort Salon

    Open Access•Sylviane Ngandu‐kalenga Greensword•ARTICLE•Transforming Anthropology•2023

    This article focuses on the commodification of Jamaican Blackness and associated images through institutionalized hair‐care services. Drawing on the notion of fabulousness (the unapologetic performance of Black feminine beauty), I present findings from ethnographic research conducted in the hair‐braiding salon of a resort in Ocho Rios. I detail how Jamaican Blackness unfolds differently depending on the consumer's demographic category: white tour…

  • Olaudah Equiano and the Anti-Ethnography of Blackness

    Open Access•Sylviane Ngandu‐kalenga Greensword, Sylviane Ngandu-Kalenga Greensword•ARTICLE•Humans•2024•References: 8

    This essay considers the abolitionist narrative, The Life of Olaudah Equiano, through the anthropological lens of ethnography. Equiano’s account, though not without controversy, contributes to the evolution of an African cultural consciousness that would span across multiple continents. In that sense, while this autobiography seems to follow the literary pattern of its contemporary slave narratives, it is also countercultural and qualifies as “an…

  • Teaching and Learning Guide for: Historicizing Black Hair Politics

    Open Access•Sylviane Ngandu‐kalenga Greensword•ARTICLE•Sociology Compass•2025

Sociology (5 works) · Gender Studies (4 works) · Anthropology (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Aesthetics (2 works) · Art (2 works) · Commodification (2 works) · Ethnography (2 works)

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