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Martina Napolitano

Biographic Data

ID9269383
NAMEMartina Napolitano
GIVEN NAMESMartina
FAMILY NAMENapolitano
SIGNATURENAPOLITANO M
AFFILIATIONSUniversity of Udine
ORCID0000-0001-8989-5012
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2022
H-INDEX0
  • On and Beyond Egor Letov. Rock and Punk Music from (Soviet) Siberia

    Open Access•Martina Napolitano, Vladimir Zherebov•ARTICLE•Studi Slavistici•2022

    This article examines the role played by Siberian underground musical phenomena in the development of rock and punk music in Russia, paying particular attention to the profile of Egor Letov and his relevant musical ventures. The authors situate the analysis within the broader framework of studies dealing with Russian rock music and Soviet underground culture in general and examine the hitherto insufficiently explored features that characterized t…

  • Выбрать троих Дмитрия Данилова (2020)

    Martina Napolitano•ARTICLE•Canadian-American Slavic Studies•2022

    Пьеса Выбрать троих (2020) Дмитрия Данилова описывает семью, переваривающую абсурд грядущей политики самоизоляции. Процесс остранения носит в тексте двоякий характер: с одной стороны, он выполняет поэтическую функцию, с другой у него есть политический (или прагматический) эффект. В пьесе Данилова изображена биополитическая дистопия XXI века. В этом зеркале, однако, есть искажение, которое ставит под сомнение ход повествования: что появилось раньш…

  • “Studyin This Volapuke” That Makes the “Barrel of the Narrative” Roll

    Martina Napolitano•ARTICLE•Canadian-American Slavic Studies•2021

    Sasha Sokolov’s second novel Mezhdu sobakoi i volkom has its origins in the author’s reflection on the role and nature of the narrating voice. In concocting the most appropriate voice for this narrative, the author constructed a language, defined by one of the heroes as “Volapuke,” a 19th-century constructed idiom ( Volapük ). In Sokolov’s “Volapuke,” every trope, word, and even grapheme is allowed to transfigure into its direct, objectified mean…

  • Sasha Sokolov and the “Iron Curtain”

    Evgeny Popov, Martina Napolitano et al.•ARTICLE•Canadian-American Slavic Studies•2021

    Traduzione di un contributo inedito dello scrittore russo contemporanea Evgenij Popov dal russo all’inglese per il numero monografico della rivista da me curato assieme a José Vergara

No prominent works on this page.

  • “Studyin This Volapuke” That Makes the “Barrel of the Narrative” Roll

    Martina Napolitano•ARTICLE•Canadian-American Slavic Studies•2021

    Sasha Sokolov’s second novel Mezhdu sobakoi i volkom has its origins in the author’s reflection on the role and nature of the narrating voice. In concocting the most appropriate voice for this narrative, the author constructed a language, defined by one of the heroes as “Volapuke,” a 19th-century constructed idiom ( Volapük ). In Sokolov’s “Volapuke,” every trope, word, and even grapheme is allowed to transfigure into its direct, objectified mean…

  • Sasha Sokolov and the “Iron Curtain”

    Evgeny Popov, Martina Napolitano et al.•ARTICLE•Canadian-American Slavic Studies•2021

    Traduzione di un contributo inedito dello scrittore russo contemporanea Evgenij Popov dal russo all’inglese per il numero monografico della rivista da me curato assieme a José Vergara

  • On and Beyond Egor Letov. Rock and Punk Music from (Soviet) Siberia

    Open Access•Martina Napolitano, Vladimir Zherebov•ARTICLE•Studi Slavistici•2022

    This article examines the role played by Siberian underground musical phenomena in the development of rock and punk music in Russia, paying particular attention to the profile of Egor Letov and his relevant musical ventures. The authors situate the analysis within the broader framework of studies dealing with Russian rock music and Soviet underground culture in general and examine the hitherto insufficiently explored features that characterized t…

  • Выбрать троих Дмитрия Данилова (2020)

    Martina Napolitano•ARTICLE•Canadian-American Slavic Studies•2022

    Пьеса Выбрать троих (2020) Дмитрия Данилова описывает семью, переваривающую абсурд грядущей политики самоизоляции. Процесс остранения носит в тексте двоякий характер: с одной стороны, он выполняет поэтическую функцию, с другой у него есть политический (или прагматический) эффект. В пьесе Данилова изображена биополитическая дистопия XXI века. В этом зеркале, однако, есть искажение, которое ставит под сомнение ход повествования: что появилось раньш…

Art (2 works) · History (2 works) · Political science (2 works) · Art history (1 work) · Computer Science (1 work) · Decolonial Thought and Epistemologies (1 work) · Discourse Analysis and Cultural Communication (1 work) · Diverse Musicological Studies (1 work) · Eastern European Communism and Reforms (1 work) · Environmental Science (1 work)

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