L Welland
Biographic Data
| ID | 9281 |
|---|---|
| NAME | L Welland |
| GIVEN NAMES | L |
| FAMILY NAME | Welland |
| SIGNATURE | WELLAND L |
| AFFILIATIONS | University of Washington |
| ORCID | 0009-0003-5206-396X |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Haikuology, for Kara, after Sonia Sanchez
Beginning with an autoethnographic reflection on my sister's obsession with writing haiku toward the end of her long struggle with cancer, this essay falls into a wider world of illness and confinement, death and grief, moving from the COVID-19 pandemic to the haiku practices of two modern innovators of the form, Masaoka Shiki (1867-1902) and Richard Wright (1908-1960). As a mixed genre piece interweaving prose and poetry, it draws upon Renato Ro…
Camouflaged Histories
Lei Yan 雷燕, whose artistic practice was shaped by a decades-long career in the Chinese military, began a period of transition through participation in a 2002 restaging of the Communist Red Army’s 1934 Long March as a multi-sited international art project. Her resulting encounter with US feminist art icon Judy Chicago raised questions about the potential neocolonial influence of global feminist art. The work Lei subsequently produced performs an a…
Experimental Beijing: Gender and Globalization in Chinese Contemporary Art
During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking pow…
Ocean Paradise
A Thousand Miles of Dreams: The Journeys of Two Chinese Sisters
Prologue: Departure Part I: Moving House Chapter 1: Origins Chapter 2: Ambition Chapter 3: Disappointment Chapter 4: Courtyards Chapter 5: Mountains and Walls Part II: Casting Off Chapter 6: Lessons Chapter 7: Mist Chapter 8: Amid Ghosts Chapter 9: In the Streets Chapter 10: Romance Chapter 11: Gatherings Chapter 12: Modern Medicine Chapter 13: Crescent Moon Part III: Seeking a Mooring Chapter 14: Arrival Chapter 15: Adrift Chapter 16: Souvenirs …
What Women Will Have Been: Reassessing Feminist Cultural Production in China: A Review Essay
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A Thousand Miles of Dreams: The Journeys of Two Chinese Sisters
Prologue: Departure Part I: Moving House Chapter 1: Origins Chapter 2: Ambition Chapter 3: Disappointment Chapter 4: Courtyards Chapter 5: Mountains and Walls Part II: Casting Off Chapter 6: Lessons Chapter 7: Mist Chapter 8: Amid Ghosts Chapter 9: In the Streets Chapter 10: Romance Chapter 11: Gatherings Chapter 12: Modern Medicine Chapter 13: Crescent Moon Part III: Seeking a Mooring Chapter 14: Arrival Chapter 15: Adrift Chapter 16: Souvenirs …
What Women Will Have Been: Reassessing Feminist Cultural Production in China: A Review Essay
Ocean Paradise
Experimental Beijing: Gender and Globalization in Chinese Contemporary Art
During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking pow…
Camouflaged Histories
Lei Yan 雷燕, whose artistic practice was shaped by a decades-long career in the Chinese military, began a period of transition through participation in a 2002 restaging of the Communist Red Army’s 1934 Long March as a multi-sited international art project. Her resulting encounter with US feminist art icon Judy Chicago raised questions about the potential neocolonial influence of global feminist art. The work Lei subsequently produced performs an a…
Haikuology, for Kara, after Sonia Sanchez
Beginning with an autoethnographic reflection on my sister's obsession with writing haiku toward the end of her long struggle with cancer, this essay falls into a wider world of illness and confinement, death and grief, moving from the COVID-19 pandemic to the haiku practices of two modern innovators of the form, Masaoka Shiki (1867-1902) and Richard Wright (1908-1960). As a mixed genre piece interweaving prose and poetry, it draws upon Renato Ro…
Art (4 works) · Art history (3 works) · History (3 works) · Law (3 works) · Sociology (3 works) · Artists (2 works) · Beijing (2 works) · China (2 works) · china (2 works) · Chinese history and philosophy (2 works)