Gang Sui
Biographic Data
| ID | 9282373 |
|---|---|
| NAME | Gang Sui |
| GIVEN NAMES | Gang |
| FAMILY NAME | Sui |
| SIGNATURE | SUI G |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Short fiction writing in English by Chinese university students
When delivering a speech at a meeting of the Writers’ Congress, Ernest Hemingway said as a fiction writer: A writer's problem does not change. He himself changes, but his problem remains the same. It is always how to write truly and having found what is true, to project it in such a way that it becomes part of the experience of the person who reads it. (1937) Does this statement still ring true today? If it does, what approach should and can be t…
Bilingual creativity
The university-level poetry writing workshops in English taught in a Chinese context are characterized chiefly by bilingual creativity. Based on the practical task of creating ‘contact literature’ (Kachru, 1992: 317), to be more exact, ‘contact poetry’, they transcend the limits of any one single language and culture so as to make points of contact between Chinese and English languages and cultures in terms of verbal images, sound devices, and th…
No prominent works on this page.
Bilingual creativity
The university-level poetry writing workshops in English taught in a Chinese context are characterized chiefly by bilingual creativity. Based on the practical task of creating ‘contact literature’ (Kachru, 1992: 317), to be more exact, ‘contact poetry’, they transcend the limits of any one single language and culture so as to make points of contact between Chinese and English languages and cultures in terms of verbal images, sound devices, and th…
Short fiction writing in English by Chinese university students
When delivering a speech at a meeting of the Writers’ Congress, Ernest Hemingway said as a fiction writer: A writer's problem does not change. He himself changes, but his problem remains the same. It is always how to write truly and having found what is true, to project it in such a way that it becomes part of the experience of the person who reads it. (1937) Does this statement still ring true today? If it does, what approach should and can be t…
Art (2 works) · Creative writing (2 works) · History (2 works) · Language, Metaphor, and Cognition (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Psychology (2 works) · Sociology (2 works) · China (1 work)